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W. Scott Olsen - Prairie Sky: A Pilots Reflections on Flying and the Grace of Altitude

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W. Scott Olsen Prairie Sky: A Pilots Reflections on Flying and the Grace of Altitude
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Prairie Sky: A Pilots Reflections on Flying and the Grace of Altitude: summary, description and annotation

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Its almost like ballet. Preflight. Starting. Warm-up. The voices from the control towerthe instructions. Taxiing. The rush down the runway. Airborne. There are names for every move. The run-up. Position and hold. Every move needs to be learned, practiced, made so familiar you feel the patterns in every other thing you do. Its technical, yes. But there is a grace to getting metal and bone into the sky.

Prairie Sky is a celebration of curiosity and a book for explorers. In this collection of contemplative essays, Scott Olsen invites readers to view the world from a pilots seat, demonstrating how, with just a little bit of altitude, the world changes, new relationships become visible, and new questions seem to rise up from the ground.

Whether searching for the still-evident shores of ancient lakes, the dustbowl-era shelterbelt supposed to run the length of the country, or the even more elusive understandings of physics and theology, Olsen shares the unique perspective and insight allowed to pilots.

Prairie Sky explores the reality as well as the metaphor of flight: notions of ceaseless time and boundless space, personal interior and exterior vision, social history, meteorology, and geology. Olsen takes readers along as he chases a new way of looking at the physical world and wonders aloud about how the whole planet moves in interconnected ways not visible from the ground. While the northern prairie may call to mind images of golden harvests and summer twilight such images do not define the region. The land bears marks left by gut-shaking thunderstorms, hard-frozen rivers, sweeping floods, and hurricane-size storms. Olsen takes to the midwestern sky to confront the ordinary world and reveals the magicthe wondrous and unique sights visible from the pilots seat of a Cessna.

Like Antoine de Saint-Exuperys classic work Wind, Sand and Stars, Olsens Prairie Sky reveals the heart of what it means to fly. In the grand romantic tradition of the travel essay, it opens the dramatic paradoxes of self and collective, linear and circular, the heart and the border.

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A profound and beautifully crafted work of discovery by a pilot who flies with - photo 1

A profound and beautifully crafted work of discovery by a pilot who flies with open eyes.

William Langewiesche, international correspondent for Vanity Fair

Rarely does a book about flying airplanes swoop gently into history, philosophy, geology, and science. This one does. And if you want to fly an airplane, Prairie Sky by Scott Olsen puts your hands, head, and heart at the controls. If you already fly and love it, and have never quite discovered the secrets of that love, then Olsen's narrative uncovers those secrets. Become young again. Fly this book.

Clyde Edgerton, author of The Floatplane Notebooks

In this soaring book, Scott Olsen offers up a twin paean to the beauty of flight and the gravitational pull of the upper Midwest. From the cockpit of a rented Cessna, Olsen flies us through history, epic weather, geology, human endeavor, and the pure, sometimes terrifying joy of being alive in a world of marvels. Prairie Sky is a lovingly chanted hymn to a place we thought we knew but in fact never probed from such height and with such depth.

David Laskin, author of The Children's Blizzard and The Family: Three Journeys into the Heart of the Twentieth Century

To understand why flying small airplanes above wide-open spaces is so compellingand it isone needs to grasp the intricacies of the intersection between earth and sky, a place where pilots spend their time while aloft and to which we devote our thoughts while earthbound. In his masterful, meditative, and authentic book, Scott Olsen maps patiently and precisely that middle ground, that space through which we pilots travel in our airplanes, blunt mechanical devices that give access, through Scott's brilliant prose, to that which is sublime aroundand below us.

Robert Goyer, editor-in-chief of Flying

Scott Olsen's Prairie Sky may be about the author's flying adventures, but a mere book about flying it is not. Olsen frees us of Earth's surly bonds as we discover our home from a new perspective. His rich detail reads like an explorer's notebook, causing the reader to see their surroundings like never before. With Prairie Sky, Olsen reveals every pilot's biggest secretflying is, above all, about the view.

Ian Twombly, editor of Flight Training

Copyright 2013 by
The Curators of the University of Missouri
University of Missouri Press, Columbia, Missouri 65201
Printed and bound in the United States of America
All rights reserved
5 4 3 2 1 17 16 15 14 13

Cataloging-in-Publication data available from the Library of Congress
ISBN 978-0-8262-2007-3

Picture 2 This paper meets the requirements of the American National Standard for Permanence of Paper for Printed Library Materials, Z39.48, 1984.

Cover design: Susan Ferber
Text design and composition: Jennifer Cropp
Printing and binding: Thomson-Shore, Inc.
Typefaces: Minon and Utopia

ISBN-13: 978-0-8262-7304-8 (electronic)

For my family

Flying at its best is a way of thinking.

William Langewiesche, Inside the Sky

Prologue

Walking Chaucer

Here is a question:

What must the angels think of the earth?

Imagine, for just a moment, the leap of their arrival. In the moment before, they are ethereal, weightless, timeless and light, the moral sparks of eternity. In the moment after, they have atomic weight. They have mass. They have capillaries and tympanum and knees. They have synapses that do and do not fire. When they inhale, they smell juniper or sage.

What must that moment be like, I wonder. To come suddenly into a body, into a physical world, and then be faced with Everest, Atlantic, Sequoia, Rift. Bearing whatever message, do they tremble in front of a prairie thunderstorm? What sense do they make of le vent rouge? What must that first gasp mean? Is the first emotion of the arrival humility? Fear? Awe? Gratitude?

We live on an unsteady planet.

Every day forward from the last Big Bang, the material that is us has been moving. Light-years in microseconds at first. Then slightly cooler. Then slightly slower. The gas cooled to dust. Gravity, the weakest force in the universe, arrested everything. Dust collected onto other dust. Stars became stars. Galaxies lit up the void. Planets got themselves together. The whole inexorable dance. Dark matter. Radio waves. Creation versus Entropy. The tug and pull of being.

Movement became everything. Animate means alive and it means able to move. Temperature is a measure of movement. Absolute zero, the coldestpossible temperature, is the point where all molecular motion stops. The hottest temperature is the come hither look of the beautiful other.

Our landscape seems stable, the grocery store remains where we left it yesterday, but we know it is not. Underneath our highways, our lawns, our soccer fields and oceans, we live on a sea of molten rock, a fluid in motion, thrusting and strike-slipping our tectonic plates around the globe. The air above us roils from one season to the next. Tides rise and fall. Sparks turn to fire and the wholesale exchange of matter into energy.

The magnetic poles wander around their landscapes, sometimes as much as eighty-five kilometers in one day. More than once, the whole magnetosphere has slipped the whole way round. More slowly, but inevitably, the planet wobblesthe geographic North Pole points toward Polaris, and then does not. The earth orbits. The earth spins. Every middle school student learns about the Coriolis effect and the deflected paths of storms.

Our language is filled with the ways the earth resists the stationary. Mud slide. Rock slide. Downpour. Torrent. Tremor. Cataract. Conflagration. Inferno. Blaze. Tornado. Hurricane. Gust front. Blizzard. Earthquake. Fault. Riptide. Whirlpool. Maelstrom. Volcano. Flood. Cold front. Storm. Tsunami. Cyclone. Monsoon. And our stories carry the tremulous weight of the gods.

In Norwegian, Tordenvr, literally thunderweather, or better as thunderstorm, is the sound of Tor (in English, Thor), the god of thunder, and his hammer. Thunder is rare in Norway, and the sound of it rattles marrow.

In the Caribbean, Jurakn was a god of the Tanos, who lived on what are now Puerto Rico, the Dominican Republic, and Haiti, the Leeward and Windward Islands. He had a temper, like Zeus and Thor. The Spaniards heard about him and called him huracn and from there hurricane.

In the book of Job, God speaks from a whirlwind. Then the LORD answered Job out of the whirlwind and said, Who is this that darkens counsel by words without knowledge? Now gird up your loins like a man, and I will ask you, and you instruct Me! Where were you when I laid the foundation of the earth?

In West Africa, the Hausa people refer to a particular wind as iska zahi, the hot wind. Iska, which means wind, also means ghost. It also means spirit. It means the movement of the air has meaning.

Beyond the gods, this same Harmattan wind is the source of the famous le vent rougethe red wind. Red quartz from the African deserts is carried aloft, and then north, and then falls in rain across southern Italy, France, and Spain. There are stories about rain gutters along the streets of Marseille running maroon after rain that blows in from the Sahara across the Mediterranean. There are stories of le vent rouge turning the snowfields of Scandinavia pink.

There is a proverb in Japanesea list of the four most fearful things: jishin, kaminari, kaji, oyaji. Earthquakes, lightning, fires, and father.

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