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Bonny Snowdon - Realistic Animals in Coloured Pencil: Learn to draw lifelike animals in vibrant coloured pencil (Realistic Series)

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    Realistic Animals in Coloured Pencil: Learn to draw lifelike animals in vibrant coloured pencil (Realistic Series)
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Realistic Animals in Coloured Pencil: Learn to draw lifelike animals in vibrant coloured pencil (Realistic Series): summary, description and annotation

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From Walter Foster Publishings popular Realistic series, which features step-by-step instructions for drawing amazingly lifelike artwork in the dynamic coloured pencil medium, comes Realistic Animals in Coloured Pencil.
Whether you are an aspiring or established artist, you can learn to draw your favourite animals with incredible detail and photorealism. This follow-up to Realistic Portraits in Coloured Pencil and Realistic Still Life in Coloured Pencil is authored and illustrated by an accomplished coloured pencil artist with numerous art awards to her name.
The artwork looks complex, but its possible to replicate with the help of the thorough section on coloured pencil techniques that opens the book. Learn how to create various effects, including:
  • hatching
  • crosshatching
  • shading
  • blending
  • layering
  • burnishing
  • and more!
The following pages cover animal textures, such as fur, hair, eyes, tongues and more, and how to create them. The step-by-step projects are awe-inspiring in their realism and feature popular animal subjects like dogs, cats, horses, birds, wild animals and more. Laid out in a way thats easy to follow and understand, the projects are approachable and appealing for any skill level.
Whether you simply wish to gawk at amazingly photorealistic art or create your own animal portraits, Realistic Animals in Coloured Pencil is the perfect resource.

Bonny Snowdon: author's other books


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REALISTIC ANIMALS IN COLORED PENCIL BONNY SNOWDON TABLE OF CONT - photo 1
REALISTIC ANIMALS IN
COLORED
PENCIL
BONNY SNOWDON TABLE OF CONTENTS INTRODUCTION Drawing serves as a means - photo 2

BONNY SNOWDON

TABLE OF CONTENTS INTRODUCTION Drawing serves as a means for losing oneself - photo 3

TABLE OF CONTENTS
INTRODUCTION

Drawing serves as a means for losing oneself and getting away from the everyday stresses and strains of life. So many people I work with have started drawing with colored pencils to quiet their busy minds and start a hobby that is relaxing and mindful.

Drawing animalscreating something that could walk off the pageis one of the most wonderful skills to have. In this book, I aim to break things down, sharing techniques for using different surfaces so that anyone can start to draw realistic animals in colored pencil.

Of course, it takes time to build skills, but little by little those skills will improve. The pure joy of seeing something appear in front of you and that gasp of I did that! will become something you will want to feel on a regular basis.

I love nothing more than seeing a beautiful animal appear on my drawing board, learning every single day, finding new ways for creating gorgeous eyes and fluffy fur, and bringing out the character of each and every animal I draw. With this book, I bring you some of my tried-and-tested techniques so that you can do the same.

Elizabeth Erga TOOLS MATERIALS PENCILS Graphite Pencils I prefer - photo 4

Elizabeth Erga

TOOLS & MATERIALS
PENCILS

Graphite Pencils

I prefer not to use any graphite in my work; graphite might mix with the colored pencil and make things a little muddy. Its also harder to erase outlines done in graphite if youve covered them with colored pencil.

The only time I use graphite is when working on drafting film (). In that case, I use a mechanical pencil to very gently add my outline, and then I make sure to erase the lines before adding colored pencil.

Colored Pencils This is a book about drawing with colored pencils so of - photo 5

Colored Pencils

This is a book about drawing with colored pencils, so of course they are the most important tool! I am asked all the time which pencil is the best, and to be honest, there is no definitive answer. Even with the same binders (the binder holds the pigment together so that it can be spread on the surface), various brands of pencils feel and react differently. Even pencils within the same brand can have a different feel, depending on which pigments are used.

I choose pencils for the feel they give me on the surface Im using, as well as for the effects I want. For eyes, for example, I use oil-based pencils, as they have a more translucent feel and give me better control over details. I may use a fatter wax-based pencil for large areas of pigment where I just want to lay one solid color down. Its a very personal thing, and for that reason, I always suggest trying different brands to find your favorite. You may opt for just one brand, or you might be like me and mix and match a number of brands to get the effects that you want.

To give you more background on the types of colored pencils, know that there are wax-based and oil-based pencils.

The binder in the core of wax-based pencils is made of wax. These pencils are usually softer and layer and blend well because of their high wax content. They are also generally easier to erase, but multiple layers rendered with a heavy hand can create a problem with wax bloom (see ). This can usually be prevented with a spray of fixative. Because wax-based pencils are softer, they can also be more susceptible to breakage.

Oil-based pencils are created using an oil-based binder. These pencils are usually harder and are great for detail work, but they dont have the same softness or bendability as wax-based pencils. They are also less prone to breakage. There are far more wax-based pencil brands than oil-based pencil brands, and theres some overlap within these two categories. Caran dAche Luminance pencils, for example, contain both oil and wax binders.

Because of the lower wax content oil-based pencils are less prone to wax - photo 6

Because of the lower wax content, oil-based pencils are less prone to wax bloom. Wax- and oil-based pencils can be combined beautifully, but its often best to use oil-based pencils for base layers and detail work, and save the softer wax-based pencils for the upper layers.

A WORD ABOUT WAX BLOOM Wax bloom is the white haze that can develop when - photo 7

A WORD ABOUT WAX BLOOM

Wax bloom is the white haze that can develop when multiple layers of pencil have been applied with lots of burnishing and blending. If this develops on your artwork, the best way to remove it is to gently wipe a tissue across your artwork, and then follow with an application of workable fixative. You may need to repeat this process a couple of times if the wax bloom returns. Shown here is an example of wax bloom on the left and how it looks after the bloom has been wiped away with a tissue on the right.

PENCIL EXTENDERS

Pencil extenders are ideal for extending the life of your short pencil stubs, and there is a whole range of extenders available in all shapes and sizes. Some are single-ended and some are double-ended. Some have a screw-top that tightens around the pencils as you turn it, and others have a push-up top that squeezes two sides together around the pencils.

ERASERS Tombow Mono Another must-have for colored pencil work especially - photo 8
ERASERS

Tombow Mono

Another must-have for colored pencil work, especially when using drafting film, is this fabulous little eraser. Its shaped like a pen and it comes in a 2.3mm round size and a larger rectangular size. Refills are available as well. I use this as a tool for adding rather than erasing, so think of it like a white pen that can add soft highlights and texture.

Kneadable Eraser This is one of my most-used tools I dont really use it for - photo 9

Kneadable Eraser

This is one of my most-used tools. I dont really use it for erasing mistakesmore for adding highlights, softening, and blending.

I use the Faber-Castell kneadable eraser because it is soft and can be kneaded into all sorts of shapes, including very thin and sharp for tiny highlights, as well as blunt for dabbing off excess pigment.

Common Eraser

The common eraser category encompasses all those erasers that are labeled plastic, vinyl, or rubber. These erasers are the least effective at removing colored pencil pigment but can be useful for creating smudges and moving pigment around.

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