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Barański Zygmunt G.Modern Humanities Research - Dante the Lyric and Ethical Poet: Dante Lirico E Etico

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Barański Zygmunt G.Modern Humanities Research Dante the Lyric and Ethical Poet: Dante Lirico E Etico

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This book presents the proceedings of the fifth meeting of the International Dante Seminar. As with previous volumes, the proceedings also include a carefully edited account of the extensive discussions which followed the presentations. The papers, given by some of the leading international scholars of the poet - from Italy, the UK and the USA - address four major topics of particular concern to present-day Dante studies: Dante as a lyric poet; Dante as an ethical poet; Dante and the Eclogues; and Dante in nineteenth-century Britain. These topics reflect both areas which are currently the subject of heated critical debate (several editions of the lyric poems are in preparation, and the ethical dimension of Dantes works is very much under discussion) and areas which are long overdue a reassessment (Dantes remarkable revival of Latin pastoral poetry, and the extraordinary British contribution to Dante studies in the nineteenth century) As this set of conference proceedings makes clear, in Dante and in his legacy, ethics and poetry are inseparable. The contributors include Paola Allegretti, Michael Caesar, Paolo Falzone, Manuele Gragnolati, Claudio Giunta, Claire Honess, Robin Kirkpatrick, John Lindon, Lino Pertile, Justin Steinberg, Claudia Villa, and Diego Zancani.

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DANTE THE LYRIC AND ETHICAL POET Legenda LEGENDA founded in 1995 by the - photo 1

DANTE THE LYRIC AND ETHICAL POET

Legenda

LEGENDA, founded in 1995 by the European Humanities Research Centre of the University of Oxford, is now a joint imprint of the Modern Humanities Research Association and Routledge. Titles range from medieval texts to contemporary cinema and form a widely comparative view of the modern humanities, including works on Arabic, Catalan, English, French, German, Greek, Italian, Portuguese, Russian, Spanish, and Yiddish literature. An Editorial Board of distinguished academic specialists works in collaboration with leading scholarly bodies such as the Society for French Studies and the British Comparative Literature Association.

The Modern Humanities Research Association MHRA encourages and promotes - photo 2

The Modern Humanities Research Association (MHRA) encourages and promotes advanced study and research in the field of the modern humanities, especially modern European languages and literature, including English, and also cinema. It also aims to break down the barriers between scholars working in different disciplines and to maintain the unity of humanistic scholarship in the face of increasing specialization. The Association fulfils this purpose primarily through the publication of journals, bibliographies, monographs and other aids to research.

Routledge is a global publisher of academic books journals and online - photo 3

Routledge is a global publisher of academic books, journals and online resources in the humanities and social sciences. Founded in 1836, it has published many of the greatest thinkers and scholars of the last hundred years, including Adorno, Einstein, Russell, Popper, Wittgenstein, Jung, Bohm, Hayek, McLuhan, Marcuse and Sartre. Today Routledge is one of the world's leading academic publishers in the Humanities and Social Sciences. It publishes thousands of books and journals each year, serving scholars, instructors, and professional communities worldwide.

www.routledge.com

Editorial Board

Chairman
Professor Colin Davis, Royal Holloway, University of London

Professor Malcolm Cook, University of Exeter (French)
Professor Robin Fiddian, Wadham College, Oxford (Spanish)
Professor Paul Garner, University of Leeds (Spanish)
Professor Andrew Hadfield, University of Sussex (English)
Professor Marian Hobson Jeanneret,
Queen Mary University of London (French)
Professor Catriona Kelly, New College, Oxford (Russian)
Professor Martin McLaughlin, Magdalen College, Oxford (Italian)
Professor Martin Maiden, Trinity College, Oxford (Linguistics)
Professor Peter Matthews, St John's College, Cambridge (Linguistics)
Dr Stephen Parkinson, Linacre College, Oxford (Portuguese)
Professor Suzanne Raitt, William and Mary College, Virginia (English)
Professor Ritchie Robertson, St John's College, Oxford (German)
Professor Lesley Sharpe, University of Exeter (German)
Professor David Shepherd, Keele University (Russian)
Professor Michael Sheringham, All Souls College, Oxford (French)
Professor Alison Sinclair, Clare College, Cambridge (Spanish)
Professor David Treece, King's College London (Portuguese)

Managing Editor
Dr Graham Nelson
41 Wellington Square, Oxford OXI 2JF, UK

legenda@mhra.org.uk
www.legenda.mhra.org.uk

Dante the Lyric and Ethical Poet

Dante lirico e etico

Edited by Zygmunt G. Baraski and Martin McLaughlin

First published 2010 Published by the Modern Humanities Research - photo 4

First published 2010

Published by the
Modern Humanities Research Association and Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
711 Third Avenue, New York, NY 10017, USA

LEGENDA is an imprint of the Modern Humanities Research Association and Routledge

Routledge is an imprint of the Taylor & Francis Group, an informa business

Modern Humanities Research Association and Taylor & Francis 2010

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, including photocopying, recordings, fax or otherwise, without the prior written permission of the copyright owner and the publisher.

Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

ISBN : 978-1-906540-04-3 (hbk)

Contents

CLAIRE E. HONESS

PAOLO FALZONE

ROBIN KIRKPATRICK AND GEORGE CORBETT

MANUELE GRAGNOLATI

JUSTIN STEINBERG

CLAUDIO GIUNTA

CLAUDIA VILLA

LINO PERTILE

PAOLA ALLEGRETTI

MICHAEL CAESAR

JOHN LINDON

Guide

IN MEMORY OF OUR FRIENDS
AMIL, FRANCESCO AND MICHELANGELO

Zygmunt G. Baraski and Martin McLaughlin

This, the fifth volume of conference proceedings, brings to a close, after over fifteen years, the activities of the International Dante Seminar. The principal aim of the Seminario has been to foster dialogue between Dantists belonging to different national traditions; it is for others to judge the extent to which our efforts can be said to have been successful. However, with the steady recent growth of international collaboration between Dantists, as evidenced most notably by the excellent efforts of the William and Katherine Devers Program in Dante Studies at the University of Notre Dame and of the Centre for Dante Studies at the University of Leeds, it had been felt for a while that our contribution was becoming increasingly unnecessary.

The volume is dedicated to the memory of three colleagues, Amilcare Iannucci, Francesco Mazzoni and Michelangelo Picone, each of whom, in his own distinct manner, made a substantial contribution to the development and operation of the Seminar. It is with great sadness that we mark their passing.

Regular readers of our proceedings may be surprised by the fact that the present volume, unlike its four predecessors, does not include edited versions of the discussions which followed the papers collected herein. As at the previous conferences, debates were lively, informative and collegiate. Unfortunately, on account of technical problems beyond our control, the recordings were of very poor quality, making transcription extremely difficult. We apologize for this impoverishment of our collection, but at the same time we would like to record our profound gratitude to Dr Tristan Kay and Dr Franca Pellegrini for their considerable efforts in the transcription process.

The conference and the present volume would not have been possible without the generous financial support of the following institutions: the British Academy; the Department of Italian, Cambridge University; the Devers Dante Fund, Notre Dame University; the Italian Cultural Institute, London; The Italianist; the Modern Humanities Research Association; the Faculty of Medieval and Modern Languages, Oxford University; Princeton University; the Simpson Program in Medieval Studies, University of Mary Washington; the Societ Dantesca Italiana; the Society for Italian Studies; the Paget Toynbee Fund, Oxford University; the University of Western Australia. Our heartfelt thanks go to them all.

We owe a debt of a different kind to the Editorial Board of Legenda for accepting the conference proceedings in its prestigious series, and in particular to Legendas Managing Editor, Graham Nelson, for his help and patience throughout. The International Dante Seminar could not have found a better and more understanding final collaborator.

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