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Mark Crilley - Mastering Manga, How to Draw Manga Scenes

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Mark Crilley Mastering Manga, How to Draw Manga Scenes
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Mastering Manga, How to Draw Manga Scenes: summary, description and annotation

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Mastering Manga, How to Draw Manga Scenes is an excerpt from Mastering Manga With Mark Crilley. Learn the actual process manga professional Mark Crilley uses to create manga scenes, with lessons on layout sequences and panels, and intermediate to advanced lessons on word balloons and storytelling that will have you making manga like a pro!

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Setting the Scene When we think of manga the faces and poses are the first - photo 1
Setting the Scene

When we think of manga, the faces and poses are the first things that come to mind. But all those cool characters cant just float around in the ether all day. Your drawings wont be complete without settings for the characters to inhabit, and you wont be able to render those settings convincingly without a basic understanding of perspective. Complicated? A little, but nothing that cant be acquired with a little practice. Learn the ropes of layouts, word balloons and sound effects, and youll have everything youll need to make your first manga story.

What You Need Many aspiring artists worry too much about art supplies There - photo 2
What You Need

Many aspiring artists worry too much about art supplies. There almost seems to be the belief that buying the right stuff is the single most important key to creating great art, but thats like thinking youll be able to swim as fast as Olympic gold medalists do by wearing the right swimsuit. It doesnt work that way.

What really matters is not the pencil but the brain of the person holding it. Experiment to find the size, styles and brands you like best. If it feels right to you, thats all that matters.

PAPER I almost want to cry when I see that someone has put hours and hours of - photo 3
PAPER

I almost want to cry when I see that someone has put hours and hours of work into a drawing on a piece of loose-leaf notebook paper. Do yourself a favor and get a pad of smooth bristol. Its thick and sturdy, and can hold up to repeated erasing.

PENCILS Pencils come down to personal preference Perfect for me may be too - photo 4
PENCILS

Pencils come down to personal preference. Perfect for me may be too hard or soft for you. I like a simple no. 2 pencil like the sort we all grew up with, but there are pencils of all kinds of hardness and quality. Try some out to see what kind of marks they make. The softer the lead, the more it may smear.

PENS

Get a good permanent-ink pen at an art store, one that wont fade or bleed over time. Dont confine yourself to super-fine tips. Have a variety of pens with different tip widths for the various lines you need.

RULERS

Get yourself a nice, clear plastic ruler so that you can see the art as you make lines. A 15-inch (38cm) ruler is good for even some of the longest lines.

KNEADED ERASERS These big soft erasers available in art stores are great for - photo 5
KNEADED ERASERS

These big soft erasers, available in art stores, are great for erasing huge areas without leaving tons of pink dust behind. However, they arent always precise, so feel free to use them in combination with a regular pencil eraser.

PENCIL SHARPENERS

Ive come to prefer a simple hand-held disposable sharpener over an electric one. Youll get the best use out of it while the blade is perfectly sharp.

Fundamentals of Perspective

Theres no reason you shouldnt be able to draw anything you want in perfect perspective, provided youre serious about learning the basic laws of vanishing points and the lines that lead toward them. Lets start with the simplest and possibly the most useful of the three forms of perspective.

One-Point Perspective If youve ever stood on a straight stretch of railroad - photo 6
One-Point Perspective If youve ever stood on a straight stretch of railroad - photo 7
One-Point Perspective

If youve ever stood on a straight stretch of railroad track and looked way down to where rails almost seem to touch, youve seen this style of perspective in action. Though in a real street these lines would be parallel, in a one-point perspective, they merge together as they reach the horizon. This is the vanishing point.

WARM-UP

Follow this brief step-by-step lesson to draw an open cardboard box in perspective. It may not look like a masterpiece, but itll help you understand the basic concept of how it all works. Since all the other perspectives build on the same concept, once youve mastered this, you can conquer those tricky backgrounds.

STEP 1 Draw a horizon line place a dot on it and then draw a box alongside - photo 8
STEP 1

Draw a horizon line, place a dot on it, and then draw a box alongside it. Try to put your box in the exact same location I did for the best results.

STEP 2 Now use your ruler to draw four light lines one from each of the four - photo 9
STEP 2

Now use your ruler to draw four light lines, one from each of the four corners of the box, all the way to the vanishing point.

STEP 3 Draw a second smaller square inside the first box taking care to make - photo 10
STEP 3

Draw a second, smaller square inside the first box, taking care to make the corners of the square rest upon the perspective lines. Leave part of the square incomplete. That area will become the opaque side of the box.

STEP 4 Ink the lines of the box and visible horizon line Erase your pencil - photo 11
STEP 4

Ink the lines of the box and visible horizon line. Erase your pencil lines once the ink is dry.

You have an open cardboard box drawn in absolutely perfect one-point perspective.

Two-Point Perspective Unlike one-point perspective which merges into a single - photo 12
Two-Point Perspective Unlike one-point perspective which merges into a single - photo 13
Two-Point Perspective

Unlike one-point perspective, which merges into a single vanishing point, two-point perspective has two vanishing points set far apart from each other along the horizon line. Youve seen this when youve stood on a street corner. The tops and bottoms of each building point toward their respective vanishing points.

Three-Point Perspective Three-point perspective is what youd see from above - photo 14
Three-Point Perspective

Three-point perspective is what youd see from above (birds-eye view). The three points need to be very widely spaced for the perspective to look natural and convincing. There is no horizon line.

There is logic to this. Lets say all the north-south streets are heading off toward the upper right-hand point. The east-west streets will all point toward the upper left-hand point. And the sides of the buildings will all point down toward the bottom point.

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