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Antony Wood - Weaving for Beginners: The step-by-step guide to create Amazing Weaving Patterns and art pieces

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Antony Wood Weaving for Beginners: The step-by-step guide to create Amazing Weaving Patterns and art pieces
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Weaving for Beginners: The step-by-step guide to create Amazing Weaving Patterns and art pieces: summary, description and annotation

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Want to make something useful, creative and eco-friendly?

With the right understanding of weaving and being able to do it skillfully, you can wind up with plenty of lovely and wonderful creations, all made by you. You can do a lot of things with your creations, such as using them yourself, giving them as gifts to people who matter to you and even making money by selling them to others. However, it is necessary to have the right knowledge to make sure that you know how to get good at this craft at a reasonable rate while also making sure that you are spending your money on the right tools and products. That is what this book is all about.

In this book you can expect to learn about:

What do you need to get started

How to create your own materials which you need for weaving

How to take care of your supplies and materials to make sure that you can take pleasure in weaving for a long time to come

Many potential uses of your creations

And much more!

Ready to impress your friends and loved ones with your new skill?

Buy it NOW and let your customers get addicted to this amazing book!

Antony Wood: author's other books


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WEAVING FOR BEGINNERS

Copyright 2021 by All rights reserved This document is geared towards - photo 1Copyright 2021 by All rights reserved This document is geared towards - photo 2Copyright 2021 by All rights reserved This document is geared towards - photo 3

Copyright 2021 by All rights reserved.

This document is geared towards providing exact and reliable information with regards to the topic and issue covered. The publication is sold with the idea that the publisher is not required to render accounting, officially permitted, or otherwise, qualified services. If advice is necessary, legal or professional, a practiced individual in the profession should be ordered.

From a Declaration of Principles which was accepted and approved equally by a Committee of the American Bar Association and a Committee of Publishers and Associations.

In no way is it legal to reproduce, duplicate, or transmit any part of this document in either electronic means or in printed format. Recording of this publication is strictly prohibited and any storage of this document is not allowed unless with written permission from the publisher. All rights reserved.

The information provided herein is stated to be truthful and consistent, in that any liability, in terms of inattention or otherwise, by any usage or abuse of any policies, processes, or directions contained within is the solitary and utter responsibility of the recipient reader. Under no circumstances will any legal responsibility or blame be held against the publisher for any reparation, damages, or monetary loss due to the information herein, either directly or indirectly.

Respective authors own all copyrights not held by the publisher.

The information herein is offered for informational purposes solely, and is universal as so. The presentation of the information is without contract or any type of guarantee assurance.

The trademarks that are used are without any consent, and the publication of the trademark is without permission or backing by the trademark owner. All trademarks and brands within this book are for clarifying purposes only and are the owned by the owners themselves, not affiliated with this document.

TABLE OF CONTENTS
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INTRODUCTION
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W eaving has existed for as long as there has been evidence of human existence. Due to handcrafted textiles' delicate existence, there are always only a few remaining fabrics from the past.

We can see amazing works of art, elegance, and fascination that will remain with us for the rest of our lives. However, some textiles have survived in frozen sections of the earth, bogs and tombs, such as those in Ancient Egypt.

What compelled these prehistoric people to weave?

Ancient weavers were most likely motivated by the most basic needs of shelter and survival. It's easy to picture a primitive man building a shelter for the night out of reeds and branches on some crude structure. Perhaps he was influenced by the intricate pattern of a spider's web or a beaver's dam. Man has always been a weaver, in any case.

Weaving as we know it today is best defined as the interlacing of two sets of threads, typically at right angles, to form a fabric, a rug or other woven textiles. Of course, today's process is largely automated and mass-produced but the beauty and allure of handcrafted, handwoven rugs and clothing will never fade.

Weaving was used to making blankets, rugs, baskets, fishing nets and many other products. When you consider these items and how we use them now and take their evolution and utility for granted, you will see the full effect of weaving.

Weaving clothes kept people warm while also providing floor coverings and food baskets. Where would we be if we didn't weave? I'd go as far as to suggest they're in a lot worse shape.

Man's natural tendency to inject, if you will, his inherent ingenuity into the things he was weaving grew in complexity as weaving advanced from the crudest of shelters and practical items.

How do they do that? I always wonder as I look at some ancient (and not so ancient) rugs.

What made them think of that?

Some motifs and patterns in primitive peoples' textiles are inspired by nature and reflect their pagan beliefs, objects found in nature, animals they hunted or the God (or Gods) they worshipped.

The method of dyeing and weaving with colors arose from this need for imagination. There would be no need to have various colors or go through the very long and arduous dyeing wool and cotton process if weaving was solely for practical purposes.

Textiles can be made from various materials, including natural, plant, mineral and synthetic fibers. All of the beginning materials were natural, and the best textiles are still made from wool, cotton, silk or other natural materials today.

For example, rugs made of wool, cotton or silk are not considered genuine "oriental" or "Persian" rugs. Today, synthetic fibers, synthetic dyes and automated processes make fabrics, rugs and cloths more affordable and of poor quality. In thousands of years, man has not improved the method. Weaving has withstood the test of time.

This GUIDE explores the basics of weaving as an interesting and fascinating hobby and business for beginners.

Lets get started

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CHAPTER 1
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What Is Weaving?
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W eaving is mainly the process of interlacing threads to create the desired fabric. Even though weaving is an ancient art, the craft's basic principles have remained largely unchanged over time. Modern state-of-the-art textile mills do what people of the past did slowly by hand on computers.

Perhaps 30,000 years ago, cavemen learned to weave baskets out of straw, reed stalks and other readily available materials. These prehistoric people learned to intertwine thread similarly to make fabric for clothing through their basket weaving experience.

Threads are more difficult to manage than straw or reed and cloth weaving would not have been possible without a mechanism to guide the threads' path. A loom is a name for this unit. A loom is a frame that is used to stretch threads.

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