Martin Crowley - Robert Antelme: Humanity, Community, Testimony
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ROBERT ANTELME
HUMANITY, COMMUNITY, TESTIMONY
UNIVERSITY OF OXFORD
The European Humanities Research Centre of the University of Oxford organizes a range of academic activities, including conferences and workshops, and publishes scholarly works under its own imprint, LEGENDA. Within Oxford, the EHRC bridges, at the research level, the main humanities faculties: Modern Languages, English, Modern History, Classics and Philosophy, Music and Theology. The Centre stimulates interdisciplinary research collaboration throughout these subject areas and provides an Oxford base for advanced researchers in the humanities.
The Centre's publications programme focuses on making available the results of advanced research in medieval and modern languages and related interdisciplinary areas. An Editorial Board, whose members are drawn from across the British university system, covers the principal European languages. Titles currently include works on Arabic, Catalan, Chinese, English, French, German, Italian, Portuguese, Russian, Spanish and Yiddish literature. In addition, the EHRC co-publishes with the Society for French Studies, the Modern Humanities Research Association and the British Comparative Literature Association. The Centre also publishes a Special Lecture Series under the LEGENDA imprint, and a journal, Oxford German Studies.
Enquiries about the Centre's academic and publishing programme should be addressed to:
Professor Martin McLaughlin, Director
Further information:
Kareni Bannister, Senior Publications Officer
European Humanities Research Centre
University of Oxford
76 Woodstock Road, Oxford ox2 6LE
enquiries@ehrc.ox.ac.uk
www.ehrc.ox.ac.uk
LEGENDA
RESEARCH MONOGRAPHS IN FRENCH STUDIES
Editorial Committee
Professor Michael Moriarty, Queen Mary & Westfield College, London (General Editor)
Dr Adrian Armstrong, University of Manchester
Dr Wendy Ayres-Bennett, New Hall, Cambridge
Professor Celia Britton, University College London
Professor Diana Knight, University of Nottingham
Professor Bill Marshall, University of Glasgow
Published in this series:
1. Privileged Anonymity: The Writings of Madame de Lafayette by Anne Green
2. Stphane Mallarm. Correspondance: complments et supplments
edited by Lloyd James Austin, Bertrand Marchai and Nicola Luckhurst
3. Critical Fictions: Nerval's 'Les Illumins' by Meryl Tyers
4. Towards a Cultural Philology by Amy Wygant
5. George Sand and Autobiography by Janet Hiddleston
6. Expressivis m by Johnnie Gratton
7. Memory and Survival: The French Cinema of Krzysztof Kielowski by Emma Wilson
8. Between Sequence and Sirventes: Aspects of Parody in the Troubadour Lyric by Catherine Lglu
9 All Puns Intended: The Verbal Creation of Jean-Pierre Brisset bv Walter Redfern
10. Saint-Evremond: A Voice From Exile edited by Denys Potts
11. La Cort d'Amor: A Critical Edition edited by Matthew Bardell
12. Race and the Unconscious by Celia Britton
13. Proust: La Traduction du sensible by Nathalie Aubert
14. Silent Witness: Racine's Non-Verbal Annotations of Euripides by Susanna Phillippo
LEGENDA
EUROPEAN HUMANITIES RESEARCH CENTRE RESEARCH MONOGRAPHS IN FRENCH STUDIES 15
Humanity, Community, Testimony
Martin Crowley
First published 2003
Published for the Society for French Studies by the
European Humanities Research Centre
of the University of Oxford
47 Wellington Square
Oxford OX1 2JF
LEGENDA is the publications imprint of the European Humanities Research Centre
Published 2017 by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
711 Third Avenue, New York, NY 10017, USA
Routledge is an imprint of the Taylor & Francis Group, an informa business
European Humanities Research Centre of the University of Oxford 2003 .
The lyric to 'The World Turned Upside Down' is included by kind permission of Leon Rosselson.
ISBN 13: 978-1-900755-80-1 (pbk)
ISSN 1466-8157
All rights reserved. No part of this publication may be reproduced or disseminated or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, or stored in any retrieval system, or otherwise used in any manner whatsoever without the express permission of the copyright_indent3 text_center owner
British Library Cataloguing in Publication Data
A CIP catalogue record for this book is available from the British Library
LEGENDA series designed by Cox Design Partnership, Witney, Oxon
Chief Copy-Editor: Genevieve Hawkins
Blanchot, Kofman
Perec, Lyotard
FOR MY PARENTS
ROD AND HILARY CROWLEY
For permission to reproduce copyright material, I am grateful to Editions Gallimard. I am also grateful to Leon Rosselson for allowing me to quote his 'The World Turned Upside Down', which has been greatly on my mind and on my lips during the writing of this study. I would like to thank Queens' College, the Department of French and the University of Cambridge, for sabbatical leave and financial support which have greatly helped the writing of this book.
Of the many people who have helped me during the completion of this project, I owe an especial debt of gratitude to Monique Antelme, whose generous support has touched me deeply. I also owe particular thanks to Colin Davis, Leslie Hill (qui est l'origine de ce livre ) and Michel Surya. For practical, intellectual and personal support, I would like to thank Kareni Bannister, Wendy Bennett, Victoria Best, Bruno Chaouat, James Diggle, Robert Gordon, Katja Haustein, Catherine Howell, Ian James, Sarah Kay, Neil Kenny, Michael Moriarty, Ian Patterson, Kyle Rand, Kathryn Robson, Emily Tomlinson, Cathy Wardle, Ingrid Wassenaar, Carl Watkins and Emma Wilson. And I am immensely grateful to Ella Crowley, Nick Crowley and Rachel Wooller, for their constant interest in this work (albeit to different degrees) and for their sustaining love.
M. P. V. C.
- Abbreviations are used to refer to the following:
- EH Robert Antelme, L'Espce humaine, dition revue et corrige (1957) (Paris: Gallimard, Tel, 1978)
- TI Robert Antelme, Textes indits/Sur 'L'Espce humaine'/Essais et tmoignages (Paris: Gallimard, 1996)
- All emphases are original except where otherwise stated.
In 1649 to St. George's Hill
A ragged band they called the Diggers came to show the people's will.
They defied the landlords, they defied the laws.
They were the dispossessed reclaiming what was theirs.
We come in peace they said to dig and sow.
We come to work the lands in common and to make the waste ground grow.
This earth divided we will make whole
So it will be a common treasury for all.
The sin of property we do disdain.
No man has any right to buy and sell the earth for private gain.
By theft and murder they took the land,
Now everywhere the walls spring up at their command.
They make the laws to chain us well,
The clergy dazzle us with heaven or they damn us into hell.
We will not worship the God they serve,
The God of greed who feeds the rich while poor folk starve.
We work we eat together, we need no swords.
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