Marquardt Chris - The Film Photography Handbook, 3rd Edition: Rediscovering Photography in 35mm, Medium, and Large Format
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- Book:The Film Photography Handbook, 3rd Edition: Rediscovering Photography in 35mm, Medium, and Large Format
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Film photography has recently witnessed a significant renaissanceand not just among those who have previously shot with film. Interest in film photography and analog photography has also grown enormously among those who have only ever shot digitally. InThe Film Photography Handbook, 3rd Edition, authors Chris Marquardt and Monika Andrae speak to both types of film photographers as they offer an easy-to-understand, complete resource to shooting film. In this updated and expanded edition, they address todays working climate, including such topics as the hybrid film/digital workflow, the digitization of negatives, and using smartphones for light metering and to assist in film processing.
This book is intended for anyone who is curious about film and analog photography, whether you need a refresher course or are discovering this wonderful format for the first time. Youll learn how easy it is to shoot and process black-and-white film at home, and that just a little special equipment is needed to get into film photography.
Youll learn all about:
The important differences between film and digital photography
Numerous film cameras, as well as how to buy a secondhand camera
Film formats, from 35 mm to medium format and large format
Exposure settings, tonal values, and tonal representations in different types of film, from color negatives and slides to the enormous spectrum of black-and-white films
Processing film, covering everything you need to know: equipment, chemicals, and workflow
Scanning negatives to bring your analog photography into a digital workflow
Both presenting and archiving your prints and negatives
Working in such an analog medium requires a unique approach to photography, and it fosters a completely different form of creativity. Working in film and embracing analog photography can also prove to be a great inspiration for your own digital photography, as well. The Film Photography Handbook, 3rd Edition covers it allfrom the technical to the creativeand will have you shooting film in no time, whether its with an old rangefinder, an inexpensive Holga, or a medium-format Rolleiflex or Hasselblad.
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Chris Marquardt
Monika Andrae
The Film Photography Handbook
3rd Edition
Rediscovering Photography in 35mm, Medium, and Large Format
Chris Marquardt is a photographic mythbuster and the host of Tips from the Top Floor, the worlds longest-running photography show. His photography podcasts have won multiple international awards. He has taught photography all over the planet, including Europe, Africa, North America, and Asia. He has often accompanied photographers to the worlds highest photography workshop at the Mt. Everest base camp. Marquardt is a regular on Leo Laportes Tech Guy radio show, which is syndicated across the United States and reaches an audience of millions.
Monika Andrae is an award-winning online specialist. She is also on a mission: to make the increasingly technical photography world a little more creative. Andraes podcast, Monis Motivklingel, has a large number of followers and her blog is a thrilling mix of everyday and creative topics. Together with Chris Marquardt, she co-hosts the Absolut Analog film photography workshops.
The Film Photography Handbook, 3rd Edition:
Rediscovering Photography in 35mm, Medium, and Large Format
Chris Marquardt, Monika Andrae
Editor: Maggie Yates
Project Manager: Lisa Brazieal
Marketing Coordinator: Katie Walker
Translation: Almut Dworak and Jeremy Cloot
Layout and type: WolfsonDesign
Cover design: Helmut Kraus, www.exclam.de
Graphics: Peter Marquardt
ISBN: 978-1-68198-941-9
3rd Edition (1st printing, January 2023)
2023 Chris Marquardt and Monika Andrae
All images Chris Marquardt and Monika Andrae, unless otherwise noted
Copyright 2022 by dpunkt.verlag GmbH, Heidelberg, Germany.
Title of the German original: Absolut analog, 3., erweiterte und aktualisierte Auflage
ISBN 978-3-86490-917-7
Translation Copyright (2023) by Rocky Nook. All rights reserved.
Rocky Nook, Inc.
1010 B Street, Suite 350
San Rafael, CA 94901
www.rockynook.com
Distributed in the UK and Europe by Publishers Group UK
Distributed in the U.S. and all other territories by Ingram Publisher Services
Library of Congress Control Number: 2022941891
All rights reserved. No part of the material protected by this copyright notice may be reproduced or utilized in any form, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without written permission of the publisher.
Many of the designations in this book used by manufacturers and sellers to distinguish their products are claimed as trademarks of their respective companies. Where those designations appear in this book, and Rocky Nook was aware of a trademark claim, the designations have been printed in caps or initial caps. All product names and services identified throughout this book are used in editorial fashion only and for the benefit of such companies with no intention of infringement of the trademark. They are not intended to convey endorsement or other affiliation with this book.
While reasonable care has been exercised in the preparation of this book, the publisher and author assume no responsibility for errors or omissions, or for damages resulting from the use of the information contained herein or from the use of the discs or programs that may accompany it.
Printed in China
In terms of photography, we are analog natives. Our teachers were single-lens reflex film cameras. As digital photography began its triumphant conquest, we did what many others did: We stashed the analog film photography treasures in the cupboard and spent the next few years diving deep into the digital world. As hybrid beings, we are happy with the transition to digital, but still think back to consider our origins with film.
The Film Photography Handbook was born from our rediscovered passion for film photography. If you suspect our efforts are driven by nostalgia, you are only partially right; our motivation is more about greater closeness to the subject matter and the excitement of digging deeper into a different medium. The skills youll learn for film photography will open new doors in many areas of the world of digital photography, as well. As an added bonus, working with the limitations of analog photography has shown us new, creative opportunities for shots that we hadnt thought about for years.
We produce various podcasts about photography, some in English and some in German. These cover topics ranging from film photography to visual creativity to an in-depth look at emerging technologies and trends. Our podcasts are all free-of-charge, and you can find them by typing our names, Chris Marquardt or Monika Andrae, in your podcast clients search box (or wherever you get your other podcasts). We are always thrilled to welcome new listeners.
Film photography is one of those art forms where an enormous multitude of different opinions, experiences, and beliefs thrive. Particularly in the age of blogs, social networks, and a huge number of online communities on this topic, its unavoidable that some of these differing opinions will clash. Finding common ground is not always easyin the digital world, we are working with discrete numbers and defined states. But in the analog realm, we generally tend to talk about continuous and fluid boundaries between states. This offers an ideal feeding ground for voodoo and self-styled shamans of all colors.
Correspondingly, along with the accurate knowledge and helpful information out there, you will also find a lot of half-knowledge oreven worsepure nonsense. We have taken great care to avoid all the nonsense here. Our book is completely rooted in the knowledge weve gained through our years of experience. We dont claim to have all the answers to all the questions. But we are always curious to learn more, and we constantly ask Why? We give reasons and background knowledge about the topics in this book, and in those areas where this book cannot offer enough room for digging more deeply, we offer sources that can provide more information.
Lets answer the big question right away, the one that we as film photographers hear the most: Is film still around at all?
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