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Sanora Babb - An Owl on Every Post

Here you can read online Sanora Babb - An Owl on Every Post full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 1994, publisher: University of New Mexico Press, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

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In this memoir, first published in 1970 and long out of print, Sanora Babb recalls her familys attempt to practice dry-land farming in eastern Colorado in 1913. Leaving the relative security of a small town in Oklahoma, the mother of and two daughters travel by train and wagon to join the father and grandfather at their isolated dugout. Here, Senora (nicknamed Cheyenne) gradually comes to love her withdrawn grandfather and to appreciate the harsh beauty of the prairie environment. Cheyennes experiences range from rare encounters with other settlers to the constant threat of hunge to warm and mystical relationships with animals. They are related with a childs sense of wonder and played out against the background of the plains--clear air, vast distances, rapid changes in light and shadow, and sudden, dangerous storms.

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Page iii An Owl On Every Post Sanora Babb UNIVERSITY OF NEW MEXICO - photo 1
Page iii
An Owl On Every Post
Sanora Babb
UNIVERSITY OF NEW MEXICO PRESS
Albuquerque

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Page iv
Library of Congress Cataloging-in-Publication Data
Babb, Sanora.
An owl on every post / Sanora Babb.
p. cm.
Previously published: New York: McCall, [1970].
ISBN 0-8263-1531-3
1. Babb, Sanora-Homes and haunts-Colorado. 2. Women
authors, American-20th century-Biography. 3. Frontier and
pioneer life-Colorado. 4. Farm life-Colorado. 1. Title.
PS3552.A17Z472 1994
818'. 5403-dc20
[B] Picture 294-15110
Picture 3CIP
1970 by Sanora Babb
Reprinted 1994 by arrangement with the author.
Afterword 1994 by Sanora Babb
Portions of this book have appeared in Redbook Magazine, Prairie Schooner, and Southwest Review. Chapter 24 was first published in Ellery Queen's Mystery Magazine under the title "That Presence Out There." All rights reserved.
Page v
To my husband
JAMES WONG HOWE
and my sister
DOROTHY
Page 1
Picture 4
"... a land that seemed to be grieving over somethinga kind of sadness, loneliness in a deathly quiet..."
BOB BEVERLY in Hobo of the Rangeland
Page 3
1
ALL THE WAY on the train from the Indian country of Oklahoma to the flat plains of Colorado east of the Rocky Mountains, my mother and I were sad; she to leave household and friends, and a town, however small; I, to leave my pinto pony and the Oto Indians near Red Rock, my other family, my other home. It was early autumn, 1913. My sister was happy: Her whole world was Papa and he was waiting for us at the end of the railroad in Lamar. Somewhere back of us in the slow mixed train of a handful of passengers and cars of coal, flour, lard, canned food supplies, and other necessities for this isolated place, was a freight car in which our piano was coming with us. As he would in our many moves to come, my father had commanded that nothing be brought along. In one of her rare self-assertions, my mother had refused to leave her new piano. She played and sang rather well.
Having grown up in a large comfortable home in a lovely town of tree-shaded brick walks, flower-fragrant summers, woods and
Page 4
meadows and a stream for playground; having since her marriage lived in somewhat less comfort and much uncertainty, though never in a place without trees, she was utterly unprepared for the desolation viewed from the train window. Even the companionship of her piano could not keep back the tears.
The lackluster autumn landscape was like an old gray carpet spread to the far, far circling horizon. There was nothing more to see. This was an empty land. A primordial loneliness was on it; the train carried us backward in time.
Our Grandfather Alonzo lived here, somewhere in that gray waste. He was "proving up" a government claim, 160 acres, a quarter of a section, all to be his for improving it, which meant building a dwelling, paying taxes, and living on it five years. After its hard-won possession he lost it to taxes ten years later, unable to raise crops without water. The government had opened these margin lands for settlement, and so powerfully inviting is the ownership of land that people came; many left, a few remained. Grandfather Alonzo, a silent, inward man, impractical and visionary, so taken with the future that he had failed to write of the present in his letters to Papa, had convinced him that he should sell his bakery and invest in 320 acres of grazing land for sale. Finally, Papa had bought the land sight unseen through his father, spending all his cash, banking on the next summer's crops to launch us into agricultural prosperity while enjoying the wonders of pioneering again. We were to live with Grandfather Alonzo until we could build a sod house after the first crops were in. While other parts of the United States moved swiftly ahead, the hopeful or desperate people who filed claims on these high western grazing lands were plunged a hundred years backward in our history, to live and struggle again like the early settlers in other states.
As we watched from the train windows, we did not know this, but I am sure my mother felt that her young life had come to a dismal end. She was twenty-four, my father thirty-two; I was seven and my sister four. We were well-dressed and rounded with good food and health. Whatever deprivations we had known, they were not material.
The bell rang, the train slowed, and we looked out into great pens of whiteface cattle driven in from the range, waiting to be
Page 5
loaded for market. The pens seemed endless. The prescient bawling of the cattle added a strange dimension to the already strange atmosphere. The little station slid alongside and we saw Papa, whom we had not seen for five long months, watching for a sight of us. My sister ran ahead and leaped into his arms. We four had a happy reunion until my mother mentioned the piano.
"We're fifty miles from here. I'll have to hire a wagon to come after it! Goddamn."
"Oh, Walt! I couldn't leave my piano."
We did not see the town of Lamar, but were bustled at once into a black Ford touring car with all curtains fastened against the cold wind. Luggage was tied to the steps and the back. One other passenger sat with the driver, another in the back seat with us. As I was the last getting in, there was no room for me. My father was holding my sister on his lap, and he commanded me to sit on the floor among the feet. I was angry and humiliated. I wanted to see the land we passed, but dark was already rushing by as if the night wind had turned black. The single dirt road I had seen ran straight on level plain; we met no one. Cold air came up through the cracks of the floor boards, but the silent company above gave off body heat.
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