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Jeff Wignall - Exposure Photo Workshop

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Jeff Wignall Exposure Photo Workshop
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New and updated techniques for working with exposure

Exposure involves a variety of skills, but once mastered, can turn a hobbyist into a bona fide photographer. This hands-on resource dissects the components of exposure?ISO, aperture, shutter speed?and shows how they work together to capture the photographer?s vision. You?ll learn how to leave the safety of automatic settings and understand how controlling the settings can result in beautiful photos. Stunning photos of people, wildlife, and landscapes serve to inspire you to practice your new skills in exposure and create memorable and frame-worthy photos.

  • Unveils the many intricate levels of exposure and clearly explains how to master each one so that you can capture amazing photos
  • Encourages you to apply each of the techniques you learn with patience and experimentation when photographing people, wildlife, landscapes, or any other subject matter
  • Details the essentials for taking frame-worthy photos in a variety of challenges, such as action, night scenes, low light, bad weather, and more
  • Features updated, stunning, and inspiring full-color photos throughout

Exposure yourself to the fantastic and unparalleled advice contained within the pages of Exposure Photo Workshop, Second Edition!



From the Author: Top Five Exposure Tips
Author Jeff Wignall
1. Avoid extreme contrast. Try to work early or late in the day, or on slightly overcast days to avoid contrast problems from harsh daylight. Digital-camera sensors can only record a limited contrast range and the gentler the light is, the more accurate your exposures will be. If possible, you can also move your subject to an area of open shade.
2. Shoot in RAW format. Use the RAW format if your camera offers that option. In the RAW format you can alter both exposure and color temperature (white balance) during the editing process. This means you can be off by a few stops in exposure and still correct the exposure in the original file. You can also fine-tune the white balance of the original file. RAW requires a few more steps in editing, but the effort is well rewarded.
3. Meter a middle-tone subject. Try to select a middle tone when youre metering and youll get much more accurate exposures. Subjects that offer a natural middle town include green grass or foliage, clear blue skies and weathered barn wood. You can also carry an 18% gray card (available at photo stores) and meter from that: just place the card in the same light as your subject, meter it and then use that exposure setting.
4. Use fill-in flash for outdoor portraits. Portraits shot in bright daylight often have distracting shadows under the nose or below eyebrows. By turning on your built-in flash in daylight you can light open those shadows and still keep a natural-light look. Read your manual for tips on using fill-in flash.
5. Use a tripod. Using a tripod enables you to use the full range or reciprocal aperture and shutter-speed combinations. Yes, image-stabilization systems will help keep the camera steady with moderately slower shutter speeds, but wont help much if you want to make a ten-second exposure of a waterfall or a twilight skyline. Placing your camera on a tripod also slows you down and gives you more time to consider exposure options.


From the Author: Example Photos
Shot with a 300mm Nikkor lens.
Exposed at ISO 200 at 1/160 second at f/5.6.
Recorded in RAW format & Jpeg simultaneously.
(Click on image to zoom)
Shot with a 70-300mm Nikkor zoom.
Exposed at ISO 200 at 1/640 second at f/7.1.
RAW format.
(Click on image for larger version)
Shot with a 70-300mm Nikkor zoom.
Exposed at ISO 200 at 1/800 second at f/7.1.
RAW format.
(Click on image to zoom)

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Exposure Photo Workshop - image 1

Exposure Photo Workshop, 2nd Edition

Jeff Wignall

Exposure Photo Workshop - image 2

Exposure Photo Workshop, 2nd Edition

Published by
Wiley Publishing, Inc.
10475 Crosspoint Boulevard
Indianapolis, IN 46256
www.wiley.com

Copyright 2011 Jeff Wignall

All photographs 2011, Jeff Wignall, unless otherwise credited

Published simultaneously in Canada

ISBN: 978-1-118-02454-6

Manufactured in the United States of America

10 9 8 7 6 5 4 3 2 1

No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, 201-748-6011, fax 201-748-6008, or online at http://www.wiley.com/go/permissions.

Limit of Liability/Disclaimer of Warranty: The publisher and the author make no representations or warranties with respect to the accuracy or completeness of the contents of this work and specifically disclaim all warranties, including without limitation warranties of fitness for a particular purpose. No warranty may be created or extended by sales or promotional materials. The advice and strategies contained herein may not be suitable for every situation. This work is sold with the understanding that the publisher is not engaged in rendering legal, accounting, or other professional services. If professional assistance is required, the services of a competent professional person should be sought. Neither the publisher nor the author shall be liable for damages arising herefrom. The fact that an organization or Web site is referred to in this work as a citation and/or a potential source of further information does not mean that the author or the publisher endorses the information the organization or Web site may provide or recommendations it may make. Further, readers should be aware that Internet Web sites listed in this work may have changed or disappeared between when this work was written and when it is read.

For general information on our other products and services or to obtain technical support, please contact our Customer Care Department within the U.S. at (877) 762-2974, outside the U.S. at (317) 572-3993 or fax (317) 572-4002.

Wiley also publishes its books in a variety of electronic formats and by print-on-demand. Not all content that is available in standard print versions of this book may appear or be packaged in all book formats. If you have purchased a version of this book that did not include media that is referenced by or accompanies standard print version, you may request this media by visiting http://booksupport.wiley.com. For more information about Wiley products, visit us www.wiley.com.

Library of Congress Control Number: 2011930291

Trademarks: Wiley and the Wiley Publishing logo are trademarks or registered trademarks of John Wiley and Sons, Inc. and/or its affiliates. All other trademarks are the property of their respective owners. Wiley Publishing, Inc. is not associated with any product or vendor mentioned in this book.

About the Author

Jeff Wignall is a well-known photographer, author, and teacher and has been writing about photography for more than 30 years. He is the author of numerous bestselling photo books, including The NEW Joy of Digital Photography, Jeff Wignalls Digital Photography Crash Course, Winning Digital Photo Contests, and the million-copy bestseller The Joy of Photography (Third edition). He is the former Camera columnist for The New York Times and the former technical editor for Photo District News.

Jeff writes a monthly column called Traveling Photographer for Popular Photography magazine and is a frequent contributor to a number of other photo magazines, including Outdoor Photographer, Shutterbug, and American Photo. He is a contributing expert on Pixiq.com and a regular contributor to the Black Star Rising blog that is published by the legendary Black Star photojournalism agency. He is also a former online instructor with both BetterPhoto.com and Bryan Petersons Perfect Picture School of Photography. Additionally, Jeff publishes an almost-daily blog of photo tips at www.phototipoftheday.blogspot.com.

Jeff is also a radio producer and host and has been doing a regular radio show on WPKN (www.wpkn.org), a noncommercial FM station in Bridgeport, Connecticut, for more than 20 years. For 18 of those years, he and radio partner Ken Brown have performed as the comedy team of Beppo & Gito Mongul one of the longest running radio teams in broadcast history.

Jeff lives in Stratford, Connecticut. Visit his website at www.jeffwignall.com.

Credits

Acquisitions Editor

Aaron Black

Project Editor

Kristin Vorce

Technical Editor

Haje Jan Kamps

Copy Editor

Lauren Kennedy

Editorial Director

Robyn Siesky

Business Manager

Amy Knies

Senior Marketing Manager

Sandy Smith

Vice President and Executive Group Publisher

Richard Swadley

Vice President and Executive Publisher

Barry Pruett

Project Coordinator

Katie Crocker

Graphics and Production Specialists

Andrea Hornberger
Heather Pope

Quality Control Technician

Melanie Hoffman

Proofreading and Indexing

Jacqui BrownsteinChristine Karpeles

Acknowledgments

I would like to once again thank my friend (and former student) Mark Allin, Senior VP of Wileys Global Professional/Trade business, for introducing me to the nice folks at Wiley. Thanks also to Barry Pruett, Vice President and Executive Publisher at Wiley, and to Aaron Black, Acquisitions Editor, for encouraging the updated edition of this book. And thanks to Kristin Vorce, my editor, to Haje Jan Kamps who kept me on the straight and narrow technically, and to Lauren Kennedy who kept me on the straight and narrow grammatically. My appreciation as well to everyone else at Wiley who helped in producing this book. You couldnt ask for nicer or more professional people to work with.

Many thanks, as usual, to my friend, and fellow photographer and author, Derek Doeffinger, for allowing me to use his many inspiring photos and for replying to my endless saga of technical questions. Dereks Wiley book Creative Shutter Speed: Master Your Cameras Most Powerful Control is a great companion to this book.

I am happy to also thank former students Jennica Reiss and Gavin Zau for contributing photos to this book. Nothing could please me more than to see photos by my students illustrating my books. And thanks to Whitney Vitti at Hi-Ho Petroleum, John Corvino, John Platania and Chip Taylor and many other friends, musicians, and performers who let me use their photos. Thanks also to Miles Marek and everyone at the Fairfield Theater Companys Stage One for giving me stage access.

Grateful appreciation to the folks at the following companies for their kind help: Hoodman (www.hoodmanusa.com), Lensbaby (www.lensbaby.com), LumiQuest (www.lumiquest.com), Nik Software (www.niksoftware.com), and Sekonic (www.sekonic.com).

As always, thanks to Jim, Jesse, Ray, and Ray and everyone at Milford Photo (www.milfordphoto.com). Nothing beats having a great local camera shop with such a knowledgeable staff.

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