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T. R. Hummer - After the Afterlife: Poems

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T. R. Hummer After the Afterlife: Poems
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After the Afterlife explores the zone between language and spirit. It is a book of inner and outer boundaries: of blockades, of tunnels, of wormholes. Where does our consciousness come from, and where is it going, if anywhere? With a nimble blend of wit, whimsy, and erudition, Hummers poems assay the border that the shaman is forced to cross to wrestle with the gods, which is the same border the mystic yearns to broach, and the ordinary human stumbles over while doing laundry or making lunchwhere questions of identity melt in the white heat of Being:
which is like trying to teach
The cat to waltz, so much awkwardness, so many tender
advances, and Im shocked when it actually learns,
When it minces toward me in a tiny cocktail gown, offering a martini,
asking for this dance, insisting on hearing me refuse
To reply, debating all along, in the chorus of its interior mewing, who
are you really, peculiar animal, who taught you to call you you.

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AFTER the AFTERLIFE ALSO BY T R HUMMER POETRY Eon 2018 Skandalon 2014 - photo 1

AFTER the
AFTERLIFE
ALSO BY T. R. HUMMER POETRY Eon, 2018 Skandalon, 2014 Ephemeron, 2012 The Infinity Sessions, 2006 Bluegrass Wasteland: Selected Poems, 2006 Useless Virtues, 2001 Walt Whitman in Hell, 1996 The 18,000-Ton Olympic Dream, 1991 Lower-Class Heresy, 1987 The Passion of the Right-Angled Man, 1984 The Angelic Orders, 1981 Translation of Light, 1976 ESSAYS Available Surfaces, 2012 The Muse in the Machine: Essays on Poetry and the
Anatomy of the Body Politic
, 2006
AFTER the
AFTERLIFE
POEMS
T. R. HUMMER
Acre Books is made possible by the support of the Robert and Adele Schiff - photo 2 Acre Books is made possible by the support of the Robert and Adele Schiff Foundation. R. R.

Hummer All rights reserved Printed in the United States of America First Printing Designed by Barbara Neely Bourgoyne Cover art: John Sokol, Man Eating Christmas Trees, altered postcard, 5 in. x 7 in. Library of Congress Cataloging-in-Publication Data are available at the Library of Congress. ISBN-10 (pbk): 1-946724-01-7 | ISBN-13 (pbk): 978-1-946724-01-4 ISBN-10 (ebook): 1-946724-06-8 | ISBN-13 (ebook): 978-1-946724-06-9 No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage or retrieval system, without express written permission, except in the case of brief quotations embodied in critical articles and reviews. The press is based at the University of Cincinnati, Department of English and Comparative Literature, McMicken Hall, Room 248, PO Box 210069, Cincinnati, OH, 452210069. www.acre-books.com Acre Books books may be purchased at a discount for educational use.

For information please email . I searched myself. HERACLITUS For Theo, Victor, Beth, and Emma:
my phalanx

CONTENTS
We circle in the night and are devoured by fire. HERACLITUS
All those years while I sat in the desert mourning the blank staff of the sky and the dense Score of the mountains on the edge of vision, I thought how the hummingbird darting before the ocotillo Was transcribing a sonata by Scarlattihow hard it worked, how effortless it seemed And how the falcon harvesting kangaroo mice cut with the incisive delicacy of a staccato harpsichord. And so I failed Mysticism, and received a D- in Religion, because I could not let go of the music, Anathema to inquisitors, acceptable to priests as a poor but necessary substitute, and understood By the wisest ascetics as the horizonless sphere, empty as resignation, bloody and naked and pure.
Today I wash a few dishes and scrub out the sink, then wander around in the yard, aimlessly Pulling out a couple of weeds.

Next, I go check the closet to see if my one dress shirt Needs ironing. This is how I get ready for the funeral. For years I shunned the first person. I was tired of saying I. Even to look at it there in italic would have made me a little dizzy. But now I come back to it as I dust off my good shoes and consider my two neckties laid out On the bed like a pair of Roman numerals.

If I take one up, what will the other amount to? One Abandoned pronoun putzing around in the world.

Not in houses, but rooms in cheap hotels or charity wards: so the great musicians died, The ones who played jazz or blues. There was one, it is true, who did it on the sofa of a baroness In Manhattan, in a penthouse suite, no less, but it belonged to that curious heiress, not to him. Leaking faucets And ripped carpets were their destiny, wallpaper so lost it would take an Oscar Wilde to curse it. It hurts my heart to think of them in the 50s, singing each other farewell through dumbwaiters And moldy airshafts. I walk from room to room, the travertine floors are cool, I go barefoot The better to feel them, I sit in a leather chair in front of an enormous sunny window, Watching strangers plant a garish yellow sign beside the walk.

I hum A House is Not a Home. I cant remember the words. I hear Bill Evans play it on I Will Say Goodbye. 1977: he is riffing cocaine In the third movement of the longest suicide in history. It is a worthy thing to sell a house. It is good to throw away So much repression from garages and attics, right to take bags of clothes to Goodwill, straightening and lightening the load.

The Baroness comes into her parlor. When she left it, a genius was snoring Nows the Time. And now The silence in the room is an infinite caesura. She takes her shoes off to walk respectfully, she pulls the curtains, Blocking out the oblivious insult of Fifth Avenue and Central Park, where the homeless Are dying meaninglessly, their solitary music evaporating in moonlight, moving no one anywhere.

It is a tiny book, a cross section of a Gideon Bible or a pocket Kabbalah. It smells of amaryllis And serotonin when I hold it to my nose and gnaw in worship.

Portals to other dimensions are crystalline, Diamantine, they show distorted tableaus of the nameless place, but you cannot pass, Rat, you are forbidden. At fourteen, my daughter is a study in the purity of sweet alienation, Surrounded by concertina wire and fiery customs officials and what looks, through my fogged telescope, Like an ectoplasmic minefield. She studies the face of the armadillo, the profile of the hooded rat. I am The rat. I was there in the beginning, when she crossed the border from concealment into the realm Of the unconcealed. I held her documents in my clawed paw.

I squealed until she saw me. She took what I offered, She reached the gate, and was permitted. That is a life. This book of her face holds a record of her journey In a golden tetragrammaton illegible to rodents. On the shelf of her psyche, the rabbit, the cow, the holy dog, And the owl shake their heads in animal disgust that a rat should have a passport. Friends, it was never mine.

If it were, like her, I would be human. If it were, like her, I would hold my beauty close to my belly, I would weep In dignified bliss, I would sail from one world to the next rich with solitude and language, bearing over My heart in its bone crate safe from the rat in steerage, brilliant pilgrim, beloved plaything, destroyer of worlds.

Wasnt I a German once, sailing my miserable boat in the North Sea, casting my nets for lobsters? I remember the cold, I was always blue, I shivered like a dog with a seizure. Do I dredge this up Out of the repressed memory of the reborn, or is it the genes having a little party and reminiscing? My name In German means lobster, though the family history peters out at a brewery in Bavaria, a landlocked place Where maybe I used my boat as a trough for pigs. My boat was my fate for many lives, that I know; In Heligoland I rowed among the islands, avoiding Frisians for their lechery and Danes for their endless conversation. Nights the stars froze and floated down disguised as snow, and my boat and I wandered from island to island, only Hoping for a little fire and a bowl of chowder, but the locals concocted fish soups of such vileness even my boats heart sank.

It was a long time before it occurred to me I could love anything, the sea of my genealogy was so relentless, studded With such obdurate stone. I lived and died without noticing much of a difference. Even the lobsters were cannibals, So my name devoured my name and spat itself out again. Now in another country the blood moon hangs itself Over the peaceful village, and my patient wife reminds me I no longer need a net, and lobsters are out of season, Which is code for the purity of happiness in our peaceful life, and we sleep entwined under blankets spread in the frame of a boat, Which is what Odysseus should have done at the end of the story instead of walking to Germany, carrying his useless oar.

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