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W. Scott Olsen - When we say were home: a quartet of place and memory

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Perhaps nothing is more complicated than an honest answer to a simple question: Where do you live? Most of us respond with our postal address, but we know that where we feel a sense of home isnt necessarily where we pick up the mail. We give our address to describe our city or neighborhood, but we know that the truer answer would be a much longer story: the story of where we live now and of all the places we have lived and visited - the story of where we dwell. When we say were home explores that more complete and satisfying story of dwelling in its larger and distinctly American context: as a complex and subtle interplay between rooted-ness and dislocation. The four essayists in this remarkable quartet reside in disparate geographical locations, and the details of their personal experiences are as varied as their landscapes. Yet in their stories - of raising families, of building and demolishing homes, of leaving husbands and losing parents, of surviving earthquakes and floods, of watching light shift and storms progress across familiar and unfamiliar horizons - we recognize our own histories of arrivals and departures, celebrations and losses. We understand that the possibility of dwelling is more than a nostalgic devotion to a single place: it is a daily practice of awareness and participation.

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title When We Say Were Home A Quartet of Place and Memory author - photo 1

title:When We Say We're Home : A Quartet of Place and Memory
author:Olsen, W. Scott
publisher:University of Utah Press
isbn10 | asin:
print isbn13:9780874805925
ebook isbn13:9780585360416
language:English
subjectHome, Family life, Dwellings, Geographical perception.
publication date:1999
lcc:GT2420.W44 1999eb
ddc:392.3/6
subject:Home, Family life, Dwellings, Geographical perception.
Page iii
When We Say We're Home
A Quartet of Place and Memory
W. Scott Olsen, Dawn Marano, Douglas Carlson, Wendy Bishop
Foreword by Judith Kitchen
THE UNIVERSITY OF UTAH PRESS
SALT LAKE CITY
Page iv
1999 by the University of Utah Press
All rights reserved
Printed on acid-free paper
"Fire and Ice" by Robert Frost appears with the permission of Henry Holt & Company.
LIBRARY OF CONGRESS
CATALOGING-IN-PUBLICATION DATA
When we say we're home:
a quartet of place and memory /
W. Scott Olsen, editor;
Dawn Marano, Douglas Carlson, Wendy Bishop:
p. cm.
ISBN 0-87480-591-0 (alk. paper).
ISBN 0-87480-592-9 (pbk. : alk. paper)
1. Home. 2. Family life. 3. Dwellings
4. Geographical perception.
I. Olsen, W. Scott, 1958
GT2420.W44 1999
392.3'6dc21
98-54376
Page v
Contents
Foreword
Judith Kitchen
1
When We Say We're Home
W. Scott Olsen
5
Motel Mind
Dawn Marano
93
Map, Landscape, and Story
Douglas Carlson
173
Where I Live(d)
Wendy Bishop
225
Contributors
305
Acknowledgments
307

Page 1
Foreword
Judith Kitchen
What is home? I live in my new husband's old house in a town I came to more than twenty years ago by accident. It's only ninety miles from where I grew up, but it took me two other states, two countries, and ten houses (seven rented, three owned) to get here. The landscape here on the flat plains of Lake Ontario could not be more different from my hometown perched at the edges of the Appalachians. A change in landscape means a change in history the carnage of Sullivan's march versus the westward expansion of the Erie Canal. And when I go back thereonly an hour and a half on a new four-lane highwaynothing is as it was. My childhood home was severely flooded in the wake of Hurricane Agnes in 1972. It looks the same on the outside, but I know that inside it's been radically altered. I resist the urge to knock on the door and ask the owners to let me look around. The village center is gone, victim of the same devastating force of nature. Even the river has been moved.
Sometimes, on an early winter evening, we drive out into the blue dusk, and a house, set back from the road, will throw its lights out over the snow, drawing us into its interior spaces. That house becomes my eleventh homethe home of my imagination. My experience is not unique. In fact, it has a peculiarly American resonance. In a culture as rootless, as energetic, as ours, the concept of "home" is problematic. We inherit the idea of a vast landscape most of us have never fully seen. We are nostalgic for a past we have been busy eradicating.
When We Say We're Home: A Quartet of Place and Memory addresses the question of home through four personal explorations. The writers presented here (W. Scott Olsen, Dawn Marano, Douglas Carlson, and Wendy Bishop) each play a different instrument; their stories, their voices, their styles, are distinct. But the book should be read as the "quartet" of its subtitle, looking for the harmonies and counterpoints as well as differences. The individual voices, with their overlapping concerns, amplify each other, giving rise to larger, more global issues.
And these voices are not alone. This book adds to a vigorous national
Page 2
dialogue. Many of us sense that there's something important at stake, something as important as the land itself. Like me, like the early pioneers, like the earliest inhabitants of this continent, these four writers have not stayed put. None of them is living where he or she grew up. They find themselves "going West" into a West that is all too attractive to all too many people. They wantand needto preserve its wilderness. Seeking to stake a claim somewhere new, someplace else, these writers must first observe themselves as outsiders. The house of the present is building on the pasta conflation of place and memory. This shift of perspective involves both landscape and historya history that includes the cultural, political, and geological layers that give shape to the present. W. Scott Olsen's wide sky and open prairieits weather and its physical propertiesdetermined the orientation of the house he built. Dawn Marano's personal history sometimes collides with the communal Mormon history of her adopted home in Salt Lake City. Douglas Carlson's Chautauqua County carries its Iroquois origins in its very name. And Wendy Bishop, after youthful wanderings, matures into a Florida suburb very like the California she left behind. But the challenge is internal as much as external. These writers are looking for what Scott Russell Sanders has described as a feeling of "rightness, at-homeness, a knitting of self and world." They have moved physically, and now must move spiritually as well. They have to turn "place" into "home."
How they do this varies. Olsen, beginning a career and a family, deliberately settles into a community. Marano embarks on a course of active study (aided both by a new husband who equips her to enter the terrain and by a number of women who share their knowledge). Carlson, clearly the most rooted, makes the effort to shake himself loose from old ties, only to find new connections. Bishop, struggling to make a home for her children, almost by accident finds her daily ritual has become a way of life. In each case, however, becoming a part of a community involves a meaningful encounter with naturewith its snowstorms, its floods and erosions, its very indifference. Home, it appears here, is more than a sense of belonging. It's all the various ways we fit ourselves into a landscape, meet its demands, give it a human significance. In the end, these writers make a place for the
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