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James M. Dunlop - Anatomical Diagrams For The Use Of Art Students

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James M. Dunlop Anatomical Diagrams For The Use Of Art Students
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Anatomical Diagrams For The Use Of Art Students: summary, description and annotation

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Any artist wishing to practice figure drawing or to understand the bodys movement will do well to study the interaction of muscles with bone structure. This timeless introduction to human anatomy combines art and science, focusing on realistic depictions of the skeletons impact on the external form and the attachments of the muscular system.More than 70 black-and-white illustrations show the positions and names of muscles and bones. Clear and accurate, the diagrams cover everything from the bones and muscles in the neck, head, trunk, limbs, hand, and foot to details of the face. Artists at every level of experience will find this volume an indispensable reference.

James M. Dunlop: author's other books


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James M. Dunlop - Anatomical Diagrams For The Use Of Art Students
Anatomical Diagrams For The Use Of Art Students
James M. Dunlop
Anatomical Diagrams For The Use Of Art Students
James M. Dunlop - Anatomical Diagrams for Art Students (Dover Art Instruction)
Anatomical Diagrams for Art Students (Dover Art Instruction)
James M. Dunlop
Anatomical Diagrams for Art Students (Dover Art Instruction)

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Table of Contents SIDE VIEW OF THE HEAD AND NECK BONES MUSCLES - photo 1
Table of Contents

SIDE VIEW OF THE HEAD AND NECK.
BONES.
MUSCLES FRONT VIEW OF THE HEAD AND NECK BONES - photo 2
MUSCLES.
FRONT VIEW OF THE HEAD AND NECK BONES MUSCLES - photo 3
FRONT VIEW OF THE HEAD AND NECK.
BONES
MUSCLES SIDE VIEW OF TRUNK BONES - photo 4
MUSCLES.
SIDE VIEW OF TRUNK BONES MUSCLES - photo 5
SIDE VIEW OF TRUNK.
BONES.
MUSCLES FRONT VIEW OF THE TRUNK BONES - photo 6
MUSCLES.
FRONT VIEW OF THE TRUNK BONES MUSCLES - photo 7
FRONT VIEW OF THE TRUNK.
BONES.
MUSCLES BACK VIEW OF THE TRUNK BONES - photo 8
MUSCLES.
BACK VIEW OF THE TRUNK BONES MUSCLES - photo 9
BACK VIEW OF THE TRUNK.
BONES.
MUSCLES OUTER VIEW OF THE LOWER LIMB BONES - photo 10
MUSCLES.
OUTER VIEW OF THE LOWER LIMB BONES MUSCLES - photo 11
OUTER VIEW OF THE LOWER LIMB.
BONES.
MUSCLES FRONT VIEW OF THE LOWER LIMB BONES - photo 12
MUSCLES.
FRONT VIEW OF THE LOWER LIMB BONES MUSCLES - photo 13
FRONT VIEW OF THE LOWER LIMB.
BONES.
MUSCLES INNER VIEW OF THE LOWER LIMB BONES - photo 14
MUSCLES.
INNER VIEW OF THE LOWER LIMB BONES MUSCLES - photo 15
INNER VIEW OF THE LOWER LIMB.
BONES.
MUSCLES BACK VIEW OF THE LOWER LIMB BONES - photo 16
MUSCLES
BACK VIEW OF THE LOWER LIMB BONES MUSCLES - photo 17
BACK VIEW OF THE LOWER LIMB.
BONES.
MUSCLES OUTER VIEW OF THE UPPER LIMB BONES - photo 18
MUSCLES.
OUTER VIEW OF THE UPPER LIMB BONES MUSCLES - photo 19
OUTER VIEW OF THE UPPER LIMB.
BONES.
MUSCLES FRONT VIEW OF THE UPPER LIMB BONES - photo 20
MUSCLES.
FRONT VIEW OF THE UPPER LIMB BONES MUSCLES - photo 21
FRONT VIEW OF THE UPPER LIMB.
BONES.
MUSCLES INNER VIEW OF THE UPPER LIMB BONES - photo 22
MUSCLES.
INNER VIEW OF THE UPPER LIMB BONES MUSCLES - photo 23
INNER VIEW OF THE UPPER LIMB.
BONES.
MUSCLES BACK VIEW OF THE UPPER LIMB BONES - photo 24
MUSCLES.
BACK VIEW OF THE UPPER LIMB BONES MUSCLES - photo 25
BACK VIEW OF THE UPPER LIMB.
BONES.
MUSCLES THE BONES IN RELATION TO THE OUTLINE OF FIGURE FRONT VIEW - photo 26
MUSCLES.
THE BONES IN RELATION TO THE OUTLINE OF FIGURE FRONT VIEW CONSTRUCTION - photo 27
THE BONES IN RELATION TO THE OUTLINE OF FIGURE FRONT VIEW
CONSTRUCTION LINES OF THE STANDING FIGURE FRONT VIEW In the above - photo 28
CONSTRUCTION LINES OF THE STANDING FIGURE. FRONT VIEW.
In the above diagrams shows the leading constructive lines when the figure is - photo 29

In the above diagrams, shows the leading constructive lines when the figure is standing upright and resting on both legs. In this position the line passing through the shoulders, and that drawn across the antr. supr. spines of the Pelvis, are both obviously at right angles to the vertical axis of the body.

In the weight of the body is carried mainly on one leg, and in this position the axial line of the body becomes a curve, but still the line drawn through the shoulders and that through the Pelvis may be regarded as at right angles to this imaginary curve. Observe that the Pelvis is higher on the side which supports the figure, and also that the hip makes a sharper angle on that side, and further, note the slope of the standing leg with the ground, necessary for the balance of the figure.

The axial line of the body carried down through the standing leg gives here a line of double curvature, which is the first line to be drawn in suggesting the pose.

THE BONES IN RELATION TO OUTLINE OF FIGURE. BACK VIEW.
CONSTRUCTION LINES OF THE STANDING FIGURE BACK VIEW The above diagrams - photo 30
CONSTRUCTION LINES OF THE STANDING FIGURE. BACK VIEW.
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