LIGHT ON THE LANDSCAPE
PHOTOGRAPHS AND LESSONS FROM A LIFE IN PHOTOGRAPHY
WILLIAM NEILL
Light on the Landscape
William Neill
www.WilliamNeill.com
Project editor: Jocelyn Howell
Project manager: Lisa Brazieal
Marketing coordinator: Mercedes Murray
Interior design: Malea Clark-Nicholson
Layout and type: Kim Scott/Bumpy Design
Cover design: Aren Straiger
ISBN: 978-1-68198-574-9
1st Edition (1st printing, July 2020)
2020 William Neill
All images William Neill
Rocky Nook Inc.
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I dedicate this book to my family:
Sadhna, Caitlin, and Ravi.
To the readers of Outdoor Photographer
and all those family and friends who have supported
my photography over many years.
To the beauty of nature, which can be found around us every day,
and for the comfort and solace that beauty provides.
ACKNOWLEDGMENTS
During the long pathway of a forty-year career, I naturally have many people to thank. First and foremost, I must thank my family that is no longer with us. My mother was an ardent supporter of my pursuit of photography. My father provided constant encouragement. My brother, in his short life of twenty years, showed me by example how to be kind, humble, and compassionate.
I must thank the staff at Outdoor Photographer, with whom Ive worked since 1986, including Steve and Debra Werner, Rob Sheppard, Ibarionex Perello, Chris Robinson, and Wes Pitts. I began by writing articles for many years, until 1997, when we launched my On Landscape column. Since that beginning, Ive written 136 essays and counting.
My family and friends have encouraged, critiqued, inspired, listened to, advised, and/or traveled with me over the decades. I have been fortunate to have had incredibly talented photographers assisting me in my studio. John Weller and John OConnor handled both tedious and critical tasks of running my office, from packaging prints for shipping to helping me pull the nth degree of nuance out of images with their considerable skills in Photoshop. The Ansel Adams Gallery in Yosemite has been integral in the arc of my career, giving me my first job as a photographer from 19801984. The gallery has represented my photography since 1983, approved by Ansel Adams himself. The knowledge and experience I gained while employed by the Adams family has been the foundation of my career. During the brief time I knew Ansel, I learned from his passion for the art and craft of photography, and its great potential for self-expression. I give profound thanks to all of the family and staff with whom Ive worked.
My wife of thirty years, Sadhna, has been indispensable in the development of this book, not to mention my career and life. She has served as my editor for every essay written for Outdoor Photographer. Her immeasurable faith in me has given me strength to endure through all the ups and downs of survival as an artist. For this, and so much more, I am eternally grateful. My children fill me with pride and inspire me to make the world a better, more beautiful place for them. My art is an extension of my life, and my family sustains my life, my spirit.
ABOUT THE AUTHOR
William Neill, a resident of the Yosemite National Park area since 1977, is a landscape photographer concerned with conveying the deep, spiritual beauty he sees and feels in nature. Neills award-winning photography has been widely published in books, magazines, calendars, and posters, and his limited edition prints have been collected and exhibited in museums and galleries nationally, including the Museum of Fine Art Boston, Santa Barbara Museum of Art, The Vernon Collection, and The Polaroid Collection. Neill received a BA degree in Environmental Conservation at the University of Colorado. In 1995, Neill received the Sierra Clubs Ansel Adams Award for conservation photography.
Neills assignment and published credits include National Geographic, Smithsonian, Natural History, National Wildlife, Conde Nast Traveler, Gentlemens Quarterly, Travel and Leisure, Wilderness, Sunset, Sierra, and Outside magazines. He also writes a regular column, On Landscape, for Outdoor Photographer magazine. Feature articles about his work have appeared in Life, Camera and Darkroom, Outdoor Photographer, and Communication Arts, from whom he has also received five Awards of Excellence. His corporate clients have included Sony Japan, Bayer Corporation, Canon USA, Nike, Nikon, The Nature Company, Hewlett Packard, 3M, Freidrich Grohe, Neutrogena, Sony Music/Classical, University of Cincinnati, and UBS Global Asset Management.
Neills work was chosen to illustrate two special edition books published by The Nature Company, Rachel Carsons The Sense of Wonder and John Fowless The Tree. His photographs were also published in a three-book series on the art and science of natural process, in collaboration with the Exploratorium Museum of San Francisco: By Natures Design (Exploratorium/Chronicle Books, 1993), The Color of Nature (Exploratorium/Chronicle Books, 1996), and Traces of Time (Chronicle Books/Exploratorium, 2000). A publication of a portfolio of his Yosemite photographs entitled Yosemite: The Promise of Wildness (Yosemite Association, 1994) earned him The Directors Award from the National Park Service. A monograph of his landscape photography entitled Landscapes of the Spirit (Bulfinch Press/Little, Brown, 1997) relates his beliefs in the healing power of nature. Neills book William NeillPhotographer: A Retrospective (Triplekite Publishing, 2017) is a collection of his photographs taken over the past forty years.
CONTENTS
PREFACE
Welcome to my collection of photographs and essays on landscape photography! I look forward to sharing my thoughts with you on all aspects of the landscape genre. Ive been at this job of being a full-time, freelance photographer for thirty-six years. Over that time Ive learned a thing or two, and I wish to share those lessons with you.