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Jesmyn Ward - The Fire This Time: A New Generation Speaks about Race

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National Book Award winner Jesmyn Ward takes James Baldwins 1963 examination of race in America, The Fire Next Time, as a jumping off point for this groundbreaking collection of essays and poems about race from the most important voices of her generation and our time.
In light of recent tragedies and widespread protests across the nation, The Progressive magazine republished one of its most famous pieces: James Baldwins 1962 Letter to My Nephew, which was later published in his landmark book, The Fire Next Time. Addressing his fifteen-year-old namesake on the one hundredth anniversary of the Emancipation Proclamation, Baldwin wrote: You know and I know, that the country is celebrating one hundred years of freedom one hundred years too soon.
Award-winning author Jesmyn Ward knows that Baldwins words ring as true as ever today. In response, she has gathered short essays, memoir, and a few essential poems to engage the question of race in the United States. And she has turned to some of her generations most original thinkers and writers to give voice to their concerns.
The Fire This Time is divided into three parts that shine a light on the darkest corners of our history, wrestle with our current predicament, and envision a better future. Of the eighteen pieces, ten were written specifically for this volume.
In the fifty-odd years since Baldwins essay was published, entire generations have dared everything and made significant progress. But the idea that we are living in the post-Civil Rights era, that we are a post-racial society is an inaccurate and harmful reflection of a truth the country must confront. Baldwins fire next time is now upon us, and it needs to be talked about.
Contributors include Carol Anderson, Jericho Brown, Garnette Cadogan, Edwidge Danticat, Rachel Kaadzi Ghansah, Mitchell S. Jackson, Honoree Jeffers, Kima Jones, Kiese Laymon, Daniel Jose Older, Emily Raboteau, Claudia Rankine, Clint Smith, Natasha Trethewey, Wendy S. Walters, Isabel Wilkerson, and Kevin Young.

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To Trayvon Martin and the many other black men, women, and children who have died and been denied justice for these last four hundred years

Also by Jesmyn Ward Men We Reaped A Memoir Salvage the Bones A Novel - photo 1

Also by Jesmyn Ward

Men We Reaped: A Memoir

Salvage the Bones: A Novel

Where the Line Bleeds: A Novel

Picture 2

SCRIBNER

An Imprint of Simon & Schuster, Inc.

1230 Avenue of the Americas

New York, NY 10020

www.SimonandSchuster.com

Compilation and Introduction copyright 2016 by Jesmyn Ward

All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Scribner Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020.

First Scribner hardcover edition August 2016

SCRIBNER and design are registered trademarks of The Gale Group, Inc., used under license by Simon & Schuster, Inc., the publisher of this work.

For information about special discounts for bulk purchases, please contact Simon & Schuster Special Sales at 1-866-506-1949 or .

The Simon & Schuster Speakers Bureau can bring authors to your live event. For more information or to book an event contact the Simon & Schuster Speakers Bureau at 1-866-248-3049 or visit our website at www.simonspeakers.com.

Interior design by Erich Hobbing

Jacket design by Na Kim

ISBN 978-1-5011-2634-5

ISBN 978-1-5011-2636-9 (ebook)

Copyright notices continued on .

Contents
The Tradition
JERICHO BROWN

Aster. Nasturtium. Delphinium. We thought

Fingers in dirt meant it was our dirt, learning

Names in heat, in elements classical

Philosophers said could change us. Star Gazer.

Foxglove. Summer seemed to bloom against the will

Of the sun, which news reports claimed flamed hotter

On this planet than when our dead fathers

Wiped sweat from their necks. Cosmos. Babys Breath.

Men like me and my brothers filmed what we

Planted for proof we existed before

Too late, sped the video to see blossoms

Brought in seconds, colors you expect in poems

Where the world ends, everything cut down.

John Crawford. Eric Garner. Mike Brown.

Introduction
JESMYN WARD

After George Zimmerman shot and killed Trayvon Martin on February 26, 2012, I took to Twitter. I didnt have anywhere else to go. I wanted to hear what others, black writers and activists, were thinking about what happened in Sanford, Florida. Twitter seemed like a great social forum, a virtual curia, a place designed to give us endless voice in declarations of 140 characters or fewer.

I found the community I sought there. I found so many people giving voice to my frustration, my anger, and my fear. We shared news and updates and photos, anything we could find about Trayvon. During that time, I was pregnant, and I was revising a memoir about five young black men Id grown up with, who all died young, violent deaths. Every time I logged in or read another article about Trayvon, my unborn child and my dead brother and my friends sat with me. I imagined them all around me, our faces long with dread. Before Zimmerman was acquitted of second-degree murder and manslaughter in July 2013, I suspected Trayvons death would be excused. During this period, I returned often to the photo of Trayvon wearing a pale hoodie. As I gazed on his facehis jaw a thin blade, his eyes dark and serious, too big in the way that childrens eyes areI saw a child. And it seemed that no one outside of Black Twitter was saying this: I read article after article that others shared on Twitter, and no major news outlet was stating the obvious. Trayvon Martin was a seventeen-year-old child, legally and biologically; George Zimmerman was an adult. An adult shot and killed a child while the child was walking home from a convenience store where hed purchased Skittles and a cold drink. Everything, from Zimmerman stalking and shooting Trayvon to the way Trayvon was tried in the court of public opinion after his death, seemed insane. How could anyone look at Trayvons baby face and not see a child? And not feel an innate desire to protect, to cherish? How?

And then I realized most Americans did not see Trayvon Martin as I did. Trayvons sable skin and his wide nose and his tightly coiled hair signaled something quite different for others. Zimmerman and the jury and the media outlets who questioned his character with declarations like He abused marijuana and He was disciplined at school for graffiti and possessing drug paraphernalia saw Trayvon as nothing more than a wayward thug. They didnt see him as an adult human being, either, but as some kind of ravenous hoodlum, perpetually at the mercy of his animalistic instincts. Although this was never stated explicitly, his marijuana use and adolescent mischief earned this hoodlum in a hoodie his death.

I knew that myth. It was as familiar to me as my own eyes, my own nose, my own hair, my own fragile chest. It was as familiar to me as the air I grew up in, air as dense and heavy and close and hot as the air Trayvon breathed before Zimmerman shot him. I, too, grew up in a place that could sometimes feel as limiting and final as being locked in an airtight closet, the air humid and rank with ones own breath and panic. A place where for all the brilliant, sun-drenched summer days, there is sometimes only the absence of light: America, and the American South. A place where the old myths still hold a special place in many white hearts: the rebel flag, Confederate monuments, lovingly restored plantations, Gone with the Wind . A place where black people were bred and understood to be animals, a place where some feel that the Fourteenth Amendment and Brown v. Board of Education are only the more recent in a series of unfortunate events. A place where black life has been systematically devalued for hundreds of years.

In December 2002, my then senator, Trent Lott, attended a function honoring the outgoing Senator Strom Thurmond, who is famous for opposing the Civil Rights Act of 1957 so strenuously he conducted the longest lone filibuster ever, one that lasted twenty-four hours and eighteen minutes. At this event, Lott, who is from a small town on the Mississippi Gulf Coast around twenty-five miles from mine, said: Were proud of it [voting for Thurmond in the 1948 presidential election]. And if the rest of the country had followed our lead, we wouldnt have had all these problems over all these years, either. It was dismaying to hear this, to see what those in power thought of people like me, but it wasnt a surprise. After all, when I participated in Presidential Classroom in Washington, D.C., I, along with around five of my high school classmates, met Senator Trent Lott. My schoolmates were white. I was not. Trent Lott took a whip as long as a car off his office table, where it lay coiled and shiny brown, and said to my one male schoolmate who grinned at Lott enthusiastically: Lets show em how us good old boys do it . And then he swung that whip through the air and cracked it above our heads, again and again. I remember the experience in my bones.

I know little. But I know what a good portion of Americans think of my worth. Their disdain takes form. In my head, it is my dark twin. Sometimes I wonder which of us will be remembered if I die soon, if I suffocate in that closet. Will I be a vicious menace, like Trayvon Martin? An unhinged menace, like Tamir Rice? A monstrous menace, like Mike Brown? An unreasonable menace, like Sandra Bland? A sly menace, like Emmett Till? I imagine I will be as black and fetid as the horde at Scarletts heels, crowding her wagon, thundering to rip it apart, wheel by rivet.

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