Michael Pilhofer - Music Theory for Dummies
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Music Theory For Dummies, 2nd Edition
by Michael Pilhofer and Holly Day
Music Theory For Dummies, 2nd Edition
Published by
John Wiley & Sons, Inc.
111 River St.
Hoboken, NJ 07030-5774
www.wiley.com
Copyright 2012 by John Wiley & Sons, Inc.
Published simultaneously in Canada
No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without the prior written permission of the Publisher. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, (201) 748-6011, fax (201) 748-6008, or online at http://www.wiley.com/go/permissions.
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Library of Congress Control Number: 2011937913
ISBN 978-1-118-09550-8 (pbk); ISBN 978-1-118-16926-1 (ebk); ISBN 978-1-118-16927-8 (ebk); ISBN 978-1-118-16928-5 (ebk)
Manufactured in the United States of America
10 9 8 7 6 5 4 3 2 1
About the Authors
Michael Pilhofer teaches music theory and percussions at McNally Smith College of Music in St. Paul, Minnesota. He has worked as a professional musician for more that 20 years and has toured and recorded with Joe Lovano, Marian McPartland, Kenny Wheeler, Dave Holland, Bill Holman, Wycliffe Gordon, Peter Erskine, and Gene Bertoncini.
Holly Day is a writing instructor at the Open Book Writing Collective in Minneapolis. She has written about music for numerous publications, including Guitar One, Music Alive!, Computer Music Journal, The Oxford American, and Mixdown magazine. Her previous books include Music Composition For Dummies, Shakira, The Insiders Guide to the Twin Cities, and Walking Twin Cities.
Dedication
To Wolfgang and Astrid, with much love.
Authors Acknowledgments
Special acknowledgement goes to all the musicians and composers who took the time out of their very busy schedules to share their thoughts on writing music with us: Steve Reich, Philip Glass, Irmin Schmidt, Barry Adamson, Jonathan Segel, John Hughes III, Nick Currie, Andrew Bird, Rachel Grimes, Christian Frederickson, Pan Sonic, Mark Mallman, and the late Dr. Robert Moog. A huge thanks to each one of you.
A big thank you also goes to the staff at Wiley: Corbin Collins, our project editor for the first edition, Elizabeth Rea, our project editor for the second edition, acquisitions editor Stacy Kennedy, copy editor Jessica Smith, and technical reviewers Karen Ladd and Kyle Adams. We thank our agent, Matt Wagner, as well.
Special thanks goes to Tom Day for mastering and producing the CD for the book and to rock poster artist Emek for continuing to inspire through his works.
Publishers Acknowledgments
Were proud of this book; please send us your comments at http://dummies.custhelp.com. For other comments, please contact our Customer Care Department within the U.S. at 877-762-2974, outside the U.S. at 317-572-3993, or fax 317-572-4002.
Some of the people who helped bring this book to market include the following:
Acquisitions, Editorial, and Vertical Websites
Project Editor: Elizabeth Rea
(Previous Edition: Corbin Collins)
Acquisitions Editor: Stacy Kennedy
Copy Editor: Jessica Smith
Assistant Editor: David Lutton
Editorial Program Coordinator: Joe Niesen
Technical Editors: Kyle Adams, Ph.D., Karen Ladd, Ph.D.
Vertical Websites: Rich Graves, Doug Kuhn
Editorial Manager: Michelle Hacker
Editorial Assistant: Alexa Koschier
Cover Photos: iStockphoto.com/Rubn Hidalgo
Cartoons: Rich Tennant (www.the5thwave.com)
Composition Services
Project Coordinator: Nikki Gee
Layout and Graphics: Carl Byers
Proofreader: Susan Hobbs
Indexer: Christine Karpeles
Publishing and Editorial for Consumer Dummies
Kathleen Nebenhaus, Vice President and Executive Publisher
Kristin Ferguson-Wagstaffe, Product Development Director
Ensley Eikenburg, Associate Publisher, Travel
Kelly Regan, Editorial Director, Travel
Publishing for Technology Dummies
Andy Cummings, Vice President and Publisher
Composition Services
Debbie Stailey, Director of Composition Services
Introduction
What do you think of when you hear the phrase music theory ? Does the image of your elementary school music teacher eyeing you from behind the piano pop into your head? Or perhaps you have flashbacks to a later image of fellow college students in theory classes determinedly trying to notate theremin whistles? If either of these ideas is anything close to your own perception of what music theory is, hopefully this book will be a pleasant surprise.
For a lot of self-taught musicians, the idea of theory seems daunting and even a little self-defeating. After all, if you can already read guitar tabs and play some scales, why would you want to muddle what you already know with theory?
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