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M. David Detweiler - The tree of life

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Page iii
The Tree of Life
A Novel
M. David Detweiler
Page iv Copyright 1995 by M David Detweiler Published by STACKPOLE - photo 2
Page iv
Copyright 1995 by M. David Detweiler
Published by
STACKPOLE BOOKS
5067 Ritter Road
Mechanicsburg, PA 17055
All rights reserved, including the right to reproduce this book or portions thereof in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher. All inquiries should be addressed to Stackpole Books, 5067 Ritter Road, Mechanicsburg, PA 17055.
Printed in the United States of America
10 9 8 7 6 5 4 3 2 1
First edition
Excerpts from Philosophy and the Mirror of Nature by Richard Rorty appear courtesy Princeton University Press. Copyright 1979 by Princeton University Press.
Library of Congress Cataloging-in-Publication Data
Detweiler, M. David.
The tree of life: a novel / M. David Detweiler.
p. cm.
ISBN 0-8117-1600-7
I. Title.
PS3554.E867T74 1995 95-8864
813'.54dc20 CIP
Page v
To the Reader
Some of the diction, punctuation and grammar, in what follows, remains erratic, despite numerous frank and open editorial exchanges, because for better or worse what is on the page is how the silent speaking voice that is writing commanded the typing hand.
Page vii
For Susan and John
Page viii
Picture 3
The desire for a theory of knowledge is a desire for constrainta desire to find "foundations" to which one might cling, frameworks beyond which one must not stray, objects which impose themselves, representations which cannot be gainsaid.
Richard Rorty
Philosophy and the Mirror of Nature
Picture 4
And you all know security
Is mortals' chiefest enemy.
Shakespeare
Macbeth
Page 1
1
If you can't see it it isn't there.
Ages ago we believed thisno longer. That you do not directly perceive a thing doesn't mean it isn't there, a truth no one honored more than my famous uncle, Eden Hope, the particle physicist, who I went to meet and interview that spring.
I made the drive north out of the city's gangliapowerlines, traffic, intersections, underpasses and ramps all spiraling me up onto crisscrossing lanes of concrete that bore me, in time, to an expressway that started to have hills with trees on them beside it. Six lanes became two and I was on small roads now. Shaded sometimes by mountains, bending with the river as the river bent, I went winding among green foothills, thinking of the mysterious universe where my uncle's mind labored. I passed white houses that stood back in the woods, and lolling fields with rocks cropping above their grasses, or a horse standing, and the sun was rising above the trees as I drove, all my windows down and the warm perfumes of May pouring through.
The last mile was through a private landscape so beautiful it was in a state of pleasant shock that I found my way, referring to his scrawled directions. The road dipped, yo-yo-ing my stomach up. I touched the
Page 2
brake. My car fed down through evergreen forest onto a gravelly, circular parking area. I cut the engine and stepped out. I stood listening, through the trees, to the trout stream that sweeps along the base of South Mountain.
Down through the pines the low, mossy roofs and silent chimneys of his bungalow unnerved me. What would he be like? Would he find my questions ignorant? Would he approve of me? Even if my questions were intelligent, would I understand his answers? A door flung open and here he came, huffing, puffing, his arms swinging, the moustache unmistakable. Bounding up the flight of railroad-tie steps to the parking circle, herding his daughter Nora ahead of him, he waved me toward his car, pumping my hand only when I offered it. He was agitated and genial and distant all at once as if he and I and his car and Nora and the golf clubs he and Nora were carrying were a set of puzzle pieces he was running out of time to figure out the fit of. "All right," he bustled, "hello ah, yes. Hop in. How-do-you-do. My daughter, Nora. You're here for the interview .. ahh, hm. Ah .. play golf?"
.. his game was so awful, so touchingly, spectacularly bad, it was fascinating. A trick-shot artist would've been hard pressed to replicate some of the mistakes he made.
He would play for minutes on end in boiling suspenseful silence. Then, rankled by a terrible shot, or startled by a good one, he would mutterto himself, Nora, me, a rhetorical audience, or would shout, or laughat himself bitterly or happily or both at the same time as he followed his shots to the course's extremities to lurch, swipe and stab his white ball for the most part forward.
We were coming into the final few holes when Nora gave me to understand, in tense tones when her father was out of earshot, that as pitiful as his play was, believe it or not here and nowtodayhe stood to shoot the best score of his life.
So don't like act, she confided, not meeting my eyes, as if anything's like unusual or out of the ordinaryadvice she seemed to have trouble following herself. As we climbed to the final tee I noticed she was mov-
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