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Richard William Southern - The Making of the Middle Ages

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Richard William Southern The Making of the Middle Ages
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THE MAKING OF THE MIDDLE AGES

-i-

Crucifixion from the Gospels of Countess Judith English prob 1050-65 -ii- - photo 1
Crucifixion from the Gospels of Countess Judith (English, prob. 1050-65)

-ii-

THE MAKING OF THE MIDDLE AGES

R. W. SOUTHERN

NEW HAVEN & LONDON
YALE UNIVERSITY PRESS

-iii-

First published, August 1953.

Printed in the United States of America by BookCrafters, Inc., Fredericksburg, Virginia.

All rights reserved. This book may not be reproduced, in whole or in part, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers.

Published in Canada and the Philippines by Yale University Press and elsewhere by Hutchinson & Co., Ltd., London.

ISBN: 0-300-00967-4 (cloth), 0-300-00230-0 (paper)

37 36 35 34

-iv-


CONTENTS
ABBREVIATIONS
PREFACE
INTRODUCTION
I LATIN CHRISTENDOM AND ITS NEIGHBOURS
i The divisions of Latin Christendom
ii The relations of Latin Christendom with the
outside world
a The Northern and Eastern Frontiers
b The Mediterranean
c The Distant Horizon
II THE BONDS OF SOCIETY
i The Growth of Government
ii The Conditions of Men
a Serfdom
b Liberty
c Nobility
III THE ORDERING OF THE CHRISTIAN LIFE
i The Church and the World
ii Rome and the Papacy
a Before Gregory VII
b Gregory VII
c After Gregory VII
iii The Monasteries
a Lay Society and the Monasteries
b The Monastic ideal of the tenth and eleventh
centuries

-v-

IV THE TRADITION OF THOUGHT
i The Syllabus of Studies
ii Learning and the problems of daily life
a In the Monasteries
b In the Cathedrals
c On the edge of the Universities
V FROM EPIC TO ROMANCE
BIBLIOGRAPHY
INDEX

-vi-


ILLUSTRATIONS
Pierpont Morgan Library, New York, Morgan M.S.
709, f. 16.
frontispiece
The Gospel Book of which this picture forms part belonged to
Judith of Flanders, wife of Earl Tostig of Northumbria, who is
probably depicted in the female figure clinging to the Cross. All
the evidence of style (as Professor Wormald kindly tells me) is
compatible with a date in the third quarter of the eleventh century,
and it is probable that the manuscript was made for the Countess
Judith while she was in England, between about 1051 and 1065.
The manuscript is certainly of English origin. It was taken abroad
by the Countess in 1065, and (her husband having been killed at
the battle of Stamford Bridge in the following year) she never
returned to England. She later married Welf IV, Duke of Bavaria,
and on her death she left the manuscript with several others to the
monastery of Weingarten in southern Germany. Here it remained
until the Napoleonic Wars, when it began the journeys which
brought it back to England for nearly a century, and finally took it
across the Atlantic to the Pierpont Morgan Library in New York.
For a history of the manuscript, see M. Harrsen, The Countess
Judith of Flanders and the Library of Weingarten Abbey
, Papers of the
Bibliographical Society of America, 1930, XXIV, 1-13; and for its
place in eleventh-century English Illumination, F. Wormald, The
Survival of Anglo-Saxon Illumination after the Norman Conquest

(British Academy Hertz Lecture, 1944).
Tree of Jesse (Cteaux, 1110-1120). Dijon, Bibliothque
Municipal, MS. 641, f. 40 verso. (Photograph: Remy Dijon
.)
facing page
For the bibliography of this manuscript, see below p..
The Aaby Crucifix (Copenhagen, National Museum, II,
No. D. 629).
between pages
The Tirstrup Crucifix (Copenhagen, National Museum,
II, No. D. 5100).
between pages
These two Danish crucifixes are discussed in relation to the other
works of the period in P. Nrlund, Gyldne Altre (Copenhagen, 1926),
pp. , figs. 77-81, 84-6.

-vii-

"The Madonna of Dom Rupert", (Lige, Muse
Archologique, "Maison Curtius").
facing page
This panel appears to have formed part of an altar front in the
monastery of St. Lawrence Lige. Modern scholars agree that the
connexion with Dom Rupert, who died in 1138, is merely legendary,
and that it is about half a century later than this date. The panel is
discussed in R. Ligtenberg, Die Romanische Steinplastik in den
nrdlichen Niederlnden
, I, 1918, who suggests a date about 1170; but
A. Goldshmidt (in P. Clemen, Belgische Kunstdenkmler, 1923,
I, n.) believes that a date c. 1200 is a possibility. Dr. O. Pcht
kindly drew my attention to this work.
MAP OF ANJOU IN THE TIME OF COUNT FULK NERRA
(987)-1040)
GENEALOGICAL TABLE: The Family of the Counts
of Barcelona
120

ABBREVIATIONS
D.H.G.E.Dictionnaire d'histoire et de gographie ecclsiastiques,
ed. A. Baudrillart, A. Vogt, U. Rouzis, etc. (1912-).
E.H.R.English Historical Review.
M.G.H.Monumenta Germaniae Historica.
P.L.Patrologiae Cursus Completus, series latina, ed. J. P. Migne.
R.S.Rolls Series
SchmittSancti Anselmi Opera Omnia, ed. F. S. Schmitt, O.S.B.,
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