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Maud Ellmann - The Nets of Modernism: Henry James, Virginia Woolf, James Joyce, and Sigmund Freud

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Maud Ellmann The Nets of Modernism: Henry James, Virginia Woolf, James Joyce, and Sigmund Freud
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One of the finest literary critics of her generation, Maud Ellmann synthesises her work on modernism, psychoanalysis and Irish literature in this important new book. In sinuous readings of Henry James, James Joyce and Virginia Woolf, she examines the interconnections between developing technological networks in modernity and the structures of modernist fiction, linking both to Freudian psychoanalysis. The Nets of Modernism examines the significance of images of bodily violation and exchange - scar, bite, wound, and their psychic equivalents - showing how these images correspond to vampirism and related obsessions in early twentieth-century culture. Subtle, original and a pleasure to read, this book offers a new perspective on the inter-implications of Freudian psychoanalysis and Anglophone modernism that will influence the field for years to come.

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The Nets of Modernism
Maud Ellmann synthesizes her work on modernism, psychoanalysis, and Irish literature in this important new book. In sinuous readings of Henry James, James Joyce, and Virginia Woolf, she examines the interconnections between developing technological networks in modernity and the structures of modernist fiction, linking both to Freudian psychoanalysis. The Nets of Modernism examines the significance of images of bodily violation and exchange scar, bite, wound, and their psychic equivalents showing how these images correspond to vampirism and related obsessions in early twentieth-century culture. Subtle, original, and a pleasure to read, this book offers a new perspective on the inter-implications of Freudian psychoanalysis and anglophone modernism that will influence the field for years to come.
Maud Ellmann, formerly the Donald and Marilyn Keough Professor of Irish Studies at the University of Notre Dame, is currently the Randy L. and Melvin R. Berlin Professor of the Development of the Novel in English at the University of Chicago. A well-known scholar of modernism and psychoanalysis, she has also written The Poetics of Impersonality: T. S. Eliot and Ezra Pound (1987), The Hunger Artists: Starving, Writing, and Imprisonment (1993) and Elizabeth Bowen: The Shadow Across the Page (winner of the 2004 Crawshay Prize from the British Academy), and has edited a Longman Critical Reader in Psychoanalytic Literary Criticism (1994).
The Nets of Modernism
Henry James, Virginia Woolf, James Joyce, and Sigmund Freud
Maud Ellmann
CAMBRIDGE UNIVERSITY PRESS Cambridge New York Melbourne Madrid Cape Town - photo 1
CAMBRIDGE UNIVERSITY PRESS
Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, So Paulo, Delhi, Dubai, Tokyo, Mexico City
Cambridge University Press
The Edinburgh Building, Cambridge cb2 8ru, uk
Published in the United States of America by Cambridge University Press, New York
www.cambridge.org
Information on this title: www.cambridge.org/9780521681094
Maud Ellmann 2010
This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press.
First published 2010
Printed in the United Kingdom at the University Press, Cambridge
A catalogue record for this publication is available from the British Library
Library of Congress Cataloguing in Publication data
Ellmann, Maud, 1954
The nets of modernism : Henry James, Virginia Woolf, James Joyce, and Sigmund Freud / Maud Ellmann.
p. cm.
Includes bibliographical references and index.
ISBN 978-0-521-86256-1 ISBN 978-0-521-68109-4 (pbk.) 1. English fiction20th centuryHistory and criticism. 2. Modernism (Literature)Great Britain. 3. Psychoanalysis and literature. 4. Joyce, James, 18821941Criticism and interpretation.
5. Woolf, Virginia, 18821941Criticism and interpretation. 6. James, Henry, 18431916Criticism and interpretation. 7. Freud, Sigmund, 18561939Influence.
8. American fiction20th centuryHistory and criticism. 9. Psychological fictionHistory and criticism. 10. Modernism (Literature) I. Title.
PR888.M63E45 2010
823Picture 2.9109112dc22
2010021895
ISBN 978-0-521-86256-1 Hardback
ISBN 978-0-521-68109-4 Paperback
Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate.
To John Wilkinson
Contents
Acknowledgements
This book was completed while I was the Donald and Marilyn Keough Professor of Irish Studies at the University of Notre Dame, where I received generous support for my research, especially from Christopher Fox, the Director of the Keough-Naughton Institute for Irish Studies. Many other friends, colleagues, and students have contributed to this book. My greatest debts are to Annie Janowitz and John Wilkinson, who have seen this project develop over several years, and have provided invaluable criticism and encouragement at every stage. Anita Sokolsky, Stephen Tifft, Jessa Leff, and David Hillman were kind enough to read the manuscript, offering shrewd, imaginative criticism. In addition, the book has benefited from conversations with Isobel Armstrong, Derek Attridge, Gillian Beer, Peter de Bolla, Rachel Bowlby, Ronald Bush, Stefan Collini, Margaret Doody, Lucy Ellmann, Stephen Ellmann, Judith Farquhar, Christine Froula, John Limon, Luke Gibbons, Heather Glen, Graham Hammill, Jeri Johnson, Colin MacCabe, Josephine McDonagh, Todd McEwan, Ruth Morse, Ian Patterson, Jean-Michel Rabat, Neil Reeve, Nicholas Royle, David Trotter, and Robert Young. I have also had the pleasure of collaborating with Marilyn Reizbaum, who is the co-author of the section on Joyces story Two Gallants in . A fellowship from the National Humanities Center gave me the opportunity to pull the project together, and I wish to thank the director Geoffrey Harpham, the co-director Kent Mullikan, the librarians Eliza Robertson, Josiah Drewry, and Jean Houston, and all the staff and fellows, especially Judith Farquhar, Kate Flint, Elizabeth Helsinger, Alison Keith, Nigel Smith, and Alex Wettlaufer, who made my stay in North Carolina so rewarding and enjoyable. At Notre Dame, John Sitter was kind enough to lend me his research assistant, Michael Norris, whose painstaking work on my bibliography saved me weeks of labor. Kate Ravin offered astute criticism and editorial advice in the final stages of revising the book. Hilary Fox was kind enough to produce the index and to help with the proofreading. I also wish to thank my editors at Cambridge University Press, Ray Ryan and Maartje Sheltens, and my project manager Emma Wildsmith, for all the time and effort they have invested in my book.
It saddens me that Eve Kosofsky Sedgwick, who contributed so much to my personal and intellectual life, died before I could express my gratitude in these acknowledgements. Eves fearless, brilliant, deeply principled work has inspired two generations of scholars, poets, and activists, and will continue to reverberate for decades to come. To have been her friend was an incalculable blessing.
Abbreviations
A
James, Henry. The Ambassadors . 1903. Ed. S. P. Rosenbaum. 2nd edn. New York: Norton, .
BA
Woolf, Virginia. Between the Acts . 1941. Ed. Stella McNichol. Notes and Introduction by Gillian Beer. 1992; London: Penguin, .
D
Joyce, James. Dubliners . 1914. Ed. Terence Brown. London: Penguin, .
Diary
Woolf, Virginia. The Diary of Virginia Woolf . 5 vols. Harmondsworth: Penguin, 1981.
Deming
Deming, Robert H., ed. James Joyce: The Critical Heritage . London: Routledge and Kegan Paul, .
Essays
Woolf, Virginia. The Essays of Virginia Woolf . Ed. Andrew McNeillie. 4 vols. London: Hogarth Press, 94.
Flush
Woolf, Virginia. Flush . 1933. Ed. Kate Flint. Oxford University Press, .
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