Langfords Basic Photography
This seminal photography text, now in its 10th edition and celebrating its 50th anniversary, has been revamped, reorganized, and modernized to include the most up-to-date, need to know information for photographers. Ideal for students, beginners, and advanced users wanting to brush up on the fundamentals of photography, this book is a must have for any photographer's bookcase. The heart of this text, however, retains the same comprehensive mix of scholarly and practical information.
The new edition has been fully updated and includes:
- an expansion and overhaul of the information on digital cameras and digital printing.
- an emphasis on updating photographs to include a wider range of international work.
- replacement of many diagrams with photographs.
Michael Langford was a renowned author, teacher, and practitioner. He inspired thousands because of his skill that balanced art and technique and taught many more as Photography Course Director at the Royal College of Art, London, UK.
Anna Fox is an internationally renowned photographer and is Professor of Photography at University for the Creative Arts, Farnham, UK.
Richard Sawdon Smith is Professor of Photography and Dean of Media at Norwich University of the Arts, UK. He is an award-winning photographer, published and exhibiting worldwide for over 25 years.
Langfords Basic Photography
The Guide for Serious Photographers
10th Edition
Michael Langford FBIPP, HonFRPS
Formerly Photography Course Director
Royal College of Art, London
Anna Fox
Professor of Photography
University for the Creative Arts, Farnham
Richard Sawdon Smith
Dean of Media and Professor of Photography
Norwich University of the Arts
Contributors
Andrew Bruce
Photography Lecturer
Canterbury Christ Church University
Marie-Josiane Agossou
Technical Team Leader
London South Bank University
Tenth edition published 2015
by Focal Press
711 Third Avenue, New York, NY 10017
and by Focal Press
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
Focal Press is an imprint of the Taylor & Francis Group, an informa business
2015 Taylor & Francis
The right of Michael Langford, Anna Fox, and Richard Sawdon Smith to be identified as author of this work has been asserted by them in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Ninth edition published by Focal Press 2013
Trademark notice . Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
Library of Congress Cataloging in Publication Data
Langford, Michael, 1933- author.
[Basic photography]
Langfords basic photography: the guide for serious photographers /
Michael Langford FBIPP, HonFRPS, formerly photography course director, Royal College of Art, London, Anna Fox, professor of photography, University for the Creative Arts, Famham, Richard Sawdon Smith, dean of media & professor of photography, Norwich University of the Arts; contributors, Andrew Bruce, photography lecturer, Canterbury Christ Church University, Marie-Josiane Agossou, technical team leader,
London South Bank University. -- 10th edition.
pages cm
Originally published under title: Basic photography.
Includes index.
1. Photography. I. Fox, Anna, author. II. Sawdon Smith, Richard,
author. III. Bruce, Andrew (Photographer), writer of supplementary
textual content. IV. Agossou, Marie-Josiane, writer of supplementary
textual content. V. Title. VI. Title: Basic photography.
TR145.L32 2015
770--dc23
2015004699
ISBN: 978-1-138-92538-0 (hbk)
ISBN: 978-0-415-71891-2 (pbk)
ISBN: 978-1-315-86778-6 (ebk)
Typeset in Bariol by
Servis Filmsetting Ltd, Stockport, Cheshire
Dedicated to Michael and P. Langford
The first edition of this book, in 1965, was Michael Langford's first published title. In its tenth edition, representing fifty years in print, Anna Fox and Richard Sawdon Smith have brought his coverage of photography right up to date with contributions from Andrew Bruce and Marie-Josiane Agossou. This is a classic text and every photographer's bible.
Michael's original text has been expanded on and the spirit of the new text ensures that his influence lives on, providing guidance to everyone who shares a great passion for photography and wants to learn more.
Contents
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BLACK AND WHITE PRINTING: TECHNIQUES, EQUIPMENT, AND FACILITIES |
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Langford's Basic Photography is a fantastic introduction to a wonderful subject. I can't see how my life could have been anywhere near as full or as rich as it has been without photography. It's been everything to me, the electricity in my life, the way to communicate with people, to fall in love, to vent my displeasure at the world, to articulate every fiber of my feeling. Photographing has allowed me to express all of this and to make some sense of it.
Photography's power is as a passport: it gives you permission to participate in a whole series of situations in life that you wouldn't be allowed in normally. Whether it's a car crash or a presidential election, society immediately accepts you into this event because you are a photographer. If you take away the camera you are just like everybody else. Photography, like poetry or philosophy, enables you to spend a lot of time scrutinizing the little details of life. It becomes a reason to live in a broader way.
Other people's pictures are enormously important as a way of solving problems: how someone else dealt with expressing great energy in their work, perhaps, or profound sadness. Photography is so accessible that it's very easy to produce images that seem to look as good as or similar in style or structure to existing work. What's slightly dangerous about this is that people quickly achieve these more or less adequate results and think 'I can do this' and then remain at that level, aping others' styles. This is a false way of rationalizing your own work, however. Photography is about yourself, how you feel about what you see. Trying to express your perspective through somebody else's feelings is a twisted way of communicating.
Equipment and image-manipulation don't matter in themselves; which camera or software I use is no more interesting than which pen a writer uses or microphone a rock star sings from. But you need to know the scope of the technology. Without full knowledge of your equipment's ability to articulate what you are trying to express, it's like trying to speak with a limited vocabulary. Experimenting with photographic imagery is age-old. Look at the work of Erwin Blumenfeld, the man who put his film in the freezer in order to expose it through ice crystals during the 1940s, or Man Ray, who toiled away in the darkroom during the 1930s, solarizing his prints. A huge amount of historical imagery suggests that many photographerspast and presentdo not regard the point of image capture as the only creative moment in image-making. The entire processright from conception, through construction and post-production to the moment of completionis important.