Copyright Ruth Pelzer-Montada 2018
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ISBN978 1 5261 2575 0paperback
First published 2018
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Allora and Calzadilla (Jennifer Allora and Guillermo Calzadilla) are a collaborative team of visual artists who live and work in San Juan, Puerto Rico. Their work encompasses a variety of media including sculpture, photography, performance art, sound and video to reflect on contemporary and historical socio-political conditions. They have exhibited widely and in 2011 represented the United States at the Venice Biennale.
Barbara Balfour is an interdisciplinary and print media artist and curator who has exhibited her work and lectured across Canada and in the UK, China and Japan. In addition to print installations, artist's books and multiples, Balfour has incorporated writing, video and digital imaging into her art. She teaches in the School of the Arts, Media, Performance & Design at York University, Toronto, Canada.
Andrzej Bednarczyk is an artist and educator. He leads the Department of Painting at the Krakow Academy of Fine Art in Poland. His work encompasses painting, graphic arts, photography and drawing and he also creates objects, installations and book art. He has exhibited widely, both in Poland and abroad and his work is represented in public and private collections.
Deidre Brollo, PhD, is Lecturer in Printmedia at University of Newcastle, Australia. As an artist she works primarily with artist's books, print media and installation. Her work has been exhibited in Australia and internationally, and is represented in numerous collections including the National Library of Australia, the State Library of New South Wales, and the State Library of Queensland.
Catherine Brooks is an artist and master printmaker. She is the author of Magical Secrets about Line Etching and Engraving, the Step-by-Step Art of Incised Lines, 2007, published by Crown Point Press in San Francisco where she was a master printer. Previously, she was an apprentice in Paris with Matre dArt Ren Taz.
Sheryl Conkelton, PhD, is an art historian and curator. She has organised numerous exhibitions and is the author of many publications, among them a monograph on Lewis Baltz (RAM/Steidl/Whitney Museum of American Art, 2005). She has held senior curatorial positions, including at the Museum of Modern Art, New York and the Los Angeles County Museum of Art, and has lectured extensively in North America, Europe and Japan.
Nicky Coutts, PhD, is an artist and Reader in Fine Art at the Royal College of Art, London. Her work in photography, film and video has been exhibited widely in the UK, Europe and beyond. Writing, publishing and artist's books also form an important part of her practice. She was formerly Commissioning Editor of Make, Magazine of Womens Art.
Georges Didi-Huberman is a philosopher and art historian. As well as being a visiting professor at art institutions worldwide, he has been Professor at the Centre dHistoire et de Thorie des Arts, cole des Hautes tudes en Sciences Sociales (EHESS) in Paris since 1990. He has published over thirty books on the history and theory of images in a wide field of study ranging from the Renaissance to contemporary art, has curated numerous exhibitions, and is the recipient of prestigious international awards, including the Adorno Prize (2015).
Johanna Drucker is an internationally renowned book artist, author, visual theorist and cultural critic. Her scholarly writing documents and critiques visual language: letterforms, typography, visual poetry, art and, lately, digital aesthetics. She is currently the Martin and Bernard Breslauer Professor in the Department of Information Studies at the Graduate School of Education and Information Studies at University of California, Los Angeles (UCLA).
Cai Feng, PhD, is Professor at the China Academy of Art in Hangzhou, Dean of the Printmaking Department, and a doctorate candidate instructor. Being an expert in print and oil painting, he has participated in many art exhibitions in and out of the country. Many of his art pieces are collected by art galleries in China, the US, Australia, the UK and Japan.
Richard S. Field is Curator Emeritus of Prints and Drawings at the Yale University Art Gallery, New Haven, Connecticut. He has written widely on fifteenth-century woodcuts as well as the prints of the late nineteenth (Gauguin, etc.) and late twentieth centuries (Jasper Johns, etc.).
Yara Flores is a New York-based artist. Recent projects include the solo show Greebles at Raygun (Toowoomba, Australia, 2016), as well as participation in Fifteen People Present Their Favorite Book (after Kosuth), at kuc (Ljubljana, Slovenia, 2016), and Asad Raza's Home Show (New York, 2015). She collaborated with D. Graham Burnett on Pound vs. Stevens: The Rematch (an installation in the Aesthetics of Information exhibition at Princeton University, Princeton, USA, 2014).
K. E. Gover is Professor of Philosophy at Bennington College, Vermont. She has published scholarly articles in international journals of philosophy and aesthetics, as well as art criticism. Gover is the 2011 recipient of the John Fisher Memorial Prize in Aesthetics. Her book, Art and Authority: Moral Rights and Meaning in Contemporary Visual Art, was published in 2018.
Ana Mara Guerra is an Ecuadorian artist and researcher based in Barcelona. She is currently undertaking a PhD at the University of Girona, where she lectures in visual culture studies. Her practice analyses the evolution of photography from the materiality of silver gelatin to the virtuality of 3D technologies, while examining how technological progress has modified the appearance of nature and the devastating impact it has had on the environment.
