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Richard Greenberg - Rules for Others to Live By: Comments and Self-Contradictions

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Richard Greenberg Rules for Others to Live By: Comments and Self-Contradictions

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Richard Greenberg turns life upside down and sideways. Reading the provocative Rules for Others to Live By is like having dinner with a friend whose point of view shakes up and invariably runs counter to conventional thinking. Hes a debunker of the pretensions of daily life.
Delia Ephron, author of Sister Mother Husband Dog and Siracusa
Between stressing about his theater friends and reconciling his complicated feelings about an inconsistently wonderful New York City, Tony Awardwinning playwright and Pulitzer finalist Richard Greenberg also maintains a reputation for being something of a hermit. He takes the time to privately process the absurdity of the world outside, and the result is this hysterically funny and daringly thoughtful collection of original essays. In Rules for Others to Live By, he shares lessons from his highly successful writing career, observations from two long decades of residence on a three-block stretch of Manhattan, and musings from a complicated and occasionally taxing social life. Firmly sympathetic to the struggles of the more bizarre and unstable among us, Greenberg tackles a range of topicsfrom the difficulties of friendship to the art of writing, the pain of heartbreak to the curiously unpredictable weather of his neighborhood, and the moderate hypochondria that comes with age, as well as the more serious health crises that unfortunately also come with age. In essays that are at turns quietly subversive and thoroughly hopeful and life-affirming, Greenbergs distinct and hilarious voice articulates our own mild obsessions and the idiosyncrasies that we can only hope will go unnoticed in a crowd.

Richard Greenberg: author's other books


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ALSO BY RICHARD GREENBERG Our Mothers Brief Affair The Assembled Parties The - photo 1
ALSO BY RICHARD GREENBERG

Our Mothers Brief Affair

The Assembled Parties

The House in Town

The Violet Hour

Take Me Out

The Dazzle

Everett Beekin

Three Days of Rain

Night and Her Stars

Life Under Water

The American Plan

The Authors Voice

Rules for Others to Live By Comments and Self-Contradictions - image 2

Rules for Others to Live By Comments and Self-Contradictions - image 3

An imprint of Penguin Random House LLC

375 Hudson Street

New York, New York 10014

Rules for Others to Live By Comments and Self-Contradictions - image 4

Copyright 2016 by Richard Greenberg

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

Blue Rider Press is a registered trademark and its colophon is a trademark of Penguin Random House LLC

eBook ISBN: 9780399576546

Library of Congress Cataloging-in-Publication Data

Names: Greenberg, Richard, author.

Title: Rules for others to live by : comments and self-contradictions / Richard Greenberg.

Description: New York : Blue Rider Press, 2016.

Identifiers: LCCN 2016016446 | ISBN 9780399576522 (hardback)

Subjects:

LCSH: Greenberg, RichardHumor. | Dramatists, American20th centuryBiography. | Conduct of lifeHumor.

BISAC: HUMOR / Form / Essays. | BIOGRAPHY & AUTOBIOGRAPHY / Editors, Journalists, Publishers. | HUMOR / General.

Classification: LCC PS3557.R3789 Z46 2016 | DDC 812/.54 [B]dc23

LC record available at https://lccn.loc.gov/2016016446

p. cm.

Penguin is committed to publishing works of quality and integrity. In that spirit, we are proud to offer this book to our readers; however, the story, the experiences, and the words are the authors alone.

Version_1

For Shirley Levine Greenberg, who admired writers

Contents

Apology to Oprah

Everything in this book is true.

Some names have been changed.

A few names, though the real names, have been misspelled.

Some of the events described, while they actually happened, did not actually happen in the rooms in which Ive placed them.

If you think a character is based on you, and you do not like that character, that character is not based on you.

A few of the people I describe do not, in the strictest sense of the word, exist.

One or two of the stories that feature people who do not exist may not have happened.

The character called I is a total fabrication.

This book is a work of fiction.

Introduction

The young womana girl, really: eighteenwas touching. She was writing plays and frustrated that they were invariably about herself.

I failed her. My advice boiled down to There, there. She was young; later she would be old. Things would sort themselves out.

On the ride home from her question, I gave myself a do-over. Make a helpful answer. In the mirage of a second draft I said this:

Acknowledge that youre the center of the universe, then radiate.

She wanted a specific exercise; she wanted out!

Go online, I told her, and bring up the front page of the New York Times from the day you were born. Read every article. In amazement.

True, we no longer believe that A caused B then C happened, as playwrights who thought they were emulating Ibsen did. This should not be taken to mean that nothing causes anything. More that everything causes everything. We travel through clouds of influence. The New York Times will show you some of the influences into which you were born.

Do they stun you? Does any of it seem familiar? The New York Times was already guessing what would be happening now; was it naive? Does anything explain that thing your dad is always saying? Does some fact interest you for reasons that apparently have nothing to do with you? Pursue it. In some distant manner, its connected to you.

The best thinking says the self is a fiction (I have a piece about that), yet its a fiction that we all believe, our most intimate experience. Maybe its nothing more than our tendency to repeat. Maybe we repeat because when we do, we recognize the behavior and the familiarity is comforting. So that the self is just the consolation of our tendencies. This is too deep for me.

The reason I never write personal essays is that I have no idea who I is. Setting out to write some, I had to locate my main tendencies and, for the sake of convenience, label them.

I would say I am an Urban Recluse.

The phrase is problematic, luckily. My brother, who trained as an economist, once accused me, as though I transgressed, of being the kind of human integer that screwed up his quantitative analyses (at last, a virtue!). Maybe so. My life goes heavy on the interiors; still, its crucial that their windows look out on the densest, most complex, most confounding system of social arrangements yet devised. Its what I like to watch. Then I make up stories about it.

My tendency.

When I call myself an Urban Recluse, I know the phrase doesnt constitute an identity, much less a self. Its the angle from which I radiate, and thats all I have to say about it.

MANIFESTO Wisdom I am a very wise man How I know this is a number of people - photo 5MANIFESTOWisdom I am a very wise man How I know this is a number of people have told - photo 6
Wisdom

I am a very wise man.

How I know this is, a number of people have told me so, among them several who consider my intelligence average and my talent meh. Wisdom is another quality altogether.

It might surprise you to learn of my wisdom, especially given that my life is patently disastrous. Its the old saw about doing and teaching, which, in addition to being a truism, is true. You can see it in all kinds of situations. For example, drawing from my own world, theres not a theater critic alive capable of writing a play, yet two of them are competent reviewers.

When it comes to developing wisdom, failure turns out to be an advantage. I once talked to a group of playwriting students among whom, startlingly, was a woman who had written four novels that had been decent commercial and strong critical successes but who claimed she had no idea what she was doing. I didnt believe this. You simply cannot have four consecutive flukes. She was adamant. Years later, I read a book about the early days of Barbra Streisand and I understood what the novelist meant.

It seems that Barbra never valued her singing because it was too easy for her. I just open my mouth and it comes out right, she said.

This is what the novelist found so perplexing: she had stories to tell and she knew how to tell them. Having read novels, she was able to write novels. She knew what she was

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