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Robert McMahon - The Two Poets of Paradise Lost

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title The Two Poets of Paradise Lost author McMahon Robert - photo 1

title:The Two Poets of Paradise Lost
author:McMahon, Robert.
publisher:Louisiana State University Press
isbn10 | asin:0807121886
print isbn13:9780807121887
ebook isbn13:9780585355979
language:English
subjectMilton, John,--1608-1674.--Paradise lost, Christian poetry, English--History and criticism, Epic poetry, English--History and criticism, Milton, John,--1608-1674--Characters--Poets, Bards and bardism in literature, Blind in literature, Poets in literature
publication date:1998
lcc:PR3562.M36 1998eb
ddc:821/.4
subject:Milton, John,--1608-1674.--Paradise lost, Christian poetry, English--History and criticism, Epic poetry, English--History and criticism, Milton, John,--1608-1674--Characters--Poets, Bards and bardism in literature, Blind in literature, Poets in literature
Page iii
The Two Poets of Paradise Lost
Robert McMahon
Page iv Disclaimer Some images in the original version of this book are not - photo 2
Page iv
Disclaimer
Some images in the original version of this book are not available for inclusion in the netLibrary eBook.
Copyright 1998 by Louisiana State University Press
All rights reserved
Manufactured in the United States of America First printing
07 06 05 04 03 02 01 00 99 98 5 4 3 2 1
Designer: Amanda McDonald Key
Typeface: Galliard by Carter & Cone
Typesetter: Impressions Book and Journal Services, Inc.
Printer and binder: Thomson-Shore, Inc.
Library of Congress Cataloging-in-Publication Data
McMahon, Robert, 1950 Oct. 28
The two poets of Paradise lost / Robert McMahon.
p. cm.
Includes bibliographical references (p. ) and index.
ISBN 0-8071-2188-6 (cloth : alk. paper)
1. Milton, John, 16081674. Paradise lost. 2. Christian poetry,
EnglishHistory and criticism. 3. Epic poetry, EnglishHistory
and criticism. 4. Milton, John, 16081674CharactersPoets.
5. Bards and bardism in literature. 6. Blind in literature.
7. Poets in literature. 8. Persona (Literature) I. Title.
PR3562.M36 1998
821'.4dc21 97-24426
CIP
Excerpts from The Complete Poems and Major Prose of John Milton, ed. Merritt Y. Hughcs (New York: Odyssey Press, 1957), are reprinted with the permission of Prentice-Hall.
The paper in this book meets the guidelines for permanence and durability of the Committee on Production for Book Longevity of the Council on Library Resources.Picture 3
Page v
For my parents,
first and best teachers,
and for my wife,
tanto gentile
Page vii
Contents
Acknowledgments
ix
Introduction: The Two Poets of Paradise Lost
1
One
The Four Proems of Paradise Lost
23
Two
Satan and the Bard
60
Three
God, the Son, and the Bard
84
Four
Raphael, Michael, and the Bard
115
Five
Milton and the Bard's Story
150
Six
Song "Above Heroic": Milton's Bard and Paradise Regained
165
Bibliography
195
Index
207

Page ix
Acknowledgments
I first studied Paradise Lost in a graduate seminar taught by Thomas Vogler and H. Marshall Leicester, Jr., at the University of California at Santa Cruz, almost twenty years ago. They sent their students to read Harry Berger, Jr.'s essays on John Milton, and Don Ryall compelled me to read and discuss them with him. While at Santa Cruz, I also had conversations about Milton with Berger and with George Amis. All of these good people helped me come to grips with Milton's poetry. I am responsible for defects in my grasp.
I wish also to express my gratitude to other teachers. Gary Miles led me through Vergil's poetry; Mary-Kay Gamel taught me to read Ovid. Ronald L. Martinez showed me how subtly an allusion can ramify through a work. Robert M. Durling taught me how to think about several works while reading one. Thanks to his tutelage and example, the best questions I learned to ask about Milton came from Dante, Vergil, and Ovid.
My colleagues at Louisiana State University have helped in many ways. Larry Sasek and Anna Nardo provided bibliographic advice, and Anna's thoughtful comments on my prose have enabled me to clarify many obscurities. Gale Carrithers and Jim Hardy gave me their book, Milton and the Hermeneutic Journey, while still in manuscript, and it taught me things I could not have found elsewhere. Christine Cowan meticulously reviewed the entire manuscript, suggesting many improvements in clarity and grace. I prize the learning and friendship of them all.
Work on this book was materially aided by two grants from Louisiana State University: a Manship Faculty Summer Fellowship and a Council on Research Summer Stipend. I am also grateful to my former chairman, John Fischer, who arranged a leave from teaching that enabled me to complete this book.
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