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Acosta - The Revolt of the Cockroach People

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The further adventures of Dr. Gonzo as he defends the cucarachas--The Chicanos of East Los Angeles. Before his mysterious disappearance and probable death in 1971, Oscar Zeta Acosta was famous as a Robin Hood Chicano lawyer and notorious as the real-life model for Hunter S. Thompsons Dr. Gonzo a fat, pugnacious attorney with a gargantuan appetite for food, drugs, and life on the edge. In this exhilarating sequel to The Autobiography of a Brown Buffalo, Acosta takes us behind the front lines of the militant Chicano movement of the late sixties and early seventies, a movement he served both in the courtroom and on the barricades. Here are the brazen games of chicken Acosta played against the Anglo legal establishment; battles fought with bombs as well as writs; and a reluctant hero who faces danger not only from the police but from the vatos locos he champions. What emerges is at once an important political document of a genuine popular uprising and a revealing, hilarious, and moving personal saga.

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First Vintage Books Edition July 1989 Copyright 1973 by Oscar Zeta Acost - photo 1
First Vintage Books Edition July 1989 Copyright 1973 by Oscar Zeta Acosta - photo 2

Picture 3

First Vintage Books Edition, July 1989

Copyright 1973 by Oscar Zeta Acosta
Introduction copyright 1989 by Hunter S. Thompson
Afterword copyright 1989 by Marco Acosta

All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Random House, Inc., New York. Originally published, in hardcover, by Straight Arrow Books, San Francisco, California, in 1973.

All the events and the names (with the exception of public officials) in this book are entirely fictitious and any resemblance to actual events and the names of living persons is wholly coincidental.

Library of Congress Cataloging-in-Publication Data Acosta, Oscar Zeta.
Revolt of the cockroach people / by Oscar Zeta Acosta.-1st Vintage Books ed.
p. cm.
Reprint. Originally published: San Francisco: Straight Arrow Books, 1973.
eISBN: 978-0-307-83166-8
1. Acosta, Oscar Zeta. 2. Mexican Americans-California-Los Angeles-Biography. 3. Mexican Americans-California-Los Angeles-Ethnic identity. 4. Mexican Americans-California-Los Angeles-Political Activity. 5. Los Angeles (Calif.)-Biography.
I. Title.
[CT275.A186A3 1989b]

979.49405-dc19
[B]

88-40355

v3.1

This book is for Leila Thigpen, Laurel Gonsalves and Joan Baez.

I am indebted to Alan Rinzler my publisher editor and friend for his - photo 4

I am indebted to Alan Rinzler, my publisher, editor and friend, for his patience and understanding of my own personal struggle as well as that of my people.

I also wish to express my appreciation to all the staff at Straight Arrow, particularly Jon Goodchild, and my social secretary, Miss Judy-Blue.

Oscar Z. Acosta

Chicano lawyer

Hotel Royan

The Missions Finest

Frisco Bay

July, 1973

Contents
INTRODUCTION

Oscar was a wild boy. He stomped on any terra he wandered into, and many people feared him. His birthday is not noted on any calendar, and his death was barely noticed. But the hole that he left was a big one, and nobody even tried to sew it up. He was a player. He was Big. And when he roared into your driveway at night, you knew he was bringing music, whether you wanted it or not.

I have never liked writing about him, because it makes me think too much, and I can never find the right words to explain the terrible joy that he brought with him wherever he went. You had to be there, I guess, and you had to understand that the man was never comfortable unless he was in the company of people who were crazier than he was.

When he died, I wrote an epitaph, and I dont feel like doing it again, so here is what it felt like at the time Res Ipsa Loquitor.

Oscar Zeta Acostadespite any claims to the contrarywas a dangerous thug who - photo 5

Oscar Zeta Acostadespite any claims to the contrarywas a dangerous thug who lived every day of his life as a stalking monument to the notion that a man with a greed for the Truth should expect no mercy and give none.

When the great scorer comes to write against Oscars name, one of the first few lines in the Ledger will note that he usually lacked the courage of his consistently monstrous convictions. There was more mercy, madness, dignity, and generosity in that overweight, overworked and always overindulged brown cannonball of a body than most of us will meet in any human package even three times Oscars size for the rest of our lives-which are all running noticeably leaner on the high side, since that rotten fat spic disappeared.

By the time I first met him, in the summer of 1967, he was long past what he called his puppy love trip with The Law. It had gone the same way as his earlier missionary zeal, and after the one year of casework at an East Oakland poverty law center, he was ready to dump Holmes and Brandeis for Huey Newton and a Black Panther style of dealing with the laws and courts of America.

When he came booming into a bar called Daisy Duck in Aspen and announced that he was the trouble wed all been waiting for, he was definitely into the politics of confrontationand on all fronts: in the bars or the courts or even the streets, if necessary.

Oscar was not into serious street-fighting, but he was hell on wheels in a bar brawl. Any combination of a 250-pound Mexican and LSD-25 is a potentially terminal menace for anything it can reach-but when the alleged Mexican is in fact a profoundly angry Chicano lawyer with no fear at all of anything that walks on less than three legs and a de facto suicidal conviction that he will die at the age of thirty-threejust like Jesus Christyou have a serious piece of work on your hands. Specially if the bastard is already thirty-three and a half years old with a head full of Sandoz acid, a loaded .357 Magnum in his belt, a hatchet-wielding Chicano bodyguard on his elbow at all times, and a disconcerting habit of projectile-vomiting geysers of pure red blood off the front porch every thirty or forty minutes, or whenever his malignant ulcer cant handle any more raw tequila.

This was the Brown Buffalo in the full crazed flower of his primea man, indeed, for all seasons. And it was somewhere in the middle of his thirty-third year, in fact, when he came out to Coloradowith his faithful bodyguard Frankto rest for a while after his grueling campaign for sheriff of Los Angeles County, which he lost by a million or so votes. But in defeat, Oscar managed to create an instant political base for himself in the vast Chicano barrio of East Los Angeleswhere even the most conservative of the old-line Mexican-Americans were suddenly calling themselves Chicanos and getting their first taste of tear gas at La Raza demonstrations, which Oscar was quickly learning to use as a fire and brimstone forum to feature himself as the main spokesman for a mushrooming Brown Power movement that the LAPD called more dangerous than the Black Panthers.

The weird grapevine will not wither for the lack of bulletins, warnings, and other twisted rumors of the latest Brown Buffalo sightings. He will be seen at least once in Calcutta, buying nine-year-old girls out of cages on the White Slave Market and also in Houston, tending bar at a roadhouse on South Main that was once the Blue Fox or perhaps once again on the midnight run to Bimini: standing tall on his own hind legs in the cockpit of a fifty-foot black cigarette boat with a silver Uzi in one hand and a magnum of smack in the other, always running ninety miles an hour with no lights and howling Old Testament gibberish at the top of his bleeding lungs.

It might even come to pass that he will suddenly appear on my porch in Woody Creek on some moonless night when the peacocks are screeching with lust. Maybe so, and that is one ghost who will always be welcome in this house, even with a head full of acid and a chain of bull maggots around his neck.

Yeah, thats him, folksmy boy, my brother, my partner in too many crimes. Oscar Zeta Acosta. Stand back. He is gone now, but even his memory stirs up winds that will blow heavy cars off the road. He was a monster, a true child of the centuryfaster than Bo Jackson and crazier than Neal Cassady. When the Brown Buffalo disappeared, we all lost one of those high notes that we will never hear again. Oscar was one of Gods own prototypesa high-powered mutant of some kind who was never even considered for mass production. He was too weird to live and too rare to die.

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