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Premchand - The Complete Short Stories

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Premchand The Complete Short Stories

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Munshi Premchand, widely lauded as the greatest Hindi fiction writer of the twentieth century, wrote close to 300 short stories over the course of a prolific career spanning three decades. His range and diversity were limitless as he tackled themes of romance and satire, gender politics and social inequality, with unmatched skill and compassion. By turns poignant, acerbic, comical and tragic, many of his stories powerfully invoke the countryside-its pastoral simplicity as well as its harsh realities-while others capture the hopes and anxieties that accompany life in a teeming city where the underdog and the exploiter are caught in an age-old conflict. For the first time ever, Penguin Classics brings together Premchands entire short-fiction oeuvre for the delight of the English-speaking world. Along with M. Asaduddins illuminating Introduction, this pathbreaking anthologyfeatures several stories not hitherto available either in Hindi or Urdu. Also included are comprehensive...

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Contents
PREMCHAND the complete short stories VOLUME 2 Edited with an Int - photo 1
PREMCHAND the complete short stories VOLUME 2 Edited with an Introduction by M - photo 2
PREMCHAND the complete short stories VOLUME 2 Edited with an Introduction by M - photo 3
PREMCHAND
the complete short stories VOLUME 2
Edited with an Introduction by M. Asaduddin
Translated from the Hindi and Urdu by M. Asaduddin and others
Foreword by Harish Trivedi
The Complete Short Stories - image 4
PENGUIN BOOKS
The Complete Short Stories - image 5
PENGUIN BOOKS

PENGUIN BOOKS

THE COMPLETE SHORT STORIES: VOLUME 2

Premchand (18801936), considered one of the greatest fiction writers in Hindi, was born Dhanpat Rai in Lamahi, a small village near Benares. He wrote in Urdu under the name Nawab Rai and changed it to Premchand when his collection of short stories, Soz-e Watan, was seized for sedition in 1909. In a prolific career spanning three decades, Premchand wrote fourteen novels, two plays, almost 300 short stories and several articles, reviews and editorials. He edited four journals, and also set up his own printing press. Though best known for his stories exposing the horrors of poverty and social injustice, he wrote on a variety of themes with equal felicityromance, satire, social dramas, nationalist tales, and yarns steeped in folklore.

M. Asaduddin is an author, critic and translator in several languages. His books include Premchand in World Languages: Translation, Reception and Cinematic Representations; Filming Fiction: Tagore, Premchand and Ray; A Life in Words; The Penguin Book of Classic Urdu Stories; Lifting the Veil: Selected Writings of Ismat Chughtai; For Freedoms Sake: Manto; and (with Mushirul Hasan) Image and Representation: Stories of Muslim Lives in India. He has been a Fulbright Scholar-in-Residence at Rutgers University, New Jersey, USA, and a Charles Wallace Trust Fellow at the British Centre for Literary Translation at the University of East Anglia, Norwich, UK. He is a regular speaker at literary festivals, and his translations have been recognized with the Sahitya Akademi Award, and the Katha and A.K. Ramanujan awards for translation, as well as the Crossword Book Award.

Advance Praise for the Volumes

Not having access to all of Premchands stories has always been a cause of frustration to his readers. The publication now of the entire, admittedly huge, corpus of his short stories is very welcome. Premchandin spite of occasional challengesremains a true colossus of Indian literature. The sheer variety, with its hypnotic power, and the vastness of his output is staggering. It is impossible to arrive at any kind of assessment of modern Indian literature without taking full account of Premchand. Then, his fiction as a living source and commentary on the social, political and rural India of the early part of the twentieth century is valuable and relevant even today. These four volumes deserve a place on the bookshelf of every lover of modern fiction, in India or elsewhere

SHAMSUR RAHMAN FARUQI

well-known critic, poet and novelist in Urdu

Premchands fiction draws from his vast experience of the conflicts of village life, of caste tensions, of excessive revenue demands and the never-ending chain of debts entailed by these. If these are grim tales, they are both deepened and lightened by his psychological insight, his irony and humour, and the broad canvas on which they are drawn, which links country and city in a manner unknown in HindiUrdu fiction writing before him. To present this rich corpus, drawn exhaustively from both Urdu and Hindi originals, the vast majority made available in English for the first time, is a pioneering feat for which the translators are to be congratulated

VASUDHA DALMIA

professor emerita of Hindi and Modern South Asian Studies, University of California, Berkeley

At once an extraordinary feat of scholarship and an immense labour of love, this collection gives us the complete corpus of Premchands short stories in English translation for the first time. It thus allows readers without access to either or both of Premchands languages of composition, Urdu and Hindi, insight into one of the greatest writers of Indias modernityindeed, into the making of modern India. Most importantly, as the rich and informative Introduction to this translation states, the stories bear witness to Premchands secular and inclusive view of the Indian nation. Premchands socialism, his realism, his role in the fashioning of a modern prose style in two languages, his searing insights into caste and gender politics, his sympathy for the oppressed, for the labouring poor, even for working animals, make him a writer from whom we still have much to learn. If this remarkable collaborative enterprise brilliantly led by M. Asaduddin helps us to do so, its purpose will be served

SUPRIYA CHAUDHURI

professor emerita, Department of English, Jadavpur University, Kolkata

It is a valuable work, especially for foreign readers who cannot read the original text in Hindi or Urdu. This complete translation of Premchands short stories must be welcomed as a major contribution to the accessibility to modern Indian literature. Being considered one of the foundational figures of modern Indian literature, Premchand deserves this kind of ambitious work on him, which will find him his rightful place in world literature

PHILIPPE BENOT

Sanskritist and professor of Bengali, National Institute for Oriental Languages and Civilizations, Paris

Premchand is one of the most famousperhaps the most famousHindi authors. Many of his short stories have been translated into a wide array of languages. And yet, when one looks at these selections it appears that the translators tended to choose a particular set of stories regarded as Premchands masterpieces, ignoring the rest. The present collection aims to present the full picture, displaying Premchand at different stages of his life, in different moods, displaying changing attitudes with regard to the functionality of literature. For the first time, readers of English will be able to appreciate Premchands story-telling in all its facets and fullness

CHRISTINA OESTERHELD

professor of Urdu, University of Heidelberg, Germany

Premchand was greatly popular with an earlier generation of Russian readers. This anthology will certainly enhance his visibility to an international audience and make him popular with the new generation of Russian readers and scholars of Indian literature

GUZEL STRELKOVA

professor of Hindi, Moscow State University, Moscow

For

Jamia Millia Islamia,

a university that has nurtured composite culture,

secular nationalism and pluralism for 100 years

Foreword

During the birth centenary celebrations of Premchand (18801936), he was described as one of the panch devata, that is, one of the five gods, or (to put it more plausibly in English and also perhaps a bit more secularly!) one of the five iconic figures of modern Indian literature. This was high praise indeed, for each one of the twenty-four languages of India which are recognized and honoured by the Sahitya Akademi can boast of several outstanding writers in the modern period. The foremost of these probably still is Rabindranath Tagore, best known for his lyrical and transcendentally spiritual poetical works and, of course, for being the first, and so far the only, Indian to win the Nobel Prize for literature. But of those following behind him, Premchand stands as tall as any other writer.

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