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Ian Williams - Reproduction

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Ian Williams Reproduction
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W INNER 2019 S COTIABANK G ILLER P RIZE Reminiscent of Miriam Toewss novel All - photo 1
W INNER 2019 S COTIABANK G ILLER P RIZE

Reminiscent of Miriam Toewss novel All My Puny Sorrows in its balance between grief and humour.Quill & Quire

Williamss compassion for his characters transforms them from ordinary beings into uncommon souls. We know these people: their flaws, their foibles and their fuck ups. We recognize them because we share the same vagaries of living, wherever we are born.A MINATTA F ORNA , author of The Memory of Love

The startling brilliance of Ian Williams stems from his restlessness with form. His ceaseless creativity in sussing out the right patterning of story, the right vernacular nuance, the right diagram and deftly dropped referenceall in service of vividly illuminating the intermingled comedy and trauma of family.

D AVID C HARIANDY , author of Brother

Reproduction is a brilliant modernist symphony, a truly unique blend of character, voice, sound, and style that shows the many different ways family can be made, and what the concept of family actually means in diverse contexts. A surprising, intriguing, and moving novel by a proven talent.M ARION A BBOTT ,

Mrs. Dalloways Bookstore, Berkeley CA

A daring and funny intergenerational family saga... Williams, a poet, brings a thrilling linguistic verve to this already-gripping story, and his restless experimental prose makes Reproduction fly off the page.D ANNY C AINE , Raven Bookstore, Lawrence KS

Ian Williams

REPRODUCTION

Reproduction - image 2

Europa Editions
214 West 29th St.
New York NY 10001
info@europaeditions.com
www.europaeditions.com
This book is a work of fiction. Any references to historical events, real people, or real locales are used fictitiously.
Copyright 2019 by Ian Williams
First publication: 2019 by Penguin Random House Canada
First US publication: 2020 by Europa Editions
All rights reserved, including the right of reproduction in whole or in part in any form.
Cover Art by Emanuele Ragnisco
www.mekkanografici.com
Cover photo: iStock
ISBN 9781609455767

REPRODUCTION
There is no technical means of reproduction that up to now has managed to - photo 3

There is no technical means of reproduction that, up to now, has managed to surpass the mirror and the dream.

Elena Ferrante, The Days of Abandonment

Why does he keep returning? He keeps returning forever, keeps returning and returning and he is my father.

Adrienne Kennedy, Funnyhouse of a Negro

The truth is that wherever a man lies with a woman, there, whether they like it or not, a transcendental relation is set up between them which must be eternally enjoyed or eternally endured.

C. S. Lewis, The Screwtape Letters

If someone puts his hand here, or here, kiddies, it is sex, which you are not supposed to be having.

Lynn Coady, Hellgoing

On the one hand, we know today that our bodies keep a complete and faultless record of all the things we have ever experienced.

Alice Miller, The Body Never Lies

Now look objectively. You have to

admit the cancer cell is beautiful.

If it were a flower, youd say, How pretty,

with its mauve centre and pink petals.

Margaret Atwood, Cell

Be fruitful, and multiply.

Genesis 1:28

P ART 1
XX + XY
LATE SEVENTIES
XX
1.

Both of their mothers were dying in the background.

XY
1.

Both of their mothers were still alive in the background.

XX
2.

B efore she died her mother was prickly. Before her mother died she was. One more time. Before her mother died she, her mother, was prickly. One more time. Before her mother died she, her mother, prickled her, Felicia.

In the days before she died, her mother flew into unpredictable rages over the littlest things. Felicia said sardines instead of tuna when passing the tin and her mother blasted her.

Why you working yourself up so? Felicia asked.

Because a tuna is a big fish and a sardines is a small fish. A sardinesyou hear the nonsense you have me saying?

Her hands vibrated so badly she couldnt open the tin, the can, the tin.

At the next meal, Felicia didnt pour tomato sauce quickly enough into a pot, a sauce pan, thereby essentially, judging from her mothers reaction, assassinating the Archduke.

All the nutrients done gone already, her mother said. We might as well eat hair. You happy with yourself?

Later that evening, up in the room they rented from a Christian lady, a retired British-trained nurse, who stored her medical equipment in two trunks under the window, Felicia took her mothers blood pressure. It was 190 over 110.

See. You provoking me. You provoking me, man.

Two days later it was 205 over 115. Her mother said it was because she had climbed the stairs. Or it was because because because the machine was broken. But when Felicia measured her own pressure, it was 110 over 60, which, instead of confirming the sphygmomanometers reliability, caused her mother to worry and divert the conversation to Felicias iron levels. She demanded menstruation details, when, how long, how heavy, what colour. Where could she get good beef? West Indian beef, not from these anemic snow-eating cows. The cast iron potthe soap Felicia used had wrecked it. Nutrients, her mother said that a lot before she turned into a seahorse and drifted off.

And then over the weekend, her pressure went down to 146 over 90. They both laughed.

I telling you I know what I doing. Dont feel I dont know.

Her mother had taken to eating two cloves of garlic at each meal.

Sunday night, after the women wrapped their hair for bed, they leaned against the headboard in their rented room in the Christian womans house and excoriated the choir director for favouring the tenors. When her mother fell asleep, Felicia read a little Great Expectations for school. Three pages and she was out.

Her mother woke up and took the bus from Brampton to work in Toronto before she died. Obviously. When else would she take it?

+

Point taken. Yes, and then the office buzzed Felicia during period 4, Home Economics, and told her to bring her things with her, there had been an emergency.

But her mother was not in Emergency at St. Xavier hospital. In fact, Emergency was taped closed. Felicia imagined the worst, that her mother wasnt simply dead but that a grenade had gone off in her chest and destroyed a section of the hospital. A police officer directed Felicia and a couple with a baby to an alternate entrance.

Felicia found her mother in Palliative, sharing a room with an elderly woman. It was strange to see her mother sleeping in public. She was normally a vigilant woman with chameleon eyes that seemed to move independently from one point of suspicion to another. Now, although they were both closed, she seemed uneasy, perhaps with the fact that her bra had been removed by strangers and her breasts splayed unflatteringly sideways.

Between the two beds, a man stood holding his wrists like the Escher print of hands drawing themselves. It would become his characteristic position. From forehead to jaw, his head was the same width as his neck. From shoulders to feet, he seemed constrained in a tight magic box, ready to be sawed in two. Put together, he comprised two rectangles stacked on each othera tall, abstract snowman. His pants were wet from the knee down. Despite that, Felicia presumed he was the doctor because he was a man, a white man, a middle-aged white man, wearing a pinstriped shirt, but it turned out he was only a man, a white man, a middle-aged white man, wearing stripes and gripping his wrists.

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