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Tomas Mournian - hidden

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Tomas Mournian hidden

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hidden TOMAS MOURNIAN All copyrighted material within is Attributor - photo 1

hidden

TOMAS MOURNIAN

All copyrighted material within is Attributor Protected KENSINGTON BOOKS are - photo 2

All copyrighted material within is Attributor Protected KENSINGTON BOOKS are - photo 3
All copyrighted material within is
Attributor Protected.

KENSINGTON BOOKS are published by

Kensington Publishing Corp.
119 West 40th Street
New York, NY 10018

Copyright 2011 by Tomas Mournian

All rights reserved. No part of this book may be reproduced in any form or by any means without the prior written consent of the Publisher, excepting brief quotes used in reviews.

All Kensington titles, imprints, and distributed lines are available at special quantity discounts for bulk purchases for sales promotion, premiums, fund-raising, educational, or institutional use.

Special book excerpts or customized printings can also be created to fit specific needs. For details, write or phone the office of the Kensington Special Sales Manager: Kensington Publishing Corp., 119 West 40th Street, New York, NY 10018. Attn. Special Sales Department. Phone: 1-800-221-2647.

Kensington and the K logo Reg. U.S. Pat. & TM Off.

eISBN-13: 978-0-7582-6798-6
eISBN-10: 0-7582-6798-3

First Kensington Trade Paperback Printing: February 2011
10 9 8 7 6 5 4 3 2 1

Printed in the United States of America

To Hugo

CONTENTS

Timing being everything, Im most grateful to John Scognamiglios generous gift of time to find the hidden truth of hidden. Mitchell Waters, my most excellent consigliere, makes me laugh as he walks me through my paces. And Rachel Cohn, to whom Ill be forever grateful for giving me a voice.

It took a village to write hidden, and mine was far-flung: Daniel Lee, Stacey Szewczyk and Alan F. and Eder Azael all readand rereadthe manuscript and gave insightful comments. Kristine Mills-Noble designed a cover that is nothing less than a gift. Amy Maffeis copy edit was both precise and mindful of my intention. And Craig Bentley: Everyone should be so lucky to have a publicist who sounds like a movie star.

Friends and fellow earth signs Jose Jimenez, Andrew Harburn and Lou Hunter listened to me all the way through.

Patricke said Ahmed at precisely the right moment, and Orlando gave me J.D.s glance. Likewise, the City of Angels has blessed me over the years with the guidance of Marilyn R. Atlas and Kylie Mackenzie and John Turck, Eileen Rapke, and Joao Neto. Also, Kathryn Galan, Octavio Marin and Alfredo de Villa, and Chris Soth, Linda Palmer and Darren Stein. San Francisco sent good juju, too, sustaining me with signals and crucial information from Shannon Minter, Regina Marler and DeeDee Shideler.

For showing me the value of fighting the good fight, Im indebted to editors Colleen Curtis, Kevin Koffler, Tim Redmond,

Gabriel Roth and Bruce B. Brugmann, and Gia Lauren Gittle-son, Bob Roe, Michael Caruso, Barbara Walters, and Glenda Bailey.

Special thanks to Greg Beal, Joan Wai, Shawn Guthrie and Catherine Irwin.

Fellow yogis who reminded me to breathe: Abbe Britton, Noah Maze, Ross Rayburn, Jeff Fisher, Sita White and Durgidas.

Those three great spirits who reached out and refused to let me slip, there they were: George Michael, Nancy Jo Sales, and Siri Sat Nam.

The Corporation of Yaddo.

And, finally, in memory of Lance.

I am high.

I

My voice catches. I cannot string together a whole sentence. My eyes open. Ive been deposited in the back of my parents black Mercedes. I look at the dashboard clock. Where did the last forty-five minutes go?

Beyond the windshield, gates swing open. The car rolls forward. I turn: I want a parting shot. Through the back window, I see twenty-foot walls lined with electrified barbed wire.

The Mercedes picks up speed. Desert surrounds us. No wonder Serenity Ridge was built in the Nevada outback. Even if a kid manages to escape, theres no way you can survive the run.

I need to use the restroom.

My parents stick with their preferred mode of communication: the nonresponse. I wont know if its a yes or a no for several minutes. Did I already say, I am high? Medicated, mobilized, and tranquilized?

This morning, when the nurse slid the needle into my ass, I thought about Raoul. I met Raoul in fourth grade. Raoul loved waving Magic Markers under his nose, acting stupid and saying, Chil, thisll make ya high. The drugs jumped into my bloodstream, and all I could think was, Chil, thisll make ya the Reluctant Junkie. And then I passed out.

Now, Id say, I feel like shit but the drugs make me so woozy, I dont know what I feel. But thats what they want: separate me from my feelings so that I dont act out or run. Fortunately, they have yet to figure out that feelings are different than ideas. Being stripped of my feelings is a good thing. Because now I can focus on Idea Numero Uno: ESCAPE.

Youd probably be similarly obsessed, too, if youd been in my place. For eleven months, twelve days, four hours, two minutes and twenty-one seconds, Ive been locked up in Serenity Ridge, an RTC (short for residential treatment facility, a.k.a. pay-as-you-go-prisons-for-queer-teens.) In my head, I hear, Baby, youre on the brink.

Brink? More like, abyss. And Im not sixteen, Im fifteen (going on sixteen). Minor detail. I wasnt cured of my crime (see above, gay teens). Coz I resisted. I lived in fantasy. I knew what was beyond Serenity Ridges walls and barbed wire: Swimming pools! Laughter! Music! Beach balls! Fun! Nekkidness! Tan golden skin! (Or, Boys! Boys! Boys!)

Ahmed?

Haifas eyes meet mine in the rearview mirror. Haifa is Stepmother Number Four. Or, five. Ive lost count. See, Moustapha, my father, believes in marriage, harem-style. IDK. I cant place Haifas face because shes the new Haifa? Or, because shes had a radical nip / tuck? During my time in the queer penitentiary, this Stepmother has either acquired a new face or is a new Stepmother. Haifa Whoever twists her face into an expression thats a cross between a grimace and a smile. Looks like? Aging supermodel with bad face-lift.

Um, yes? I press my index fingernail to thumb and remind myself to: Pause. Think before I speak. Sound / act obedient. And bright. And alert. Even if I am loaded on downers and the car feels more like a coffin than a luxury four-door sedan. And I really, really want to scream.

I feel a second set of eyes. Hidden behind mirrored, aviator-shaped shades, those eyes scan me for signs of trouble. Am I talking Green Beret? Special Forces Military Paratrooper? Or, Saddam Husseins ghost? No, just Dad, or Moustapha. Today, he wears one of his tacky Village People (the gay cop) getups.

Moustapha waits for me to throw up my arms and drop my wrists, a Middle-Eastern Marilyn Monroe. In fact, hed love nothing more than for me to spontaneously queen out with a shrill Girrrllll!!! Hed pull a hard U and drive back. Mou-stapha would have no problem leaving me at S.R. to rot on the forever and forgotten treatment plan.

He hates me. He really hates what I am. Or, what he thinks I am: a wannabe cocksucker and buttfucker. What Moustapha really hates about me is that I remind him of my mother. (Or, that bitch.) The bitch who decided she had enough, stood up and left his hairy ass. Her See ya! still drives him crazy. And he doesnt know, but I plan to leave, too. Leave as in, Escape. You know. Junkie whore, he said. Just like your mother.

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