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Marcus - Leaving the sea: stories

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Leaving the sea: stories: summary, description and annotation

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By turns hilarious and heartfelt, dark and illuminative, Ben Marcuss Leaving the Sea is a ground breaking collection of stories from one of the single most vital, extraordinary, and unique writers of his generation.
In the heartfelt I Can Say Many Nice Things, a washed-up writer toying with infidelity leads a creative writing workshop on board a cruise ship. In the dystopian Rollingwood, a divorced father struggles to take care of his ill infant, as his ex-wife and colleagues try to render him irrelevant. In Watching Mysteries with My Mother, a son meditates on his mothers mortality, hoping to stave off her death for as long as he sits by her side. And in the title story, told in a single breathtaking sentence, we watch as the narrators marriage and his sanity unravel, drawing him to the brink of suicide. Surreal and tender, terrifying and life-affirming, Leaving the Sea is the work of an utterly unique writer at the height of his powers.

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Contents
ALSO BY BEN MARCUS The Age of Wire and String Notable American Women The - photo 1
ALSO BY BEN MARCUS The Age of Wire and String Notable American Women The - photo 2

ALSO BY BEN MARCUS

The Age of Wire and String

Notable American Women

The Father Costume

The Anchor Book of New American Short Stories (Editor)

The Flame Alphabet

THIS IS A BORZOI BOOK PUBLISHED BY ALFRED A KNOPF Copyright 2014 by Ben Marcus - photo 3
THIS IS A BORZOI BOOK PUBLISHED BY ALFRED A KNOPF Copyright 2014 by Ben Marcus - photo 4
THIS IS A BORZOI BOOK
PUBLISHED BY ALFRED A. KNOPF

Copyright 2014 by Ben Marcus

All rights reserved. Published in the United States by Alfred A. Knopf, a division of Random House LLC, New York, and in Canada by Random House of Canada Limited, Toronto, Penguin Random House Companies.

www.aaknopf.com

Knopf, Borzoi Books, and the colophon are registered trademarks of Random House LLC.

Selected stories in this work were previously published in the following: On Not Growing Up (Spring 2008) in Conjunctions; Fear the Morning as The Morning Tour (Fall 2004) in The Denver Quarterly; Watching Mysteries with My Mother (May 2012) in Electric Literature; First Love in The Ex-File (Context Books, February 2000); The Father Costume as The Father Costume (Artspace Books, May 2002); Origins of the Family as Bones (February 2001) in Frieze; The Loyalty Protocol (January 2013) in Granta; I Can Say Many Nice Things (Summer 2013), Against Attachment as Children Cover Your Eyes (February 2005) and My Views on the Darkness (June 2009) in Harpers; Rollingwood (March 2011), What Have You Done? (August 2011), and The Dark Arts as Wouldnt You Like to Join Me? (May 2013) in The New Yorker; and The Moors (2009) and Leaving the Sea (September 2013) in Tin House. The Moors subsequently published as The Moors (Madras Press, December 2010).

Library of Congress Cataloging-in-Publication Data

Marcus, Ben, 1967

[Short stories. Selections]

Leaving the sea : stories / Ben Marcus. First edition.

pages ; cm.

This is a Borzoi Book.

ISBN : 9780307379382

eBook ISBN : 9780385350433

I. Title.

PS 3563. A 6375 L 43 2014 813'.54dc23 2013004576

This is a work of fiction. Names, characters, places, and incidents either are the product of the authors imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

Cover design by Peter Mendelsund

ep_v4.0_r2

For Heidi

1
What Have You Done?

W hen Pauls flight landed in Cleveland, they were waiting for him. Theyd probably arrived early, set up camp right where passengers float off the escalators scanning for family. They must have huddled there watching the arrivals board, hoping in the backs of their minds, and the mushy front parts of their minds, too, yearning with their entire minds, that Paul would balk as he usually did and just not come home.

But this time hed come, and hed hoped to arrive alone, to be totally alone until the very last second. The plan was to wash up, to be one of those guys at the wall of sinks in the airport bathroom, soaping their underarms, changing shirts. Then hed get a Starbucks, grab his bag, take a taxi out to the house. That way he could delay the face time with these people. Delay the body time, the time itself, the time, while he built up his nerve, or whatever strategy it was that you employed when bracing yourself for Cleveland. For the people of Cleveland. His people.

They had texted him, though, and now here they were in a lump, pressed so tightly together you could almost have buckshot the three of them down with a single pull. Not that he was a hunter. Dad, Alicia, and Rick. The whole sad gang, minus one. Paul considered walking up to them and holding out his wrists, as if they were going to cuff him and lead him away. You have been sentenced to a week with your family! But they wouldnt get the joke, and then, forever more, hed be the one who had started it, after so many years away, the one who had triggered the difficulty yet again with his bullshit and games, and why did he need to queer the thing before the thing had even begun, unless, gasp, he wanted to set fire to his whole life.

So he strode up as cheerfully as he could, but he must have overdone it, because his father looked stricken, as if Paul might be moving in for a hug. He could have gone ahead and hugged the man, to see if there was anything left between them, except that he was going to behave himself, or so hed pledged, and his father seemed thin and old and scared. Scared of Paul, or scared of the airport and the crowds, where disturbingly beautiful people and flat-out genetically certified monsters swarmed together as if they belonged to the same species. Maybe that was what happened to a mans face after seventy: it grew helplessly honest, and todays honest feeling was shit-stoked fear, because someones son had come home and his track record was, well, not the greatest. Paul understood, he understood, he understood, and he nodded and tried to smile, because they couldnt really nail him for that, and they followed him to the baggage claim.

In the car they didnt ask him about his trip and he didnt volunteer. His sister and Rick whispered and cuddled and seemed to try to inseminate each other facially in the backseat while his father steered the car onto the expressway. Alicia and Rick had their whole married lives to exchange fluids and language, but for some reason theyd needed to wait until Paul was there to demonstrate how clandestine and porno they were. They had big secretsas securely employed adults very well might. Plus they wanted Paul to know that they were vibrantly glistening sexual human beings, even in their late thirties, when most peoples genitals turn dark and small, like shrunken heads, and airport trip be damned, because they couldnt just turn off their desire at will.

Alone they probably hated each other, Paul thought. Masturbating in separate rooms, then reading in bed together on his-and-hers Kindles. Ignoring the middle-aged fumes steaming under the duvet. Just another marriage burning through its eleventh year. Whats the anniversary stone for eleven years of marriage? A pebble?

Paul sat and watched the outskirts of Cleveland bloom in his window, as if endlessly delayed construction projects held professional interest for him, a village of concrete foundations filled with sand, rebar poking through like the breathing tubes of men buried alive.

His father took the exit onto Monroe and the woozy hairpin up Cutler Road, which Paul had always loved, because of the way the light suddenly dumped down on you as you pulled above the tree line. The city stretched below them, the whole skyline changed since hed last visited, ten years ago. The old stone banksSovereign, Shelby, Citizenssquatted in the shadow of new, bladelike towers that werent half bad. They were tall and thin and black, hooked at their tops, and were either sheathed entirely in charcoal-tinted glass or simply windowless. Someone had actually hired real architects. Someone had decided not to rape the Cleveland skyline, and there must have been hell to pay.

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