Penrose - Fashion, Faith and Fantasy in the New Physics of the Universe

FASHION
FAITH
AND
FANTASY

in the New Physics of the Universe

ROGER
PENROSE

FASHION
FAITH
AND
FANTASY

in the New Physics of the Universe

PRINCETON UNIVERSITY PRESS

PRINCETON AND OXFORD

Copyright 2016 by Roger Penrose

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ISBN: 978-0-691-11979-3 (alk. paper)

Library of Congress Control Number: 2012931844

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Contents

Acknowledgements

This books somewhat lengthy gestation has faded my memory of the sources of many contributions to its development. To such helpful but anonymous friends and colleagues I offer both my gratitude and apologies. There are of course others whom I clearly owe especial thanks, most particularly my long-time colleague Florence Tsou (Sheung Tsun) for her enormous help (also with her husband Chan Hong-Mo) regarding particle physics. My even longer-time colleague Ted (Ezra) Newman has provided continual insights and support over many years, and I benefited greatly from the knowledge and understandings of Abhay Ashtekar, Krzysztof Meissner, and Andrzej Trautman. Oxford colleagues Paul Tod, Andrew Hodges, Nick Woodhouse, Lionel Mason, and Keith Hannabuss have also greatly influenced my thinking. I have learned much of approaches to quantum gravity from Carlo Rovelli and Lee Smolin. Special thanks go to Shamit Kachru for his careful study of earlier drafts of this book, and although I doubt he will be happy with its expressed sentiments regarding string theory, his criticisms have been greatly helpful in reducing errors and misunderstandings on both sides.

For input of various kinds I am grateful to Fernando Alday, Nima Arkani-Hamed, Michael Atiyah, Harvey Brown, Robert Bryant, Marek Demianski, Mike Eastwood, George Ellis, Jrge Frauendiener, Ivette Fuentes, Pedro Ferreira, Vahe Gurzadyan, Lucien Hardy, Denny Hill, Lane Hughston, Claude LeBrun, Tristan Needham, Sara Jones Nelson, Pawel Nurowsski, James Peebles, Oliver Penrose, Simon Saunders, David Skinner, George Sparling, John Statchel, Paul Steinhardt, Lenny Susskind, Neil Turok, Gabriele Veneziano, Richard Ward, Edward Witten, and Anton Zeilinger.

Richard Lawrence and his daughter Jessica have been invaluable for providing numerous facts. For help in administrative ways, I thank Ruth Preston, Fiona Martin, Petrona Winton, Edyta Mielczarek, and Anne Pearsall. I am supremely grateful to Vickie Kearn of the Princeton University Press for her enormous patience, support, and encouragement, and to her colleagues Carmina Alvarez for her cover design and Karen Fortgang and Dimitri Karetnikov for their guidance with regard to diagrams, and to Jon Wainwright of T&T Productions Ltd for his careful editing. Finally, my wonderful wife Vanessa has kept me going, through difficult times, with her love, critical support, and technical expertise often magically rescuing me from seemingly hopeless entanglements with my computer. Huge thanks to her and also to our teenage son, Max, whose technical know-how and loving support have been invaluable.

ILLUSTRATION CREDITS

The author gratefully acknowledges the copyright holders of the following figures:

: After Rovelli [2004].

): From Cosmic Inflation by Andreas Albrecht, in Structure Formation in the Universe (ed. R. Crittenden and N. Turok). Used with permission of Springer Science and Business Media.

.

): From Eternal Inflation, Past and Future by Anthony Aguirre, in Beyond the Big Bang: Competing Scenarios for an Eternal Universe (The Frontiers Collection) (ed. Rudy Vaas). Used with permission of Springer Science and Business Media.

: Copyright of ESA and the Planck Collaboration

All other figures (excepting the computer curves in figures ) were drawn by the author.

Preface

ARE FASHION, FAITH, OR FANTASY RELEVANT TO FUNDAMENTAL SCIENCE?

This book has been developed from an account of three lectures I gave at Princeton University in October 2003 at the invitation of Princeton University Press. The title I had proposed to the Press for these lectures Fashion, Faith, and Fantasy in the New Physics of the Universe and which remains as the title of this book may well have been a somewhat rash suggestion on my part. Yet it genuinely expressed a certain unease I felt about some of the trends that were part of the thinking of the time concerning the physical laws governing the universe in which we live. Well over a decade has passed since then, but the topics, and much of what I had to say about them, appear to be, for the most part, at least as relevant today as they were then. I gave those talks with some apprehension, I might add, as I was trying to express some points of view that I worried might resonate not too favourably with many of the resident distinguished experts.

Each of the eponymous words fashion, faith, and fantasy suggests a quality that would seem to be very much at odds with the procedures normally considered appropriate when applied to a search for the deep principles that underlie the behaviour of our universe at its most basic levels. Indeed, ideally, it would be very reasonable to assert that such influences as fashion, or faith, or fantasy ought to be totally absent from the attitude of mind of those seriously dedicated to searching for the foundational underpinnings of our universe. Nature herself, after all, surely has no serious interest in the ephemeral whims of human fashion. Nor should science be thought of as a faith, the dogmas of science being under continual scrutiny and subject to the rigours of experimental examination, to be abandoned the moment that a convincing conflict arises with what we find to be the actuality of nature. And fantasy is surely the province of certain areas of fiction and entertainment, where it is not deemed essential that significant regard be paid to the requirements of consistency with observation, or to strict logic, or even to good common sense. Indeed, if a proposed scientific theory can be revealed as being too much influenced by the enslavement of fashion, by the unquestioning following of an experimentally unsupported faith, or by the romantic temptations of fantasy, then it is our duty to point out such influences, and to steer away any who might, perhaps unwittingly, be subject to influences of this kind.

Nevertheless, I have no desire to be entirely negative with regard to these qualities. For it can be argued that there is something of distinctly positive value in each of these eponymous terms. A fashionable theory, after all, is unlikely to have such a status for purely sociological reasons. There must indeed be many positive qualities to hold multitudes of researchers to a highly fashionable area of study, and it is unlikely to be the mere desire to be part of a crowd that keeps such researchers so fascinated by what is likely to be an extremely difficult field of study this very difficulty often having roots in the highly competitive nature of fashionable pursuits.