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Levander - Where is American Literature?

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Levander Where is American Literature?
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Where is American Literature?: summary, description and annotation

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Where is American Literature? offers a spirited and compelling argument for rethinking the way we view American literature in relation to the nation while powerfully demonstrating why it continues to matter in a global age.

  • A refreshing and accessible investigation into the various locations - linguistic, geographical, virtual, ideological - where American writing is produced and consumed
  • Takes a highly original approach by viewing US literature spatially rather than chronologically or thematically, retuning our understanding of the subject
  • The book offers a vital intervention in current debates over the impact of digital technologies on the production and reception of literature, ensuring that the field remains lively and dynamic
  • Invites readers to reconsider the subject by questioning current perspectives on, and approaches to, US literature, offering a range of fresh perspectives on familiar texts and topics

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Table of Contents Wiley-Blackwell Manifestos In this new series major critics - photo 1

Table of Contents

Wiley-Blackwell Manifestos

In this new series major critics make timely interventions to address important concepts and subjects, including topics as diverse as, for example: Culture, Race, Religion, History, Society, Geography, Literature, Literary Theory, Shakespeare, Cinema, and Modernism. Written accessibly and with verve and spirit, these books follow no uniform prescription but set out to engage and challenge the broadest range of readers, from undergraduates to postgraduates, university teachers and general readers all those, in short, interested in ongoing debates and controversies in the humanities and social sciences.

Already Published

The Idea of CultureTerry Eagleton
The Future of ChristianityAlister E. McGrath
Reading After TheoryValentine Cunningham
21st-Century ModernismMarjorie Perloff
The Future of TheoryJean-Michel Rabat
True ReligionGraham Ward
Inventing Popular CultureJohn Storey
Myths for the MassesHanno Hardt
The Future of WarChristopher Coker
The Rhetoric of RHETORICWayne C. Booth
When Faiths CollideMartin E. Marty
The Future of Environmental CriticismLawrence Buell
The Idea of Latin AmericaWalter D. Mignolo
The Future of SocietyWilliam Outhwaite
Provoking DemocracyCaroline Levine
Rescuing the BibleRoland Boer
Our Victorian EducationDinah Birch
The Idea of English EthnicityRobert Young
Living with TheoryVincent B. Leitch
Uses of LiteratureRita Felski
Religion and the Human FutureDavid E. Klemm and William Schweiker
The State of the NovelDominic Head
In Defense of ReadingDaniel R. Schwarz
Why Victorian Literature Still MattersPhilip Davis
The Savage TextAdrian Thatcher
The Myth of Popular CulturePerry Meisel
Phenomenal ShakespeareBruce R. Smith
Why Politics Cant Be Freed From ReligionIvan Strenski
What Cinema is!Andrew Dudley
The Future of Christian TheologyDavid F. Ford
A Future for CriticismCatherine Belsey
After the FallRichard Gray
After GlobalizationEric Cazdyn and Imre Szeman
Art Is Not What You Think It IsDonald Preziosi and Claire Farago
The Global Future of English StudiesJames F. English
The Future of Jewish TheologySteven Kepnes
Where is American Literature?Caroline F. Levander
This edition first published 2013 2013 Caroline F Levander Blackwell - photo 2

This edition first published 2013

2013 Caroline F. Levander

Blackwell Publishing was acquired by John Wiley & Sons in February 2007. Blackwells publishing program has been merged with Wileys global Scientific, Technical, and Medical business to form Wiley-Blackwell.

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John Wiley & Sons, Ltd., The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK

Editorial Offices

350 Main Street, Malden, MA 02148-5020, USA

9600 Garsington Road, Oxford, OX4 2DQ, UK

The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK

For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wiley-blackwell.

The right of Caroline F. Levander to be identified as the author of this work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher.

Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books.

Designations used by companies to distinguish their products are often claimed as trademarks. All brand names and product names used in this book are trade names, service marks, trademarks or registered trademarks of their respective owners. The publisher is not associated with any product or vendor mentioned in this book. This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold on the understanding that the publisher is not engaged in rendering professional services. If professional advice or other expert assistance is required, the services of a competent professional should be sought.

A Library of Congress Cataloguing-in-Publication Data is available upon request.

A catalogue record for this book is available from the British Library.

Cover image: Underground station, Berlin. Photo Alan R. Levander

Cover design by Nicki Averill

Acknowledgments

In order to answer the question posed by this books title, I went many places and was helped by many people. I particularly thank the following institutions and individuals for inviting me to share the ideas driving this book in lectures, seminars, and, most importantly, conversations: the Swedish Research Council and Uppsala University; Yale University; Harvard University; the University of Southern California; the University of California, Irvine; the John F. Kennedy Institute for North America Studies at the Freie Universitt, Berlin; Karlstad University, Sweden; the Humanities Center at University of Buffalo; the Institute for Philosophical Research, Germany; Indiana University; the University of Vermont; the University of South Carolina; the Huntington Library, Pasadena California; the Humanities League and Academia Sinica, Taipei, Taiwan; Brown University; and the University of Illinois, Champagn-Urbana.

To those who kept asking me where is American literature anyway? and helped me change my answer from in my mind, to on the page, and, finally, to at the press I am grateful beyond words. One answer to the books driving question has consistently been in my friends inboxes, and I thank Rachel Adams, Carrie Bramen, Anna Brickhouse, Sid Burrus, Russ Castronovo, Deborah Cohn, Cathy Davidson, Tim Dean, Susan Gillman, Melissa Gniadek, Matthew Guterl, Rodrigo Lazo, Robert Levine, Allen Matusow, Walter Mignolo, Anthony Pinn, John Carlos Rowe, Shirley Samuels, Jeffrey Schnapp, and Nicole Waligora-Davis for reading portions, and in a couple of cases, all of the book and giving great feedback every step of the way. Grateful thanks to Alan Levander for such a great cover image.

For me, one profoundly important answer to the books titular question of where American literature can be found has been at my home institution with the colleagues, students, and faculty visitors who have convened in seminar rooms at Rice to talk about the ideas driving this manuscript. I am grateful to Rice for supporting this venture and to the graduate students who have engaged it with energy and, at times, useful incredulity, particularly Karen Rosenthall, AnaMaria Seglie, and Abby Goode. Finally, I owe hearty thanks to Meredith Allison for her late-inning formatting skills and general proof-reading savvy.

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