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Richard Greenberg - The Babylon Line

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Richard Greenberg The Babylon Line

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An electrifying new play by Tony Awardwinning playwright Richard Greenberg, The Babylon Line opens at Lincoln Center Theater on December 5, 2016.
A thirty-eight-year-old writer from Greenwich Village, Aaron is painfully aware of his failures as an artist when his desperate need for a job forces him to commute along the Babylon Line to Levittown to teach. What awaits him is a classroom of varyingly unwilling students, some who attend because their preferred course was full, others who are attentive enough but sit silently at their desksand all of whom have yet to set pen to paper. Over the course of the semester, Aarons adult pupils write increasingly more honest life accounts and stories, and cracks begin to appear in their small-town community. A particularly bold and troubled student, Joan, strikes up a rapport with Aaron that threatens to become something more, as the pair bond over their failing marriages and creative frustrations. In the end, we observe the life-changing effects of artistic expression as Greenberg maps out the rest of each of the characters lives, full of triumphs and newfound joy that can be traced back directly to those few weeks in a classroom in 1967.
Richard Greenbergs intelligent, nuanced, and perceptive dialogue has been described by the New York Times as exquisite . . . sparkling gems that [he] delivers with gratifying frequency. One of Americas most loved and frequently produced playwrights, Greenberg has wisdom that runs deep, and his humor and charm make his work destined to be read and performed for generations to come.

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ALSO BY RICHARD GREENBERG Rules for Others to Live By Our Mothers Brief Affair - photo 1
ALSO BY RICHARD GREENBERG
Rules for Others to Live By Our Mothers Brief Affair The Assembled Parties The House in Town The Violet Hour Take Me Out The Dazzle Everett Beekin Three Days of Rain Night and Her Stars Life Under Water The American Plan The Authors Voice
The Babylon Line - image 2
PLUME An imprint of Penguin Random House LLC 375 Hudson Street New York, New York 10014 The Babylon Line - image 3 Copyright 2016 by Richard Greenberg Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader. Picture 4 REGISTERED TRADEMA RKMARCA REGISTRADA Library of Congress Cataloging-in-Publication Data Names: Greenberg, Richard, 1958 author. Title: The Babylon Line : a play / by Richard Greenberg.

Description: New York : Plume, [2016] Identifiers: LCCN 2016029989 (print) | LCCN 2016037459 (ebook) | ISBN 9780399576553 (paperback) | ISBN 9780399576560 (ebook) Subjects: | BISAC: PERFORMING ARTS / Theater / General. | PERFORMING ARTS / General. | PERFORMING ARTS / Theater / Playwriting. Classification: LCC PS3557.R3789 B33 2016 (print) | LCC PS3557.R3789 (ebook) | DDC 812/.54dc23 LC record available at https://lccn.loc.gov/2016029989 This is a work of fiction. Names, characters, places, and incidents either are the product of the authors imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental. Version_1

C HARACTERS
AARON PORT JOAN DELLAMOND FRIEDA COHEN ANNA CANTOR MIDGE BRAVERMAN JACK HASSENPFLUG MARC ADAMS AS CAST MR.

LEVITT JAY BECKERHOFF JOANS HUSBAND MIDGES HUSBAND WOMAN AT COOKOUT PRINCIPAL GUY AT PARTY MIMI X THERESA SYDELLE BOSTWICK RHONDA HAGENBRUCH ABE RUTHIE LENORE BRIAN COHEN TODD COHEN RAMONA

Act One
AARON The End By which I mean what exactly Once briefly I loved - photo 5
AARON: The End. ... By which I mean what exactly? Once, briefly, I loved someone who hated quotations: She claimed theyd ruined her life. Nevertheless: Death sanctions all stories, wrote Walter Benjamin. But does it? And even if it does, the end that comes with death is by definition someone elses and so cant really bring us close to the notion. ... ...

But this is no kind of introduction. All right, then: The year is 2016 and I am eighty-seven years old. I look wonderful. So much has turned out nicely. ... And thats about that for 2016.

Listen: Theres a story Ive been meaning to tell and, I guess, avoiding for a long time. Its a simple story about a few events that took place in late fall and early winter forty-nine years ago, and I may not come off well in it. But if not nowwhen? So. Okay: The year is 1967 and I am thirty-eight years old. I look fretful. Lights on a high school classroom.Night.Aaron is with Frieda and Anna. FRIEDA: We wanted, Anna and I, to take Contemporary Events and Politics, but that sold out like a shot when they announced that Dr. Lights on a high school classroom.Night.Aaron is with Frieda and Anna. FRIEDA: We wanted, Anna and I, to take Contemporary Events and Politics, but that sold out like a shot when they announced that Dr.

Rose Franzblau might be a Guest Speaker, which I hear is not the case So back to registration and they ask us if wed like to take Flower Arranging, instead. Its taught by John Scorfutto? You know, he owns Hempstead Turnpike Bloomery? (Oh, thats right, youre not from here.) Well, I never use them. Everything there is carnations; so cheap. Anyway, when it comes to Flower Arranging I think Im more of an expert than John Scorfutto. Whereas Anna, whenever shes tried, her flowers come out looking like gloves that nobodys wearing. So, no, thank you to Flower Arranging, and they wonder, can we do Wednesdays? As it happens, we can and writing was available so here we are.

ANNA: Actually, for me there was more to it than that. Ive always been a good writer. I won a writing award in high school. FRIEDA: Which was before they invented the pencil. You didnt have a dirty fingernail; you had to recite from memory. No, Im kidding.

However, my question is: Will we be, in this class, expected actually to write? AARON: Its a writing class. FRIEDA: Uh-huh. Now, that perturbs me a little. AARON: Dont let it. FRIEDA: Im no James Michener. AARON: I should hope not.

FRIEDA: Im not claiming to be James Michener. ANNA: Can we write about current affairs? AARON: You may. ANNA: Because that was the class we wanted to take. AARON: I believe I knew that. ANNA: Though this is exciting, too. FRIEDA: But we havent been formally introduced: Im Frieda Cohen.

You may have seen my house on the way over. Its the one with the well-known garden: If you havent seen it in person, it was featured in Newsday. My husband, Lou, is a chemist and I have two boys. Todd is nineteen, Brian is seventeentheyre the joy of my life. And now let me introduce you to one of the most magnificent people youre ever going to meet: This is Anna Cantor, who, for whatever reason, got started late in the child-bearing game and has two adorable five-year-olds, Seth and Abby, who are twins! ANNA: You dont have to tell him theyre twins. Midge enters. FRIEDA: Midge! I didnt know you were taking this class! MIDGE: French Cooking was full. Midge enters. FRIEDA: Midge! I didnt know you were taking this class! MIDGE: French Cooking was full.

FRIEDA: Anna, you know Midgefrom the Sisterhood. ANNA: Ive known her twenty years; you introduce us every time we meet. Hi, Midge. You look terrific! MIDGE: Vitamin E. FRIEDA: Mr. Port, this is another uncommonly superb personMidge Braverman.

Her husband is a CPA. Her son is, what, fifteen? Michael. And her other son, Stewart, is a year or so older. AARON: Nice to meet you. MIDGE (RE: AARON) : Hes a baby! FRIEDA : Only comparatively AARON: Im a lot older than I MIDGE: This is going to teach us to write? AAR ON: I hope so Jack Hassenpflug enters, finds a seat. FRIEDA: This gentleman I dont know; youre on your own with him. AARON: If youll excuse me.

I have to... He heads for his desk.Marc Adams enters, pauses in doorway, tentative. FRIEDA: Oh my GodI dont believe it. MIDGE: Who is that? ANNA: Marge Adamss boy, Marc. FRIEDA : Its such a pity. MIDGE: Which is Marge Adams? FRIEDA: Youd only know her from the PTA, but she was before your time. MID GE: Shes not Sisterhood? FRIEDA: Marge Adams? ANNA: Hes not right, this Marc.

FRIEDA: Hes not right in the head. He had so much promise. ANNA: A sports star. FRIEDA: A bully, though, kind of a mean kid MIDGE: What happened? ANNA AND FRIEDA: Drugs. MIDGE: Ooohh. What drugs? ANNA: Dope.

FRIEDA: And marijuana. MIDGE (GETTING IT) : He was a user. ANNA: This brilliant kid, isnt that terrible? FRIEDA: On course to be valedictorian. ANNA: Now all he does is take long walks and smile at everybody. FRIEDA: Hello, he says. Marc sees them. MARC: Hello! Hello! He finds a seat.

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