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Manuele Gragnolati (editor) - The Oxford Handbook of Dante

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Book:
The Oxford Handbook of Dante
Author:
Manuele Gragnolati editor / Elena Lombardi editor / Francesca Southerden editor
Publisher:
Oxford University Press
Genre:
Books / Art
Year:
2021
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The Oxford Handbook of Dante contains forty-four specially written chapters that provide a thorough and creative reading of Dantes oeuvre. It gathers an intergenerational and international team of scholars encompassing diverse approaches from the fields of Anglo-American, Italian, andcontinental scholarship and spanning several disciplines: philology, material culture, history, religion, art history, visual studies, theory from the classical to the contemporary, queer, post- and de-colonial, and feminist studies. The volume combines a rigorous reassessment of Dantes formation,themes, and sources, with a theoretically up-to-date focus on textuality, thereby offering a new critical Dante. The volume is divided into seven sections: Texts and Textuality; Dialogues; Transforming Knowledge; Space(s) and Places; A Passionate Selfhood; A Non-linear Dante; andNachleben. It seeks to challenge the Commedia-centric approach (the conviction that notwithstanding its many contradictions, Dantes works move towards the great reservoir of poetry and ideas that is the Commedia), in order to bring to light a non-teleological way in which these works relateamongst themselves. Plurality and the openness of interpretation appear as Dantes very mark, coexisting with the attempt to create an all-encompassing mastership. The Handbook suggests what is exciting about Dante now and indicate where Dante scholarship is going, or can go, in a global context.

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The Oxford Handbook of

Dante

The Oxford Handbook of Dante - image 2

Great Clarendon Street, Oxford, ox2 6dp , United Kingdom

Oxford University Press is a department of the University of Oxford. It furthers the Universitys objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries

the various contributors 2021

The moral rights of the authors have been asserted

First Edition published in 2021

Impression: 1

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above

You must not circulate this work in any other form and you must impose this same condition on any acquirer

Published in the United States of America by Oxford University Press

198 Madison Avenue, New York, NY 10016, United States of America

British Library Cataloguing in Publication Data

Data available

Library of Congress Control Number: 2020948812

ISBN 9780198820741

ebook ISBN 9780192552594

Printed and bound by

CPI Group (UK) Ltd, Croydon, cr0 4yy

Links to third party websites are provided by Oxford in good faith and for information only. Oxford disclaims any responsibility for the materials contained in any third party website referenced in this work.

This Handbook is dedicated to the memory of Margie Waller, and to friendship

Contents

Introduction: Dante Unbound: A Vulnerable Life and the Openness of Interpretation
Manuele Gragnolati , Elena Lombardi , and Francesca Southerden

The Author
Justin Steinberg

Memory
Lina Bolzoni

Reading
Mary Carruthers

The Materiality of the Text and Manuscript Culture
Martin Eisner

The Manuscript Tradition, or on Editing Dante
Fabio Zinelli

Commentary (both by Dante and on Dante)
Luca Fiorentini

Digital Dante
Akash Kumar

The Classics
Zygmunt G. Baraski

Roman de la Rose
Antonio Montefusco

Troubadours
William Burgwinkle

Early Italian Lyric
Roberto Rea

Comic Culture
Fabian Alfie

Visual Culture
Gervase Rosser

Encyclopaedism
Franziska Meier

Medicine
Natascia Tonelli

Visual Theory
Simon Gilson

The Law
Diego Quaglioni

Politics
Tristan Kay

Philosophy and Theology
Pasquale Porro

Religion
Alessandro Vettori

Poetry
Elena Lombardi

Florence and Rome
Giuliano Milani

Civitas/Community
Elisa Brilli

The Mediterranean
Karla Mallette

The East
Brenda Deen Schildgen

Exile
Johannes Bartuschat

Travelling/Wandering/Mapping
Theodore J. Cachey Jr

Dantes Other Worlds
Peter S. Hawkins

Eschatological Anthropology
Manuele Gragnolati

Language
Heather Webb

The Mystical
Bernard McGinn

Bodies on Fire
Cary Howie

The Master Narrative and its Paradoxes
Nicol Crisafi

Conversion, Palinody, Traces
Jennifer Rushworth

The Lyric Mode
Francesca Southerden

Errancy: A Brief History of Dantes Ferm Voler
Teodolinda Barolini

Translations
Martin McLaughlin

Dante and the Performing Arts
Rossend Arqus Corominas

Dante on Screen
John David Rhodes

Modernist Dante
Daniela Caselli

Dante and the Shoah
Lino Pertile

Dante in Caribbean Poetics: Language, Power, Race
Jason Allen-Paisant

Queering Dante
Gary Cestaro

A Decolonial Feminist Dante: Imperial Historiography and Gender
Marguerite Waller

Fabian Alfie is a Professor of Italian at the University of Arizona, whose specialization is in the comic/satiric literature of the Middle Ages and Renaissance. He is the author of Dantes Tenzone with Forese Donati: The Reprehension of Vice (2011). His most recent publications are the translations Folgore da San Gimignano and His Followers: The Complete Poems (2019), and with Aileen Astorga Feng, The Poetry of Burchiello: Deep-Fried Nouns, Hunchbacked Pumpkins and Other Nonsense (2017).

Jason Allen-Paisant is a Lecturer in Comparative Literature at the University of Leeds. His research combines theatre and performance studies with poetics and critical theory. He is the author of Thtre dialectique postcolonial: Aim Csaire et Derek Walcott (2017), and of several essays and book chapters on theatre, poetics, and critical theory, with reference to the Caribbean and the black Atlantic.

Rossend Arqus Corominas is Professor of Italian Literature at the Autonomous University of Barcelona, a member of the Institute of Medieval Studies, and co-director of the Dante e larte and Quaderns ditali academic reviews. He has led the international project Dante visualizzato. Carte ridenti from XIV to XVI centuries, of which he has co-edited volumes i, iii and v (Florence: Cesati, 2017, 2019, 2020). He has published the Spanish editions of Cavalcantis Poetry and Petrarchs Secretum and various articles on Dante, Cavalcanti, and Petrarch. He has coordinated, with Adriana Padoan, the Grande Dizionario Spagnolo/Italiano (2012, 2020).

Zygmunt Guido Baraski is Serena Professor of Italian Emeritus at the University of Cambridge and R. L. Canala Professor of Romance Languages and Literatures at the University of Notre Dame. He has published extensively on Dante, medieval Italian literature, Dantes reception, and on modern Italian literature, film, and culture. He has recently published Dante, Petrarch, Boccaccio: Literature, Doctrine, Reality (2020). He is the senior editor of Le tre corone.

Teodolinda Barolini is Lorenzo Da Ponte Professor of Italian, Columbia University. A member of the American Academy of Arts and Sciences and the Accademia Nazionale dei Lincei, Barolini served as fifteenth President of the Dante Society of America. She is the author of Dantes Poets (1984; Italian trans. 1993), The Undivine Comedy: Detheologizing Dante (1992; Italian trans. 2003), Dante and the Origins of Italian Literary Culture (2006; Italian trans. 2012), and a commentary to Dantes lyric poetry (Italian ed. 2009, English ed. 2014). Barolini is Editor of Columbias Digital Dante website and has written the first online commentary to the Commedia (digitaldante.columbia.edu).

Johannes Bartuschat is Full Professor of Italian Literature at the University of Zurich. He specializes in Italian Literature of the Middle Ages and the Renaissance. His publications include essays on Dante, Brunetto Latini, Boccaccio, the history of Dante criticism, the relationship between literature and figurative arts, and the book Les Vies de Dante, Ptrarque et Boccace en Italie (XIV-XV sicles): Contribution lhistoire du genre biographique (2007). He has edited three issues of the Letture Classensi (38, 44, 45).

Lina Bolzoni is Professor Emeritus at the Scuola Normale Superiore, Pisa. She is a member of the Accademia nazionale dei Lincei and a Fellow of the British Academy. Among her publications, translated into several languages, are

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