Contents
Copyright 2017 by Alyona Nickelsen
All rights reserved.
Published in the United States by Watson-Guptill Publications, an imprint of the Crown Publishing Group, a division of Penguin Random House LLC, New York.
www.crownpublishing.com
www.watsonguptill.com
Most illustrations by the author.
WATSON-GUPTILL and the WG and Horse designs are registered trademarks of Penguin Random House LLC.
Library of Congress Cataloging-in-Publication Data
Names: Nickelsen, Alyona, author.
Title: Colored pencil painting portraits : master a revolutionary method for rendering depth and imitating life / by Alyona Nickelsen.
Description: First edition. | Berkeley : Watson-Guptill, 2017. | Includes bibliographical references and index.
Identifiers: LCCN 2016037019 (print) | LCCN 2016038657 (ebook)
Subjects: LCSH: Portrait drawingTechnique. | Colored pencil drawingTechnique. | Water-soluble colored pencils.
Classification: LCC NC773 .N53 2017 (print) | LCC NC773 (ebook) | DDC 741.2/4dc23 LC record available at https://lccn.loc.gov/2016037019
Trade Paperback ISBN9780385346276
Ebook ISBN9780385346283
: Alyona Nickelsen, Emma, 2016, colored pencil painting on sanded paper, 24 20 inches
: Alyona Nickelsen, Gabrielles Eyes, (after William-Adolphe Bouguereaus Gabrielle Cot), 2015, colored pencil painting on acrylic gesso, 4 8 inches
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This book is dedicated to the One who guides my hand and mind.
I am eternally grateful to the love of my life, best friend, partner, and editor, Thomas Nickelsen, for his effort, support, and help dealing with all that was involved in this work behind the scenes. I want to thank all my beautiful models, readers, and students; I hope you like the result of this undertaking. I would also like to express my appreciation to my Watson-Guptill team: Jenny Wapner, Lisa Westmoreland, Alisa Garrison, Jennifer McClain, and Chloe Rawlins, who saw me through this book.
Alyona Nickelsen, Caleb, 2016, colored pencil painting on sanded paper, 16 13 inches
CONTENTS
Alyona Nickelsen, Mary-Ashlynne, 2014, colored pencil painting on acrylic gesso, 24 16 inches (Detail)
FOREWORD
In 2011, when I decided to start a colored pencil art magazine, I knew that I was going to need an expert in the field to represent this amazing medium. I chose Alyona Nickelsen. I was honored when she agreed to be the Q&A columnist for Colored Pencil Magazine, a column she was dedicated to for two years. She also helped with our Colored Pencil Student digest launch in 2013 when she agreed to provide art lessons for the first year of its publication.
In the time that I have known Alyona, I have had the privilege to see, firsthand, a depth of knowledge that I didnt even know was possible with colored pencils. She is not only an artist but an avid researcher, scientist, and pioneer. Until I met Alyona, I had never heard of an artist analyzing art materials under a microscope or measuring color depths with a colorimeter. I know of no one else who has the understanding of art masters and color theory the way that she does. It is no wonder that numerous top art supply manufacturers depend on her knowledge to improve their products.
Alyonas vast and virtually complete collection of colored pencils and colored pencil books would rival even the most passionate collector. All of this knowledge and her materials are the basis for Alyonas artwork, but the spirit of her work, I believe, comes from her life experiences. What many people dont know is that Alyona was raised in Communist USSR, where dreaming of what you can do by working hard and applying yourself is not something that was rewarded or promoted. As a young woman, she made it a goal to experience the American dream, and in 1999, she achieved what she set out to do and moved to the United States of America. In 2009, she published her first book, Colored Pencil Painting Bible. This book is credited with taking colored pencil art to an elevated level, and it inspired new artists to try their hand at what once was regarded as a sketching medium.
With this new publication, Alyona is again taking us to another plateau as she shows us not just that colored pencil can stand side by side with our more respected traditional mediums, but why its even better! You will be intrigued by techniques that promise to cut your work time to a fraction of what it once may have been and with results that will be better than you ever thought possible. You will find new tips and learn about brand-new tools that she personally developed over the last several years. Get ready for a revolutionary way to use colored pencils!
I am honored to know Alyona and call her my closest friend and confidant.
SALLY ROBERTSON, editor in chief, Colored Pencil Magazine
Alyona Nickelsen, August 21, 2009, colored pencil painting on paper, 16 20 inches
INTRODUCTION
Eighteenth- and nineteenth-century investigators were impelled to search for ways of utilizing wax in a cold-application method not by ignorance of the molten wax technique, but because, from tales about the half-legendary Greek masters and from vague technical writings, a strong impression was received that the ancients had a second way to paint with wax and that this lost secret was the one used in work that required the highest degree of finesse.
RALPH MAYER,The Artists Handbook of Materials and Techniques
The colored pencils in my studio are amazingly resilient. They have successfully outlasted the many temptations presented by paints, pastels, inks, and other mediums and, umpteen years later, still hold the preferred position on my work table. I have used the vast quantity of accumulated knowledge about the properties of other mediums and incorporated the more useful ones to further advance and extend the benefits of the colored pencil painting process.
Through continuous research, experiments, and testing, the exceptionality of the colored pencil medium has become clear to me. Its precision and flexibility allows artists to achieve practically any desired effect. We simply need to understand its much overlooked properties and use them to our own advantage. As a result, even the sometimes cumbersome task of covering a large background is no longer a chore. If you know how, you can overcome such challenges in just a fraction of the time you may have come to expect.