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Joseph Hudak. - Design for gardens

Here you can read online Joseph Hudak. - Design for gardens full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: Portland, Or., year: 2000., publisher: Timber Press, genre: Children. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

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Joseph Hudak. Design for gardens
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    Design for gardens
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    Timber Press
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    2000.
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    Portland, Or.
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Design for gardens: summary, description and annotation

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Gardening Innovations Through the Centuries --Basic Agenda for Evaluating Your Site --Outlining Your Goals --Open Space --Soil Composition --Surface-Water Drainage --Factors of Sun, Shade, Wind, and Dryness --Major Components of Garden Design --Formal or Symmetric Details --Informal or Asymmetric Details --Naturalized or Rustic Details --Earth Grading --Water Features --Walls --Fences --Walks and Steps --Terraces and Decks --Outdoor Rooms --Proportionate Size in Plants and Construction --Form in Plants and Construction --Texture in Plants and Construction --Placement of Plants and Construction --Color Harmony in Plants and Construction --Creating a Site Program --Making a Map --Exploring a Basic Layout --Unifying the Design --Design Principles of Order --Design Values --The Stimulus of Color --Color Fundamentals --The Color Wheel --Dimensions of Color --The Color of Light --Adjusting Light Intensity --Effects of Color --Seasonal Color in Plants --Evergreen Plant Considerations --Needle Evergreen Trees and Shrubs --Dwarf Conifers --Broadleaf Evergreen Trees, Shrubs, and Vines --Palms --Deciduous and Herbaceous Plant Considerations --Deciduous Trees, Shrubs, and Vines --Cactuses --Herbaceous Perennials, Bulbs, Ferns, Ornamental Grasses, and Annuals --Selecting Plants for Gardens --Types of Vegetation --Plant Outlines and Garden Meanings --Hedges --Espaliers --Plants in Containers --Plant Positioning --Seasonal Assets --Effects of Shade --Soil Moisture Adaptation.

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Page 10
for that of my clients. Practical, hands-on involvement is a great teacher but a hard taskmaster.
In this book I explain the essential design guidelines in substantial but user-friendly ways, so the data contribute many practical aspects as well. My hope is that such shared information will prove valuable not only for those currently involved with remodeling or creating gardens but also for those who just enjoy admiring them for their artistic merits.
To provide additional guidance beyond the text, I have selected photos from my personal collection illustrating actual landscape situations. Line drawings are not included because to me color photos provide a far more useful expression of detail, spatial depth, and garden meaning. Planting plans are also omitted since they are truly functional only when designed for specific sites and particular growing conditions. In a book with this broad scope, no special planting arrangement could possibly be of use for every reader.
The final chapter presents a step-by-step history of a personal five-year garden design project at my second Massachusetts home involving the rear portion of a one-third-acre lot in suburbia. The finished result earned an eight-page photo essay in a national magazine. May this effort provide encouragement to other do-it-yourselfers.
I trust the information and format of the book will supply enough motivation and direction for you to interpret your own garden design ideas with greater assurance and satisfaction. You take up a fascinating challenge when making a garden of any size, and you should not only draw on your own intelligence and experience but on that of others as well, since gardens are pleasure grounds without boundaries for ideas.
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orful shrub beds a view not available elsewhere on the property Once cleared - photo 1
orful shrub beds, a view not available elsewhere on the property. Once cleared, the area was only 30 feet long and 20 feet deep, but it was nicely backed by a dense thicket of volunteer seedling trees and native shrubs on my neighbor's land, which gave sufficient privacy. After improving the soil for planned shrub and perennial introductions, I laid out a wide, semicircular pathway for two-way access to the adjacent lawn and coated it with a heavy layer of soft, pine-bark mulch. Next I planted a shade-producing crabapple tree and a backdrop screen of various shade-tolerant, flowering evergreen and deciduous shrubs with staggered blooming times, all interwoven with collections of perennials and bulbs not found elsewhere in my garden.
To encourage more than just a walk-through of this planted gem, I introduced some black, ironwork chairs and a low table along with a small, trickling fountain. This total combination, once discovered, invites stopping, lingering, and lounging. Each season offers some special planting interest in color and fragrance.
Because of the additional placement of some carefully arranged, medium-sized shrubs at the foreground of the space, the contents of this retreat are invisible from the living room windows directly across the intervening lawn. But to ensure that a guest independently strolling the grounds is gently reminded to make a visit, I added a modest-sized, smooth fieldstone marker with the legend "Hidden Garden" carved into it at the usual approach end of the interior path. Although you do have to find and experience the quiet revelations of this remote space for yourself, it lives up to the basic premise of a designed setting illustrating specialized separateness.
Proportionate Size in Plants and Construction
Any woody plant enlarges in size annually, and even if it seems unlikely when you make a skinny addition to your garden, every young plant will soon become greater in height and width, changing the landscape scene. Knowing beforehand what to expect from growth will readily guide you toward the cor-
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The rear lot of the authors property facing east at initial planting - photo 2
The rear lot of the author's property, facing east, at initial planting.
The same scene three years later page101 page102 - photo 3
The same scene three years later.
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rect spacing and help prevent overgrown intrusion later. Plants should always complement the site and buildings, which requires that the eventual size of all plant material be appropriately in proportion since the site structures are unlikely to enlarge dramatically, if at all.
While a multistory house with appropriate land area can easily accommodate large plant masses to match its volume, a one-story building normally appears more comfortable with smaller-sized mature plantings. Keep in mind that you can prune back unwanted growth only so much before the plants becomes artificial-looking and formalized. If the plants do not have built-in proportions of slower growth, pruning chores can be unending and costly. Wise initial selection and placement provides for less upkeep later.
Garden structures such as walls, steps, fences, walks, terraces, and decks need to follow a similar set of guidelines for appropriate proportions, as do ornamental accents contributed by a fountain, statue, bench, or even outdoor furniture (see Chapter 5 for details). Every element of the created garden influences all others, without exception. Having just one item oversized or undersized for its location can immediatelyand perhaps lastinglydisturb the intended harmony of the whole. If you have any doubts about the end result of a combination, and whether it will be truly proportionate, rethink your initial idea. Professionals do this just as frequently as amateurs, since few find the complete answer to a complex problem on the first try.
Form in Plants and Construction
he form or natural mass of a plant, whether large- or modest-sized at maturity, contributes a continual visual impact to a garden design. Evergreens, of course, bring year-round solidness with their silhouettes, while deciduous plants only have bulk during the growing season. The built forms provided by a fence, wall, fountain, arbor, or teahouse are also year-round elements of a design and can capture the eye by their shape and placement. Planting and construction, then, must be combined carefully so as to complement each other at all times, whether by similarity or contrast of forms. (See also Chapter 9.)
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