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Tonio Andrade - The Last Embassy: The Dutch Mission of 1795 and the Forgotten History of Western Encounters with China

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From the acclaimed author of The Gunpowder Age, a book that casts new light on the history of China and the West at the turn of the nineteenth century
George Macartneys disastrous 1793 mission to China plays a central role in the prevailing narrative of modern Sino-European relations. Summarily dismissed by the Qing court, Macartney failed in nearly all of his objectives, perhaps setting the stage for the Opium Wars of the nineteenth century and the mistrust that still marks the relationship today. But not all European encounters with China were disastrous. The Last Embassy tells the story of the Dutch mission of 1795, bringing to light a dramatic but little-known episode that transforms our understanding of the history of China and the West.
Drawing on a wealth of archival material, Tonio Andrade paints a panoramic and multifaceted portrait of an age marked by intrigues and war. China was on the brink of rebellion. In Europe, French armies were invading Holland. Enduring a harrowing voyage, the Dutch mission was to be the last European diplomatic delegation ever received in the traditional Chinese court. Andrade shows how, in contrast to the British emissaries, the Dutch were men with deep knowledge of Asia who respected regional diplomatic norms and were committed to understanding China on its own terms.
Beautifully illustrated with sketches and paintings by Chinese and European artists, The Last Embassy suggests that the Qing court, often mischaracterized as arrogant and narrow-minded, was in fact open, flexible, curious, and cosmopolitan.

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THE LAST EMBASSY The Last Embassy THE DUTCH MISSION OF 1795 AND THE FORGOTTEN - photo 1

THE LAST EMBASSY

The Last Embassy

THE DUTCH MISSION OF 1795 AND THE FORGOTTEN HISTORY OF WESTERN ENCOUNTERS WITH CHINA

Tonio Andrade PRINCETON UNIVERSITY PRESS PRINCETON OXFORD Copyright 2021 by - photo 2

Tonio Andrade

PRINCETON UNIVERSITY PRESS

PRINCETON & OXFORD

Copyright 2021 by Princeton University Press

Princeton University Press is committed to the protection of copyright and the intellectual property our authors entrust to us. Copyright promotes the progress and integrity of knowledge. Thank you for supporting free speech and the global exchange of ideas by purchasing an authorized edition of this book. If you wish to reproduce or distribute any part of it in any form, please obtain permission.

Requests for permission to reproduce material from this work should be sent to

Published by Princeton University Press

41 William Street, Princeton, New Jersey 08540

6 Oxford Street, Woodstock, Oxfordshire OX20 1TR

press.princeton.edu

All Rights Reserved

ISBN 978-0-691-17711-3

ISBN (e-book) 978-0-691-21988-2

Version 1.0

British Library Cataloging-in-Publication Data is available

Editorial: Priya Nelson and Thalia Leaf

Production Editorial: Jenny Wolkowicki

Jacket design: Chris Ferrante

Production: Danielle Amatucci

Publicity: Maria Whelan and Amy Stewart

Copyeditor: Cyd Westmoreland

Jacket image: Anonymous, Vue de la salle Tze Quon Cok, 29 janvier, 17941795. From Recueil de dessins chinois representant des vues des principales villes, palais, glises etc. of Voyage de lAmbassade de la Compagnie des Indes Orientales Hollandaise vers lEmpereur de la Chine dans les annes 1794 & 1795, by A.E. van Braam Houckgeest, 17971798. Florence, BNC, Banco Rari 350, pl. 2. By permission of the Ministry of Cultural Heritage and Activities and Tourism / National Central Library of Florence

for Josephine,

whose enthusiasm brightens our lives

CONTENTS
  1. ix
  2. xi
LIST OF MAPS
A NOTE TO THE READER

THIS BOOK IS designed to provide both an immersive narrative and a historical argument. If youre in the mood for a story, skip to and return to the Prologue later, if you wish.

THE LAST EMBASSY

PROLOGUE
A Clash of Cultures?

IN 1794, the Qianlong emperor prepared to mark his sixtieth year on the throne. It was an auspicious anniversarysixty years is a complete cycle in Chinas calendarand he was a revered ruler, having shepherded the realm through a period of unprecedented prosperity and expansion. His subjects proposed a New Years extravaganza: feasts, fireworks, poetry parties, and plays. Dukes and princes and great ministers would offer congratulations. Gifts worth fortunes would be bestowed in the worlds most magnificent palaces and gardens. Among the celebrants would be exotic guests: Mongol princes, Manchu nobles, Uighur chieftains, Tibetan lamas, and Korean gentlemen. The emperor took joy in the variety of humanity. He conceived of himself as a universal monarch, his court the center of the diverse, multiethnic, and multireligious world of his time.

Although he insisted that he didnt want ostentatious festivities, he did like to be celebrated, so he was delighted to learn that a country from across the Western OceansHollandwanted to send congratulations. Europeans were among the most exotic people in the world, with their curly hair, tight pants that looked like underwear, and strange manners. The ambassadorsa Dutch scholar named Isaac Titsingh and a crafty businessman named Andreas Everardus van Braam Houckgeesthad sent a letter begging for the favor of gazing upon the imperial visage. The emperor wrote an affirmative reply: Let the ambassadors come to the capital and present themselves, to satisfy their countrys sincere feelings of admiration.

Thus the emperor set in motion one of the most intriguing episodes of East-West relations in premodern history. The little-known Dutch embassy of 1795 was the last European delegation to be received in the traditional Chinese imperial court. The next imperial-level diplomatic audiences wouldnt occur until after the Opium War of 18391842, when China was forced to sign a series of infamous Unequal Treaties.

Oddly, however, this Dutch mission has been largely forgotten. There are no book-length studies and few articles about it in any language.

How surprised I was, then, to find out not just how important the mission was in its day, but also that it left troves of documentation in Dutch, French, Spanish, Chinese, and Korean sources. As I began exploring these rich records, I discovered that the story is dramatic, with colorful characters, a harrowing voyage, and interpersonal intrigue, all set against a fascinating backdrop: China was about to erupt into rebellion, while in Europe, French armies were marching on Amsterdam. I realized it would make a compelling narrative history.

But The Last Embassy is intended as more than an immersive story. The Dutch mission of 1795 also offers new perspectives on eighteenth-century China and Sino-Western relations, helping us step decisively beyond the culture-clash narrative that still pervades our understanding both in China and the West. Thats because, in contrast to other embassies from this period, the Dutch embassy was successful. The Qianlong emperor was delighted with it, granting favors and access never extended to other European envoys. The ambassador and his bosses felt they had achieved a triumph, especially compared to what had happened to British ambassador George Macartney two years previously.

Lord Macartneys mission to China is as famous as the Dutch embassy is neglected, and it had a very different outcome. Its failure is one reason that historians came to view the history of Sino-Western diplomacy as a culture clash.

Macartney arrived in China in 1793, bringing expensive gifts, a huge cortge of artists, scientists, and musicians, and a list of bold proposals that would, he felt, help place Britain and China in a mutually beneficial relationship: two great powers working together. But the emperor and his court didnt trust Macartney, who refused to carry out the requisite kowtow bows and made extravagant requests. They were concerned because the British had a reputation as an aggressive people, who attacked and pillaged in the Western Oceans and, quite possibly, near the land borders of the Great Qing itself. They decided to dismiss Macartney early and get him out of China as soon as possible. His lordship returned to England with little to show for his efforts but a couple imperious letters to his king.

Although Macartney tried to put a brave face on it, he and others in his entourage felt humiliated. Stung by criticism in Europe, they increasingly blamed their failure on the Qing court, which they portrayed as arrogant and inflexible, blind to Britains virtues.

This negative perspective on China not only influenced the British public and British policy makers. It also influenced generations of historians, who came to see the history of Sino-Western interactions as a culture clash. According to this view, the Chinese World Order or tribute system was incompatible with the Western diplomatic system of independent states. The result, the story goes, was conflict. Europeans, frustrated that they were unable to interact with China on the basis of equality, concluded that China must be broughtforcibly if necessaryinto the Western international system, which they conceived to be the natural mode of interstate interaction. This dynamic supposedly helped lead to the bitter Sino-European conflicts of the nineteenth century: the Opium War, the Arrow War, the Sino-French War, and the Boxer Rebellion, among others. Western and Chinese scholars argued that Qing inflexibility was one of the major reasons for Chinas tumultuous and bloody nineteenth century.

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