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Guy Tal - The Interior Landscape: The Landscape on Both Sides of the Camera: Reflections on Art, Creativity, Expression, and a Life in Photography

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The Interior Landscape: The Landscape on Both Sides of the Camera: Reflections on Art, Creativity, Expression, and a Life in Photography
Author:
Guy Tal
Publisher:
Rocky Nook
Genre:
Books / Art
Year:
2022
City:
San Rafael
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A deeply thoughtful and inspiring collectionof essays about visual expression, art, creativity, and a life in photography

Photographer, teacher, and author Guy Tal hasbeen photographing the landscape for more than 30 years, and in that time hehas also been consistently contributing to the literature of photography,writing not about the technical aspects of the photographthe gear, theexposure details, the secrets to getting a great shotbut about the deepertopics of visual expression, creativity, art, and life.

Building on the legacy of his previousbest-selling books More Than a Rock and Another DayNot Wasted, as well as his work as a regular contributor to LensWork and OnLandscape magazines, The Interior Landscape is acollection of more than 60 brief essays, packaged in a beautiful hardcoverformat and illustrated throughout with Guys stunning photography.

Organized into four parts, Guy discusses:

Creativity and expression as the mostsignificant aspects of making art

The controversial and tenuous relationshipbetween photography (by design a medium for objective representation) and art(by definition the subjective expressions of the imagination of artists)

How he has formed a relationship with, andfound meaning in, the natural landscape, and how he expresses these meanings inhis photographs

Lessons learned from more than three decadesof practicing expressive landscape photography

The Interior Landscape is for anyone interested in, as the titlesuggests, turning inward to explore creativity, art, expression, and thelandscape. It is sure to illuminate, educate, and inspire you on yourphotographic journey.

Guy Tal: author's other books

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Guy Tal The Interior Landscape The Landscape on Both Sides of the Camera - photo 1

Guy Tal

The Interior Landscape

The Landscape on Both Sides of the Camera

Reections on Art, Creativity, Expression,

and a Life in Photography

The Interior Landscape

Guy Tal (guytal.com)

Editor: Jocelyn Howell

Project manager: Lisa Brazieal

Marketing coordinator: Katie Walker

Layout and type: Hespenheide Design

Front cover design: Gary Hespenheide

Cover production: Hespenheide Design

ISBN: 978-1-68198-891-7

(1st printing, December 2022)

2023 Guy Tal

Rocky Nook Inc.

1010 B Street, Suite 350

San Rafael, CA 94901

USA

Distributed in the UK and Europe by Publishers Group UK

Distributed in the U.S. and all other territories by Ingram Publisher Services

Library of Congress Control Number: 2022941804

or utilized in any form, electronic or mechanical, including photocopying, recording, or by any

information storage and retrieval system, without written permission of the publisher.

Many of the designations in this book used by manufacturers and sellers to distinguish their

products are claimed as trademarks of their respective companies. Where those designations appear

in this book, and Rocky Nook was aware of a trademark claim, the designations have been printed

in caps or initial caps. All product names and services identied throughout this book are used in

editorial fashion only and for the benet of such companies with no intention of infringement of the

trademark. They are not intended to convey endorsement or other afliation with this book.

While reasonable care has been exercised in the preparation of this book, the publisher and author

assume no responsibility for errors or omissions, or for damages resulting from the use of the

information contained herein or from the use of the discs or programs that may accompany it.

This book is printed on acid-free paper.

Printed in Korea

The few photographs Im try-

ing to make show my interior

against the landscape Im in.

Robert Frank

Table of Contents

Introduction vii

PART I INSPIRED BY REALITY

1 Poetic Odds 2

2 Creativity, Success, and

Personality 8

3 The Clearest and Strongest Way

of Seeing 13

4 Incubation and Creative

Blocks 35

5 Limitations of Language 39

6 What Is Real? 45

PART II THE VEIL OF THE SOUL

7 Artistic Merit in Photography 56

8 Photography and the

Technological Sublime 63

9 Commitment and Doubt 70

10 Taking (Back) My Time 74

11 Photography as an Art

Language 79

12 Disinterested Interest 84

13 Art and Flow in Photography 90

14 Spirituality, Sensuality, and

Mechanics 98

PART III BRIDGING THE GAP

15 Moments of Grace 106

16 Us of the Minority 112

17 Solace in Interesting Times 116

18 The Describing Self 121

19 The Finger and the Moon 126

20 A Summons to Seriousness 129

21 On Equivalence, Expression,

and Art

22 The Introvert Game 140

23 The Art of Transcending

Seeing 148

24 Photographer! Beware 152

25 Mindfulness with a Twist 154

PART IV SUCCESS OR NO SUCCESS

26 The Art and the Artist

27 Out of the Woods 166

28 Perspective and Meaning 170

29 Noise Reduction 177

30 Professional Freedom 181

31 March SADness 187

32 Take Your Bearings

33 My Important Way

34 The Deed and the Glory 206

About the Author

In his book Crossing Open Ground the late writer Barry Lopez distinguished - photo 4

In his book Crossing Open Ground , the late writer Barry Lopez distinguished between

two landscapes: the exterior landscape, which he described as the one we see, and

the interior landscape, which he described as a kind of projection within a per-

son of a part of the exterior landscape. Each landscape has its own elements and

relationships, but the two also interrelate. Lopez explained: The interior landscape

responds to the character and subtlety of an exterior landscape; the shape of the

individual mind is affected by land as it is by genes.

The term landscape photography may be used to describe photographs of

the exterior landscapethe one we see. The term may also be used to describe

expressive photographs reecting the interior landscapethe one each of us carries

within.

Each persons interior landscape is unique and largely invisible to the eye. Still,

if we know something about the ways ones interior landscape may be affected by

elements of the exterior landscape, we may use these elements to express our own

interior landscapes and to affect other peoples interior landscapes. Such is the pur-

pose of landscape photography practiced as expressive art.

Photographic artists aiming to express subjective notionsaspects of their inte-

rior landscapein their work often nd themselves at odds with those who, despite

overwhelming evidence to the contrary, still believe that true photography consists

only of objective representations of the exterior landscape.

What is truth? asked Friedrich Nietzsche; he then answered his own question:

a sum of human relations which have been poetically and rhetorically intensi-

ed, transferred, and embellished, and which, after long usage, seem to a people to

be xed, canonical, and binding. Truths are illusions which we have forgotten are

illusions.

Truthfulness is not a quality imposed by any medium; it is a quality of informa-

tion relative to context. Just as information exists in many forms and may assume

different meanings in different contexts, so too does truth come in many varieties.

There is objective truth and subjective truth. There is truth to appearances and

truth to feelings. There is literal truth and metaphorical truth.

Introduction

vii

viii

The truth of art is not necessarily the truth of nature, just as the truth of a met-

aphor is not necessarily the truth of its words taken literally. Being literal or meta-

phorical, in turn, is not a measure of the value or greatness of the truth expressed.

However, failing to account for the distinctiontreating literal truth as metaphor, or

metaphorical truth as literalmay lead to great errors and misunderstanding. This

is what Johann Wolfgang von Goethe meant when he wrote, The genuine law-giving

artist strives for the truth of art, the lawless artist who follows a blind impulse

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