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Hull - Realistic Portraits in Colored Pencil: Learn to draw lifelike portraits in vibrant colored pencil

Here you can read online Hull - Realistic Portraits in Colored Pencil: Learn to draw lifelike portraits in vibrant colored pencil full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: Mission Viejo;CA;USA, year: 2019, publisher: Walter Foster Publishing, genre: Home and family. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

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    Realistic Portraits in Colored Pencil: Learn to draw lifelike portraits in vibrant colored pencil
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Realistic Portraits in Colored Pencil: Learn to draw lifelike portraits in vibrant colored pencil: summary, description and annotation

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Named Art Book of the Year byColored Pencil Magazine
Rendering artwork that leaves viewers contemplating whether they might actually be looking at a photograph is no easy task. IntroducingRealistic Portraits in Colored Pencila comprehensive guidebook that shows artists the secrets and steps to drawing lifelike portraits in this dynamic medium.

This engaging resource is perfect for artists who want to improve upon their existing skills and learn how to render realistic portraits utilizing a wide range of techniques. After details about theessential tools and materials, readers will learn to employ a variety ofcolored-pencil techniques, such as:
hatching
crosshatching
shading
blending
layering
burnishing
and much more!
Colored-pencil artists will also discovermore complex techniquesrelative to creating realistic portraits, including how to render various textures, from hair and skin to clothing and facial features. Also included is valuable information for collecting all of the elements for polished and professional results.
Packed withclear, easy-to-follow instructions, plenty of helpful artist tips, and beautiful artwork thats sure to inspire,Realistic Portraits in Colored Pencilis the perfect resource for any colored-pencil artist ready to take their skills to the next level. Find more techniques for drawing realistically in colored pencil inRealistic Still Life in Colored Pencil(July 2020).

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REALISTIC PORTRAITS IN COLORED PENCIL KAREN HULL INTRODUCTION Why - photo 1
REALISTIC PORTRAITS IN
COLORED
PENCIL
KAREN HULL INTRODUCTION Why not just take a photo Any artist who works in - photo 2

KAREN HULL

INTRODUCTION Why not just take a photo Any artist who works in a - photo 3

INTRODUCTION

Why not just take a photo?

Any artist who works in a photorealistic style has heard this question over and over. A photo is fleeting, but a portraitparticularly a photorealistic portraitis an intimate exchange between the artist and his or her subject.

To create a photorealistic portrait, you need to study every nuance and detail in that persons face. You need to draw on the essence of that person, but at the same time, instill some of your own essence into the artwork. By the time you have completed a photorealistic portrait, you have the privilege of being uniquely familiar with every feature, flaw, and facet of the face. It requires attention to detail, patience, and the ability to look beyond the obvious for subtle color variations, tonal shifts, and characteristics that are distinct to that individual.

It might sound complicated or difficult, but when you break it down, creating a photorealistic portrait can be relatively easy, and throughout this book my goal is to show you just how easy it can be by advising you on tools and materials, providing helpful hints and techniques, and guiding you with easy-to-follow, step-by-step tutorials so that you can create portraits that you, your family and friends, or even customers will treasure for a lifetime.

Tools Materials PENCILS Graphite Pencils Graphite pencils are important - photo 4
Tools & Materials
PENCILS
Graphite Pencils

Graphite pencils are important for creating outlines for colored pencil work. They come in a range of grades from 9H to 9B, with 9B being the darkest and softest and 9H the lightest and hardest. HB sits in the middle and is the most commonly used graphite pencil. Graphite and colored pencils can be combined successfully, but when using lighter colored pencils over graphite outlines, the graphite can muddy the colored pencil pigment. For this reason, you may prefer to do your outline in colored pencils, using colors close to those you will use as you develop your portrait. Prismacolor makes Col-Erase pencils, which are supposed to be easier to erase and are useful for drawing outlines.

Colored Pencils One of the most common questions I am asked by artists new - photo 5
Colored Pencils
One of the most common questions I am asked by artists new to colored pencils - photo 6

One of the most common questions I am asked by artists new to colored pencils is which brand is the best. Theres no simple answer to this question, because every artist favors different colored pencils for different reasons. I suggest that you buy a couple of pencils from each of the main brands and experiment with them to see which ones give you the desired look and feel. Things to consider include: the hardness/softness of the pencil, the pencils ability to maintain a sharp point, the creaminess or blendability of a pencil, and, most importantly, the lightfastness rating of a colored pencil, which refers to the rate of fading or color shift over time as the pigment is exposed to light.

There are a few different types of colored pencils: wax-based, oil-based, and watercolor pencils.

The binder in the core of wax-based pencils is made of wax. These pencils are usually softer and layer and blend well because of their high wax content. They are also generally easier to erase, but multiple layers rendered with a heavy hand can create a problem with wax bloom (see ). This can usually be prevented with a spray of fixative. Because wax-based pencils are softer, they can also be more susceptible to breakage.

Oil based pencils are created using an oil-based binder. These pencils are usually harder and are great for detail work, but they dont have the same softness or blendability as wax-based pencils. They are also less prone to breakage. There are far more wax-based pencil brands than oil-based pencil brands. Theres also some overlap within these two categoriesCaran dAche Luminance pencils, for example, contain both oil and wax binders.

Because of the lower wax content, oil-based pencils are less prone to wax bloom. Wax- and oil-based pencils can be combined beautifully, but its often best to use oil-based pencils for base layers and detail work, and save the softer wax-based pencils for the upper layers.

Watercolor pencils have a binder that dissolves once water is added. Most watercolor pencils can be used wet or dry and give off less shine than wax- and oil-based pencils if they are used dry. These pencils work well for creating an underpainting when combined with wax-and oil-based pencils, particularly on more textured surfaces.

A WORD ABOUT WAX BLOOM

Wax bloom is the white haze that can develop when multiple layers of pencil - photo 7

Wax bloom is the white haze that can develop when multiple layers of pencil have been applied with lots of burnishing and blending. If this develops on your artwork, the best way to remove it is to gently wipe a tissue across your artwork, and then follow with an application of workable fixative. You may need to repeat this process a couple of times if the wax bloom returns. Shown here is an example of wax bloom on the left and how it looks after the bloom has been wiped away with a tissue on the right.

PENCIL EXTENDERS

Pencil extenders are ideal for extending the life of your short pencil stubs, and there is a whole range of extenders available in all shapes and sizes. Some are single-ended and some are double-ended. Some have a screw-top that tightens around the pencils as you turn it, and others have a push-up top that squeezes two sides together around the pencils.

ERASERS
Kneaded Eraser

A kneaded eraser feels like soft putty and can be molded and rolled into any shape you like for lifting small or large areas of pigment from your paper. This eraser is ideal because it wont damage the underlying substrate. Some artists also use poster putty, which is slightly firmer in consistency than most kneadable erasers.

Common Eraser The common eraser category encompasses all those erasers that - photo 8
Common Eraser

The common eraser category encompasses all those erasers that are labeled plastic, vinyl, or rubber. These erasers are the least effective at removing colored pencil pigment but can be useful for creating smudges and moving pigment around.

Tombow Mono Eraser These wonderful erasers resemble a pen and are fabulous for - photo 9

Tombow Mono Eraser

These wonderful erasers resemble a pen and are fabulous for fine and precision erasing with very little damage caused to the underlying surface. They come in two different sizes, and refills are available for both.

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