Jeremy Webb - Design Principles for Photography

Many thanks to all the contributors who have supplied images for this book. I hope that their images will inspire others as much as Ive been inspired by them. Thanks also to Osman Ashraf, Tomasz Tylicki and Sanette Blignaut for contributing such superb coursework for this project and to all my current and past students who continue to supply some seriously impressive work.

Id also like to thank my wife Kat, my son and webmeister extraordinaire Jack and my daughter Dixie for their wonderful support and help along the way.

Last but by no means least to all at Bloomsbury Publishing.

Thank you one and all.

• P10. Courtesy of Hannah Starkey; Tanya Bonakdar Gallery, New York; Maureen Paley, London
• P15. Christies Images Limited. Gelatin silver print. 2019. Christies Images, London/Scala, Florence
• P16. Photography by Olivia Parker 1976
• P19. Oleg Dersky www.olegdersky.com
• P22. Rodchenko & Stepanova Archive, DACS, RAO 2019; Image supplied by the San Francisco Museum of Modern Art. Purchase through a gift of Robin Moll and Accessions Committee Fund: gift of Barbara and Gerson Bakar, Frances and John Bowes, Shawn and Brook Byers, Mimi and Peter Haas, Byron R. Meyer, Madeleine H. Russell and Phyllis Wattis. Estate of Alexander Rodchenko/RAO, Moscow/VAGA, New York
• P27. Norman Parkinson/Iconic Images/Getty
• P29. Marie Pejouan
• P37. Heritage Images/Getty
• P39. Science & Society Picture Library/Getty
• P46. Damien Gillie
• P47. Alberto Oviedo
• P51. Ernst Haas/Hulton Archive/Getty images
• P52. Libby Double-King 2006
• P53. National Portrait Gallery, London
• P54. Smart Photography Ltd
• P55. Photography by Olivia Parker 1977
• P57. Bryan Schutmaat 1977
• P65. Barry McCall
• P69. Martine Franck/Magnum Photos
• P73. Mary Amor 2008
• P73. www.rickiknights.co.uk
• P76. Courtesy of Gavin Ambrose
• P77. Rommert Boonstra
• P78. Vadim Tolstov
• P79. Libby Double-King 2006
• P81. Ernst Haas/Hulton Archive/Getty images
• P85. Hiroshi Watanabe
• P88. Shinichi Maruyama 2006
• P91. Costa Manos/Magnum Photos
• P103. Greg Funnell
• P106. Henri Cartier-Bresson/Magnum Photos
• P107. Luka Kase
• P110. Pascal Renoux
• P115. Pen & Ink Press
• P117. Andreas Gursky/Courtesy Sprth Magers Berlin London/DACS 2019
• P119. The J. Paul Getty Museum, Los Angeles Copyright: Man Ray Trust ARS-ADAGP
• P125. Michael Levin 2005
• P127. Handcuffs by Oliviero Toscani (September 1989) for United Colours of Benetton
• P129. Mark Johnson
• P131. Tamas Dezso
• P134. 1984 The Estate of Garry Winogrand, courtesy of Fraenkel Gallery, San Francisco
• P135. James Casebere
• P145. Christiane Zschlommer 2005
• P145. Duncan Loughrey
• P149. Tim Foster
• P152. Ansen Seale 2010
• P155. Courtesy of Hannah Starkey; Tanya Bonakdar Gallery, New York; Maureen Paley, London
• P156. Photography by Olivia Parker 1983
• P157. Peter Read Miller
• P161. Mona Kuhn
• P162. Neil Gavin
• P163. Rut Blees Luxemburg and Union Gallery London
• P167. Artistic action by Yves Klein Succession Yves Klein c/o ADAGP, Paris, DACS, London 2019, Collaboration Harry Shunk and Jnos Kender J. Paul Getty Trust.
• P169. Sergey Ponomarev
• P171. Margaret Bourke-White/Getty
• P180. Newborn baby by Oliviero Toscani (September 1989) for United Colours of Benetton
• P182. Mona Kuhn
• P185. Rune Guneriussen
• P187. Nikolaj Georgiew
• P192. Estate Walter Peterhans, Museum Folkwang, Essen
• P197. Unsplash
• P203. Katie Shapiro 2008
• P207. Nikolaj Georgiew
• P211. Angus Fraser
• P213. Sophie Calle ADAGP, Paris and DACS, London 2019
• P215. Cindy Sherman Untitled Film Still #3, 1977 Gelatin silver print 8 10 inches 18 24 cm Courtesy of the artist and Metro Pictures, New York

All reasonable attempts have been made to trace, clear and credit the copyright holders of the images reproduced in this book. However, if any credits have been inadvertently omitted, the publisher will endeavour to incorporate amendments in future editions.

All other photographs and images are courtesy of the author, Jeremy Webb: www.jeremywebbphotography.com

• Art Photography Now by Susan Bright (Thames & Hudson).
• Blink (Phaidon).
• How You Look at It: Photographs of the 20th Century, ed. Heinz Liesbrock and Thomas Weski (Thames & Hudson).
• Image Makers, Image Takers by Anne-Celine Jaeger (Thames & Hudson).
• Public Relations New British Photography (Cantz).

• Exploring Colour Photography: A Complete Guide by Robert Hirsch (Lawrence King Publishing Ltd.).
• Fine Art Photography: Creating Beautiful Images for Sale and Display by Terry Hope (Rotovision).
• Innovation/Imagination: 50 Years of Polaroid Photography (Harry N. Abrams).
• Looking at Photographs by John Szarkowski (Museum of Modern Art, New York).
• On Photography by Susan Sontag (Penguin).
• Tao of Photography by Tom Ang (Mitchell Beazley).
• The Art of Enhanced Photography by James Luciana and Judith Watts (Mitchell Beazley).
• The Impossible Image: Fashion Photography in the Digital Age (Phaidon).
• The Nature of Still Life: From Fox Talbot to the Present Day, ed. Peter Weiermair (Electa).
• The Photographers Eye (Composition and Design for Better Digital Photos) by Michael Freeman (ILEX).

• Approaching Photography by Paul Hill (Photographers Institute Press).
• Fine Art Photography by Terry Hope (Rotovision).
• Home Photography by Andrew Sanderson (Argentum).
• Innovation/Imagination: 50 Years of Polaroid Photography (Harry N. Abrams).
• Photographic Possibilities (2nd ed.) by Robert Hirsch and John Valentino (Focal Press).
• Photography as Fine Art, Introduction by Douglas Davis (Thames & Hudson).
• Photography: The Key Concepts by David Bate (Berg).
• Right Brain, Left Brain Photography by Kathryn Marx (Amphoto).
• On Photography by Susan Sontag (Penguin).
• The Abrams Encyclopedia of Photography, ed. Brigitte Gouignon (Harry N. Abrams).
• The Focal Encyclopedia of Photography (4th ed.), ed. Michael R. Peres (Focal Press).
• The Oxford Companion to the Photograph, ed. Robin Lenman (Oxford University Press).
• The Photography Handbook by Terence Wright (Routledge).
• Whats Missing? Realising Our Photographic Potential, compiled by Eddie Ephraums (Argentum).

• Creative Photo Printmaking by Theresa Airey (Amphoto Books).
• Cyanotype: The History, Science and Art of Photographic Printing in Prussian Blue by Mike Ware (The Science Museum and The National Museum of Photography, Film and Television).
• Photographys Antiquarian Avant-Garde: The New Wave in Old Processes