OHara Frank - Frank OHara and the poetics of saying I
Here you can read online OHara Frank - Frank OHara and the poetics of saying I full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: Madison N.J;United States, year: 2011;2013, publisher: Fairleigh Dickinson University Press, genre: Art. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:
Romance novel
Science fiction
Adventure
Detective
Science
History
Home and family
Prose
Art
Politics
Computer
Non-fiction
Religion
Business
Children
Humor
Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.
- Book:Frank OHara and the poetics of saying I
- Author:
- Publisher:Fairleigh Dickinson University Press
- Genre:
- Year:2011;2013
- City:Madison N.J;United States
- Rating:3 / 5
- Favourites:Add to favourites
- Your mark:
Frank OHara and the poetics of saying I: summary, description and annotation
We offer to read an annotation, description, summary or preface (depends on what the author of the book "Frank OHara and the poetics of saying I" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.
OHara Frank: author's other books
Who wrote Frank OHara and the poetics of saying I? Find out the surname, the name of the author of the book and a list of all author's works by series.
Frank OHara and the poetics of saying I — read online for free the complete book (whole text) full work
Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Frank OHara and the poetics of saying I" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.
Font size:
Interval:
Bookmark:
I WOULD LIKE TO THANK A NUMBER OF PEOPLE AND ORGANIZATIONS without whom I would have never completed this work. I received much-needed financial support from the Swiss National Science Foundation for a research year at Yale. Melissa Watterwork of the Thomas J. Dodd Research Center at the University of Connecticut assisted me with OHaras unpublished letters, and I am indebted to the staff at both the Beinecke Rare Book and Manuscript Library at Yale and the Rare Book Collection at the Wilson Library at the University of North Carolina, Chapel Hill for their help with rare versions of OHaras art criticism. I would also like to thank Elsa Dorfman, who answered a number of questions regarding OHaras involvement with Paterson Society.
Peter Halter was kind enough to read a number of earlier versions of the entire work and each time offered gracious, cogent advice that helped me to expand the original thesis in fruitful directions. Patrick Vincent, Lukas Erne, and Thomas Austenfeld have assisted me in various ways in this project, and I would like to thank them here for their respective encouragement and support. I have benefited greatly from the guidance of the late Robert Rehder, who read a number of earlier versions of the manuscript and offered numerous suggestions and helped me understand what it means to be a true scholar of poetry. I would also like to thank Christine Retz and Joshua Allen for their guidance in bringing the manuscript to press and Wyatt Benner for his expert copyediting.
Anne-Claude and Nicolas Suter, Terry and Diana Mattix, and Roger and Mary-Claude Moret supported me in my research in numerous ways, and I would like to thank them here for their assistance. While thanks extended to ones spouse are staples of acknowledgment sections, it is nevertheless true that I could not have completed this work without Carines patience and support over the years, and I would like to acknowledge that it is as much the result of her gracious sacrifices as it is of my research.
For permission to include the material below, I would like to thank the following:
Alfred A. Knopf, a division of Random House, Inc., for permission to quote from The Collected Poems of Frank OHara by Frank OHara, edited by Donald Allen, copyright 1971 by Maureen Granville-Smith, Administratix of the Estate of Frank OHara, copyright renewed 1999 by Maureen OHara Granville-Smith, and Donald Allen Introduction copyright 1971 by Alfred A. Knopf.
City Lights Books, for permission to quote from Lunch Poems, copyright 1964 by Frank OHara.
Grove/Atlantic, Inc., for permission to quote from Meditations in an Emergency, copyright 1957 by Frank OHara.
A version of chapter 3 originally appeared in American Poetry: Whitman to the Present, ed. Robert Rehder and Patrick Vincent (Tbingen: Gunter Narr Verlag, 2006), 139149. I would like to thank the publisher for permission to reprint it here.
OHara, Frank. Art Chronicles, 19541966. New York: George Braziller, 1975.
. Bennett Bradbury. ArtNews 52, no. 8 (December 1953): 65.
. The Collected Poems of Frank OHara. Ed. Donald Allen. Berkeley and Los Angeles: University of California Press, 1995.
. Cubism to 1918. ArtNews 52, no. 9 (January 1954): 65.
. Early Writing. Ed. Donald Allen. Bolinas, CA: Grey Fox, 1977.
. George Hartigan. ArtNews 52, no. 10 (February 1954): 45.
. Jackson Pollock. New York: George Braziller, 1959.
. Love Poems (Tentative Title). New York: Tibor de Nagy, 1965.
. Lunch Poems. San Francisco: City Lights, 1964.
. Meditations in an Emergency. New York: Grove Press, 1967.
. Miles Forst. ArtNews 53, no. 3 (May 1954): 43.
. Paul Klee. ArtNems 53, no. 1 (March 1954): 41.
. Poems Retrieved. Ed. Donald Allen. San Francisco: Grey Fox, 2001.
. Robert Motherwell. Garden City, NY: Doubleday, 1965.
. Second Avenue. New York: Totem Press, 1960.
. Standing Still and Walking in New York. Ed. Donald Allen. San Francisco: Grey Fox, 1975.
. Three Sculptors. ArtNews 52, no. 8 (December 1953): 42.
Allen Collection of Frank OHara Letters. Archives and Special Collections at the Thomas J. Dodd Research Center, University of Connecticut Libraries.
Abrams, M. H. The Mirror and the Lamp: Romantic Theory and the Critical Tradition. Oxford: Oxford University Press, 1953.
Adamowicz, Elza. Surrealist Collage in Text and Image: Dissecting the Exquisite Corpse. Cambridge: Cambridge University Press, 1998.
Allen, Gay Wilson. Walt Whitman: Cosmos-Inspired. In Leaves of Grass: A Norton Critical Edition, ed. Sculley Bradley and Harold W. Blodgett, 895902. New York: W.W. Norton, 1973.
Altieri, Charles. Contingency as Compositional Principle in Fifties Poetics. In The Scene of My Selves: New York on New York School Poets, ed. Terence Diggory and Stephen Paul Miller, 35984. Orono, ME: National Poetry Foundation, 2001.
. Enlarging the Temple: New Directions in American Poetry during the 1960s. Lewisburg, PA: Bucknell University Press, 1979.
. The Objectivist Tradition. In The Objectivist Nexus: Essays in Cultural Poetics , ed. Rachel Blau DuPlessis and Peter Quartermain, 2536. Tuscaloosa: University of Alabama Press, 1999.
. Painterly Abstraction in Modernist American Poetry: The Contemporaneity of Modernism. London: Cambridge University Press, 1989.
Self and Sensibility in Contemporary American Poetry. London: Cambridge University Press, 1984.
. The Significance of Frank OHara. Iowa Review 4, no. 3 (1973): 90-104. Apollinaire, Guillaume. Alcools. Trans. Anne Hyde Greet. Berkeley: University of California Press, 1965.
. Calligrammes: Poems of Peace and War (19131916). Trans. Anne Hyde Greet. Berkeley: University of California Press, 1980.
. The Cubist Painters. Trans. Peter Read. Berkeley: University of California Press, 2002.
. The New Spirit and the Poets. Trans. Roger Shattuck. In Selected Writings, 22737. New York: New Directions, 1950.
Arnheim, Rudolf. Accident and the Necessity of Art. In Toward a Psychology of Art: Collected Essays, 16280. Berkeley: University of California Press, 1972.
. Emotion and Feeling in Psychology and Art. In Toward a Psychology of Art: Collected Essays, 30319. Berkeley: University of California Press, 1972.
. Entropy and Art: An Essay on Disorder and Order. Berkeley: University of California Press, 1971.
Ashbery, John. Frank OHaras Question. Book Week, September 25, 1966, 6.
. Other Traditions. Cambridge, MA: Harvard University Press, 2000.
. Selected Poems. London: Carcanet Press, 1986.
. Self-Portrait in a Convex Mirror. New York: Penguin, 1976.
. Three Poems. New York: Viking, 1970.
Barfield, Owen. History in English Words. London: Faber and Faber, 1953.
Barnstone, Willis. Introduction to Border of a Dream:Selected Poems of Antonio Machado, trans. and ed. Willis Barnstone, i-liii. Port Townsend, WA: Copper Canyon Press, 2003.
Barthes, Roland, The Death of the Author. Trans. Samuel Heath. In Modern Literary Theory, ed. Philip Rice and Patricia Waugh, 118-22. London: Arnold, 1996.
. The Pleasure of the Text. Trans. Richard Miller. New York: Hill and Wang, 1975.
Bartlett, Lee. What Is Language Poetry? Critical Inquiry 12, no. 4 (1986): 74152.
Baudelaire, Charles. Les fleurs du mal. Paris: Presses Pocket, 1981.
Beach, Christopher. The Cambridge Introduction to Twentieth-Century American Poetry. Cambridge: Cambridge University Press, 2003.
Font size:
Interval:
Bookmark:
Similar books «Frank OHara and the poetics of saying I»
Look at similar books to Frank OHara and the poetics of saying I. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.
Discussion, reviews of the book Frank OHara and the poetics of saying I and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.