• Complain

George Saunders - The Brain-Dead Megaphone

Here you can read online George Saunders - The Brain-Dead Megaphone full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2009, publisher: Bloomsbury Publishing PLC, genre: Art. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

No cover
  • Book:
    The Brain-Dead Megaphone
  • Author:
  • Publisher:
    Bloomsbury Publishing PLC
  • Genre:
  • Year:
    2009
  • Rating:
    5 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 100
    • 1
    • 2
    • 3
    • 4
    • 5

The Brain-Dead Megaphone: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "The Brain-Dead Megaphone" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

In this, his first collection of essays, Saunders trains his eye on the real world rather than the fictional and reveals it to be brimming with wonderful, marvellous strangeness. As he faces a political and cultural reality saturated with lazy media, false promises and political doublespeak, Saunders invokes the wisdom of American literary heroes Twain, Vonnegut and Barthelme and inspires us to re-examine our assumptions about the world we live in, as we struggle to discover what is really there.

George Saunders: author's other books


Who wrote The Brain-Dead Megaphone? Find out the surname, the name of the author of the book and a list of all author's works by series.

The Brain-Dead Megaphone — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "The Brain-Dead Megaphone" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make

First published in Great Britain 2008 Copyright 2008 by George Saunders This - photo 1

First published in Great Britain 2008

Copyright 2008 by George Saunders

This electronic edition published 2012

Some of these pieces have appeared, often in substantially different form, in GQ, the Guardian, McSweeneys, the New Yorker, Slate, on Amazon.com, in the anthologies Take My Advice, Best American Travel Writing and Best American Non-Required Reading, and as the introduction for the Modern Library paperback edition of Adventures of Huckleberry Finn.

The moral right of the author has been asserted

All rights reserved. You may not copy, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (including without limitation electronic, digital, optical, mechanical, photocopying, printing, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages.

Bloomsbury Publishing Plc, 50 Bedford Square WC1B 3DP

www.bloomsbury.com

Bloomsbury Publishing, London, New York and Berlin

A CIP catalogue record is available from the British Library

ISBN 9781408822524

Visit www.bloomsbury.com to find out more about our authors and their books You will find extracts, author interviews, author events and you can sign up for newsletters to be the first to hear about our latest releases and special offers

To my parents, on the occasion of their
fiftieth wedding anniversary, with gratitude
for their beautiful example
.

Contents
The
Braindead
Megaphone

Picture 2

I find myself thinking of a guy standing in a field in the year 1200 doing whatever it is people in 1200 did while standing in fields. Im thinking about his mind, wondering whats in it. Whats he talking about in that tape-loop in his head? Whos he arguing with? From whom is he defending himself, to whom is he rationalizing his actions?

Im wondering, in other words, if his mental experience of life is different in any essential way from mine.

What I have in common with this guy, I suspect, is that a lot of our mental dialogue is with people we know: our parents, wives, kids, neighbors.

Where I suspect we part ways is in the number and nature of the conversations we have with people weve never met.

He probably does some talking to his gods, his ancestors, mythological beings, historical figures. So do I. But there is a category of people I mentally converse with that he does not: people from far away, whove arrived in the mind, with various agendas, via high-tech sources.

I suspect that you also have these people in your mind; in fact, as you read this (sorry, sorry) I am become one of them.

Is this difference between us and Mr. or Ms. 1200 a good thing or a bad thing? Im not sure. For now, lets just acknowledge it as a difference; a change in what human beings are asking their minds to do on a daily basis.

Imagine a party. The guests, from all walks of life, are not negligible. Theyve been around: theyve lived, suffered, own businesses, have real areas of expertise. Theyre talking about things that interest them, giving and taking subtle correction. Certain submerged concerns are coming to the surface andsurprise, pleasant surprisebeing confirmed and seconded and assuaged by other people whove been feeling the same way.

Then a guy walks in with a megaphone. Hes not the smartest person at the party, or the most experienced, or the most articulate.

But hes got that megaphone.

Say he starts talking about how much he loves early mornings in spring. What happens? Well, people turn to listen. It would be hard not to. Its only polite. And soon, in their small groups, the guests may find themselves talking about early spring mornings. Or, more correctly, about the validity of Megaphone Guys ideas about early spring mornings. Some are agreeing with him, some disagreeingbut because hes so loud, their conversations will begin to react to what hes saying. As he changes topics, so do they. If he continually uses the phrase at the end of the day, they start using it too. If he weaves into his arguments the assumption that the west side of the room is preferable to the east, a slow westward drift will begin.

These responses are predicated not on his intelligence, his unique experience of the world, his powers of contemplation, or his ability with language, but on the volume and omnipresence of his narrating voice.

His main characteristic is his dominance. He crowds the other voices out. His rhetoric becomes the central rhetoric because of its unavoidability.

In time, Megaphone Guy will ruin the party. The guests will stop believing in their value as guests, and come to see their main role as reactors-to-the-Guy. Theyll stop doing what guests are supposed to do: keep the conversation going per their own interests and concerns. Theyll become passive, stop believing in the validity of their own impressions. They may not even notice theyve started speaking in his diction, that their thoughts are being limned by his. Whats important to him will come to seem important to them.

Weve said Megaphone Guy isnt the smartest, or most articulate, or most experienced person at the partybut what if the situation is even worse than this?

Lets say he hasnt carefully considered the things hes saying. Hes basically just blurting things out. And even with the megaphone, he has to shout a little to be heard, which limits the complexity of what he can say. Because he feels he has to be entertaining, he jumps from topic to topic, favoring the conceptual-general (Were eating more cheese cubesand loving it!), the anxiety- or controversy-provoking (Wine running out due to shadowy conspiracy?), the gossipy (Quickie rumored in south bathroom!), and the trivial (Which quadrant of the party room do YOU prefer?).

We consider speech to be the result of thought (we have a thought, then select a sentence with which to express it), but thought also results from speech (as we grope, in words, toward meaning, we discover what we think). This yammering guy has, by forcibly putting his restricted language into the heads of the guests, affected the quality and coloration of the thoughts going on in there.

He has, in effect, put an intelligence-ceiling on the party.

A man sits in a room. Someone begins shouting through his window, informing him of conditions in the house next door. Our mans mind inflects: that is, he begins imagining that house. What are the factors that might affect the quality of his imagining? That is, what factors affect his ability to imagine the next-door house as it actually is?

(1) The clarity of the language being used by the Informant (the less muddled, inarticulate, or jargon-filled, the better);

(2) The agenda of the Informant (no agenda preferable to agenda-rich);

(3) The time and care the Informant has spent constructing his narrative (i.e., the extent to which his account was revised and improved before being transmitted, with more time and care preferable to less);

(4) The time allowed for the communication (with more time preferable to less, on the assumption that more time grants the Informant a better opportunity to explain, explore, clarify, etc.).

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «The Brain-Dead Megaphone»

Look at similar books to The Brain-Dead Megaphone. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «The Brain-Dead Megaphone»

Discussion, reviews of the book The Brain-Dead Megaphone and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.