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Craig Kallendorf - Virgil and the Myth of Venice: Books and Readers in the Italian Renaissance

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    Virgil and the Myth of Venice: Books and Readers in the Italian Renaissance
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This book, which is the first comprehensive study of its subject, shows that the Roman poet Virgil played an unexpectedly significant role in the shaping of Renaissance Venetian culture. Drawing on reception theory and the sociology of literature, it argues that Virgils poetry became a best-seller because it sometimes challenged, but more often confirmed, the specific moral, religious, and social values of the Venetian readers.

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title Virgil and the Myth of Venice Books and Readers in the Italian - photo 1

title:Virgil and the Myth of Venice : Books and Readers in the Italian Renaissance
author:Kallendorf, Craig.
publisher:Oxford University Press
isbn10 | asin:019815254X
print isbn13:9780198152545
ebook isbn13:9780585080307
language:English
subjectVirgil--Appreciation--Italy--Venice, Authors and readers--Italy--Venice--History--16th century, Books and reading--Italy--Venice--History--16th century, Authors and readers--Italy--Venice--History--To 1500, Books and reading--Italy--Venice--History--To 15
publication date:1999
lcc:PA6825.K36 1999eb
ddc:873/.01
subject:Virgil--Appreciation--Italy--Venice, Authors and readers--Italy--Venice--History--16th century, Books and reading--Italy--Venice--History--16th century, Authors and readers--Italy--Venice--History--To 1500, Books and reading--Italy--Venice--History--To 15
Page iii
Virgil and the Myth of Venice
Books and Readers in the Italian Renaissance
Craig Kallendorf
CLARENDON PRESS OXFORD
1999
Page iv
Oxford University Press, Great Clarendon Street, Oxford OX2 6DP
Oxford New York
Athens Auckland Bangkok Bogot Buenos Aires Calcutta
Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul
Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai
Nairobi Paris So Paulo Singapore Taipei Tokyo Toronto Warsaw
and associated companies in Berlin Ibadan
Oxford is a registered trade mark of Oxford University Press
Published in the United States by Oxford University Press Inc., New York
Craig Kallendorf 1999
The moral rights of the author have been asserted
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press. Within the UK, exceptions are allowed in respect of any fair dealing for the purpose of research or private study, or criticism or review, as permitted under the Copyright, Designs and Patents Act 1988, or in the case of reprographic reproduction in accordance with the terms of the licences issued by the Copyright Licensing Agency. Enquiries concerning reproduction outside these terms in other countries should be sent to the Rights Department, Oxford University Press, at the address above
British Library Cataloguing in Publication Data
Data available
Library of Congress Cataloguing in Publication Data
Virgil and the myth of Venice: books and readers in the Italian
Renaissance/Craig Kallendorf.
Includes bibliographical references
1. VirgilAppreciationItalyVenice. 2. Authors and readers
ItalyVeniceHistory16th century. 3. Books and readingItaly
VeniceHistory16th century. 4. Authors and readersItaly
VeniceHistoryTo 1500. 5. Books and readingItalyVenice
HistoryTo 1500. 6. Latin poetryAppreciationItalyVenice.
7. ItalyCivilizationRoman Influences. 8. Venice (Italy)
Civilization. 9. Reader-response criticism. 10. Renaissance
ItalyVenice. I. Title.
PA6825.K36 1998 873'.01-dc21 98-40795
ISBN 0-19-815254-X
1 3 5 7 9 10 8 6 4 2
Typeset by Cambrian Typesetters, Frimley, Surrey
Printed in Great Britain on acid-free paper by
Biddles Ltd., Guildford and King's Lynn
Page v
Preface
I am grateful to a number of institutions and individuals for supporting this project in various ways. This kind of work cannot be done without travel to the sources and time to write, and I am grateful to the Delmas Foundation, the National Endowment for the Humanities, and the American Council of Learned Societies for funds. Additional support came from the Departments of English and of Modern and Classical Languages, and from the College of Liberal Arts, at Texas A&M University, and support of another but equally valuable nature came from the Interlibrary Loan Service at the University's Sterling B. Evans Library. Among the individuals who have answered my requests for information, read sections of the book, and written letters on my behalf, I would like to single out Lilian Armstrong, Daniel Bornstein, Douglas Brooks, A. C. de la Mare, Rona Goffen, Paul Grendler, Daniel Javitch, Margaret King, Alexander McKay, Ray Petrillo, Patricia Phillippy, Wayne Rebhorn, Margaret Rosenthal, and Warren Tresidder. I am also grateful to Charles Martindale and to three other anonymous readers engaged by Oxford University Press for a number of very helpful suggestions. The merits of the following study are due in part to these people, while the shortcomings, of course, are entirely my own. Finally, the friendship of Marino and Rosella Zorzi deserves special mention; not only have they provided invaluable scholarly guidance and support, but they have made Venice a place of warm and lasting memories for me.
In this study, names of scholars and printers generally appear in the form most commonly used today. I have preferred a Latin form in discussions of those who wrote in Latin and an Italian form for those who wrote in the volgare, but I have ultimately favoured intelligibility over consistency here. Usage of i/j and u/v has been adjusted to modern standards; otherwise my quotations from early texts preserve the original orthography but not the vagaries of Renaissance punctuation and capitalization. Translations are my own unless otherwise indicated.
Page vi
Preliminary versions of some material have been published in the Journal of the History of Ideas, Miscellanea Marciana, and the Acta of the Ninth International Congress of the International Association for Neo-Latin Studies, and I am grateful to the editors of these publications for permission to draw on previous work in the present study.
Finally, I would like to dedicate this book to my wife Hilaire. This project came to completion under her watchful eyes, and I am grateful for her love and support.
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