Blackwell Companions to Literature and Culture
This series offers comprehensive, newly written surveys of key periods and movements and certain major authors, in English literary culture and history. Extensive volumes provide new perspectives and positions on contexts and on canonical and post-canonical texts, orientating the beginning student in new fields of study and providing the experienced undergraduate and new graduate with current and new directions, as pioneered and developed by leading scholars in the field.
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This edition first published 2009
2009 Blackwell Publishing Ltd
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Library of Congress Cataloging-in-Publication Data
A companion to Arthurian literature / edited by Helen Fulton.
p. cm.(Blackwell companions to literature and culture ; 58)
Includes bibliographical references and index.
ISBN 978-1-4051-5789-6 (alk. paper)
1. Arthurian romancesHistory and criticism. 2. Arthur, King. I. Fulton, Helen, 1952
PN685.C55 2009
809.93351dc22
2008030353
A catalogue record for this book is available from the British Library.
ISBN 978-1-4443-0583-8 (epdf)
ISBN 978-1-1182-3430-3 (epub)
ISBN 978-1-4443-2179-1 (mobi)
List of Illustrations
26.1 Tristan and Isolde, the Tryst under the Tree. Misericord, Chester Cathedral. By permission of the Chapter of Chester Cathedral.
26.2 Ywains horse protruding from the portcullis. Misericord, Chester Cathedral. By permission of the Chapter of Chester Cathedral.
26.3 The Round Table in the Great Hall, Winchester Castle, dating from the reign of Edward I with painting commissioned by Henry VIII. Photograph Hampshire County Council, used by permission of Hampshire County Council, 2008.
26.4 William Dyce, Hospitality: The Admission of Sir Tristram to the Fellowship of the Round Table (1848). From the Palace of Westminster Collection, used with permission.
26.5 Dante Gabriel Rossetti, Arthurs Tomb (1860). Photograph Tate, London, 2006.
26.6 Morris & Co. stained glass panel (188090), designed by Edward Burne-Jones, How Galahad Sought the Sangreal . Photograph Victoria and Albert Museum, London.
27.1 Triptych by Dan Beard, from the first edition of Mark Twains A Connecticut Yankee in King Arthurs Court (1889: 363).
27.2 The troublesomest old Sow , Connecticut Yankee (1889: 237).
27.3 Portrait of Tennyson as Merlin, Connecticut Yankee (1889: 279).
32.1 Camelot (1967), directed by Joshua Logan.
32.2 Parsifal (1982), directed by Hans-Jrgen Syberberg.
32.3 Parsifal (1982), detail.
32.4 YouTube Black Knight sequences.
35.1 King Arthur (2004). The battle on the ice, before and after CGI.
35.2 King Arthur (2004). Keira Knightley as Guinevere, woad warrior queen.
35.3 Inside Mariuss villa in the King Arthur video game.
Notes on Contributors
Elizabeth Archibald is Reader in Medieval Studies at the University of Bristol. She is the co-editor, with A. S. G. Edwards, of A Companion to Malory (1996), and has published numerous essays on Arthurian literature; she is currently co-editing, with Ad Putter, The Cambridge Companion to the Arthurian Legend (forthcoming 2008). She is also the author of Apollonius of Tyre (1991) and Incest and the Medieval Imagination (2001).
Susan Aronstein is Professor of English at the University of Wyoming and the author of Hollywood Knights: Arthurian Cinema and the Politics of Nostalgia (2005). She has also published articles on medieval French and Welsh Arthurian romances, Arthurian film, and medievalism and popular culture. She and Robert Torry are currently co-writing a book on the films of Steven Spielberg.