Hall - Katori hall plays 1

Katori Hall
Plays: 1Hoodoo Love, Saturday Night/Sunday Morning,
The Mountaintop, Hurt VillageHoodoo Love: An unsentimental, even brutal look at black life in Memphis in the 1930s. New York TimesSaturday Night/Sunday Morning is a story about friendship and love set in a Memphis beauty shop and boarding house during the final days of World War Two. A group of African-American women struggle to cope with having lost their men to the war, and face up to an uncertain future when and if the soldiers return. The Mountaintop: Evokes the doomed humanity of a man whose character has tended to be obscured by myth Katori Halls creative reimagining of Kings last night has energy, humour and moral gravity. Evening StandardHurt Village: A voice for the disenfranchised of America, told by a woman who understands their historical context and has compassion for her characters, but is also realistic about their responsibility in their own fate. The language is visceral, passionate excellent storytelling, bleak but great theatre, extraordinary rhythm, energy, and with something to say.

Judges of the 33rd annual Susan Smith Blackburn Prize, on awarding the prize to Hurt Village. Katori Hall is from Memphis, Tennessee. Her plays include The Mountaintop, which was first produced to great acclaim at Theatre 503, London, in June 2009, and received a transfer to the Trafalgar Studios, London, the following month. It won the Olivier Award for Best New Play in 2010, and opened on Broadways Bernard B. Jacobs Theatre, New York City, in October 2011. Her other plays include Hurt Village (Classical Theatre of Harlem Future Classics Reading Series, BRIC Studio, 2007; Signature Theatre, 2012), Hoodoo Love (Cherry Lane Theatre, New York, 2007), Remembrance (Womens Project/World Financial Center site-specific work, 2007), Saturday Night/Sunday Morning (Classical Theatre of Harlem Future Classics Reading Series, The Schomburg Center, New York, 2008) WHADDABLOODCLOT!!! (Williamstown Theatre Festival), The Hope Well and Pussy Valley.

Her numerous awards include the 2011 Susan Smith Blackburn Prize, 200910 Lark Play Development Playwrights of New York (PONY) Fellowship, two Lecompte du Nouy Prizes from Lincoln Center, 2007 Fellowship of Southern Writers Bryan Family Award in Drama, 2006 New York Foundation of the Arts Fellowship in Playwriting and Screenwriting, residency in the Royal Court Theatre NYC Playwrights Workshop in 2006, and the 2005 Lorraine Hansberry Playwriting Award. She is a graduate of Columbia University, American Repertory Theatre Institute at Harvard University and the Juilliard School. Visit www.katorihall.com . KATORI HALL

Hoodoo Love
Saturday Night/Sunday Morning
The Mountaintop
Hurt Villagewith an introduction by the authorBloomsbury Methuen Drama
An imprint of Bloomsbury Publishing Plc

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www.bloomsbury.comBloomsbury is a registered trade mark of Bloomsbury Publishing Plc This collection first published in Great Britain in 2011 by Methuen Drama
Reprinted with corrections in 2012 Hoodoo Love first published by the Dramatists Play Service 2009 2009, 2011 Katori
Hall Saturday Night/Sunday Morning, The Mountaintop and Hurt Village 2011 Katori
Hall Introduction Methuen Drama 2011 Katori Hall has asserted her right under the Copyright, Designs and
Patents Act, 1988, to be identified as author of this work. All rights reserved. No part of this publication may be reproduced or transmitted
in any form or by any means, electronic or mechanical, including photocopying,
recording, or any information storage or retrieval system, without
prior permission in writing from the publishers.

No responsibility for loss caused to any individual or organization acting
on or refraining from action as a result of the material in this publication
can be accepted by Bloomsbury or the author. All rights whatsoever in this play are strictly reserved and application for
performance etc. should be made before rehearsals by professionals and by amateurs
to Creative Artists Agency (Attn: Olivier Sultan), 162 Fifth Avenue, 6th Floor, New York,
NY 10010. No performance may be given unless a licence has been obtained. No rights in incidental music or songs contained in the work are hereby granted
and performance rights for any performance/presentation whatsoever must
be obtained from the respective copyright owners. British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library. eISBN-13: 978-1-4081-7775-4 Library of Congress Cataloging-in-Publication Data
A catalog record for this book is available from the Library of Congress.

2003	Graduated from Columbia University with a major in African-American studies and special program in creative writing
2005	Graduated from the American Repertory Theatre Institute for Advanced Theatre Training at Harvard University with a Master of Fine Arts in Acting Wins the Lorraine Hansberry Playwriting Award for Hoodoo Love
2006	Wins New York Foundation of the Arts Fellowship in Playwriting and Screenwriting Hoodoo Love selected as part of the Cherry Lane Mentor Project, with Lynn Nottage as mentor Selected as member of the Womens Project Playwrights Lab in New York City
2007	Hurt Village (BRIC Studio, Classical Theatre of Harlem Future Classics Reading Series, Schomburg Center for Research in Black Culture, New York City, New Professional Theatre Writers Festival, Winner) Hoodoo Love (Cherry Lane Theatre, New York) Remembrance (Womens Project/World Financial Center site-specific work) Awarded the Fellowship of Southern Writers Bryan Family in Drama Attends Juilliard School Lila Acheson Wallace American Playwrights Program
2008	Awarded the Lecomte du Nouy Prize from Lincoln Center Saturday Night/Sunday Morning (Classical Theatre of Harlem Future Classics Reading Series, Schomburg Center for Research in Black Culture, New York City; Juilliard Workshop)
2009	Awarded second Lecomte du Nouy Prize from Lincoln Center Wins the Lark Play Development Center Playwrights of New York (PONY) Fellowship The Mountaintop (Lark Barebones Workshop, New York City; Theatre 503, London; transfers to Trafalgar Studios, London) Hurt Village (Juilliard Workshop, New York City)
2010	The Mountaintop wins Olivier Award for Best Play Wins Otis Guernsey New Voices Playwriting Award from the William Inge Theatre Festival
2011	Hurt Village wins the 33rd Annual Susan Smith Blackburn Prize Inducted into the Fellowship of Southern Writers Named a member of Signature Theatres Residency Five Program The Mountaintop opens on Broadway (Bernard B. Contents

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