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Raymond Sheppard - Drawing Farm and Zoo Animals

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Raymond Sheppard Drawing Farm and Zoo Animals

Drawing Farm and Zoo Animals: summary, description and annotation

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For the first time in a single-volume edition, this guide combines the works of two of Britains leading animal illustrators of the 20th century, Raymond Sheppards Drawing at the Zoo and Charles Tunnicliffes How to Draw Farm Animals. Artists of all skill levels will benefit from the books tremendous variety of domestic and wild animal studies, each accompanied by helpful pointers.
Even the smallest of zoos offers models with an abundant variety of shapes and patterns. Its not always easy to capture animals in motion, so in Drawing at the Zoo, Raymond Sheppard proposes starting with sleeping creatures and the less excitable types to help overcome the practical difficulties. Other suggestions include what not to do, notes on distinctive animal characteristics, and a survey of basic shapes, all illustrated by the authors own work. Charles F. Tunnicliffe, author of How to Draw Farm Animals, grew up on a farm and drew and painted animals all his life. In addition to dozens of fascinating examples of his sketches, his book includes informative comments on farm life that provide essential tips for the realistic portrayals of horses, cattle, pigs, and sheep as well as the farmers dog and the farmyard cat.

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DRAWING

FARM & ZOO ANIMALS

Raymond Sheppard C. F. Tunnicliffe

DOVER PUBLICATIONS INC Mineola New York - photo 1

DOVER PUBLICATIONS, INC.

Mineola, New York

Copyright Copyright 2018 by Dover Publications Inc All rights reserved - photo 2

Copyright

Copyright 2018 by Dover Publications, Inc.

All rights reserved.

Bibliographical Note

This Dover edition, first published in 2018, is a republication in one volume of the following works: How to Draw Farm Animalsby C. F. Tunnicliffe (The Studio: London and New York, 1952) and Drawing at the Zooby Raymond Sheppard (The Studio Publications: London and New York, 1949). The text has been newly reset.

Library of Congress Cataloging-in-Publication Data

Names: Container of (work): Sheppard, Raymond. Drawing at the zoo. | Container of (work): Tunnicliffe, C. F. (Charles Frederick), 19011979 How to draw farm animals.

Title: Drawing farm and zoo animals / Raymond Sheppard, Charles Frederick Tunnicliffe.

Description: Mineola, New York : Dover Publications, 2018. | Series: Dover art instruction | This Dover edition, first published in 2018, is a republication in one volume of the following works: How to Draw Farm Animals by C. F. Tunnicliffe (The Studio: London and New York, 1952) and Drawing at the Zoo by Raymond Sheppard (The Studio Publications: London and New York, 1949).

Identifiers: LCCN 2017046138| ISBN 9780486819150 (paperback) | ISBN 0486819159

Subjects: LCSH: Animals in art. | DrawingTechnique. | BISAC: ART / Techniques / Drawing.

Classification: LCC NC780 .D724 2018 | DDC 743.6dc23

LC record available at https://lccn.loc.gov/2017046138

Manufactured in the United States by LSC Communications

81915901 2018

www.doverpublications.com

CONTENTS

HOW TO DRAW FARM ANIMALS Charles F Tunnicliffe - photo 3

HOW TO DRAW

FARM ANIMALS

Charles F. Tunnicliffe

INTRODUCTION

The Common Boar is, of all other domestic quadrupeds, the most filthy and impure. Its form is clumsy and disgusting and its appetite gluttonous and excessive. Thus wrote Thomas Bewick in his History of Quadrupeds, below his excellent wood-cut of the despised beast. But that was nearly one hundred and fifty years ago and since Bewicks time many changes have occurred in the breeding and in the appearance of our domestic animals. Gone is his Black Horse, his Long Horned or Lancashire breed of cattle (except for a few remnants) and his old Tees-water breed of sheep. To-day, if you were to ask a farmer where you could find a Common Boar he would probably look perplexed and might reply I dunno about Common but I cantell you where there is a Large White or a Wessex Saddleback or a Tamworth boar. And there you have it: the great majority of our modern domestic animals are of definite breeds which are the result of many years of trial and type selection in the endeavour to evolve an animal which will fulfil a particular purpose, with the result that there are fewer and fewer nondescript beasts to be seen on our farms to-day, their place being taken by animals of specialised breeds.

To-day the farms in Britain are being cultivated more intensively than ever before, and the animals of the farm are inseparable from this great activity.

The Horse is still a useful and valued helper in spite of the great increase in mechanical cultivation, while cattle, sheep, and pigs are all very important members of the farming economy, and their importance will probably increase as farming becomes more balanced and passes from this emergency period of strenuous ploughing and crop-raising to one of stock raising.

It seems then that the grandeur of the Shire Horse, the impressive shape of the Shorthorn Bull and the delicate beauty of the Jersey Cow will, for many years to come, be part of the farming scene, not only for the profit of the Farmer but for the delight of the Artist also.

As you persevere with your drawing of the animals you will inevitably gain some knowledge of farming ways and procedure, and this will be a good thing, for it will increase your understanding of your models.

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