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Berkoff - Steven Berkoff: plays. 1

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Berkoff Steven Berkoff: plays. 1

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Steven Berkoff is a phenomenon. Among the artists working in the theatre today he is probably the most theatrical - his special combination of speech, movement and spectacle is uniquely powerful. This first collection of his plays includes East, described by Berkoff as an outburst or revolt against the sloth of my youth and a desire to turn a welter of undirected passion and frustration into a positive form. Also included in this collection are the plays West and Sink the Belgrano!

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CONTENTS Elegy for the East End and its energetic waste DAD MUM - photo 1

CONTENTS

Elegy for the East End
and its energetic waste

DAD

MUM

SYLV

LES

MIKE

This play was written to exorcize certain demons struggling within me to escape. East takes place within my personal memory and experience and is less a biographical text than an outburst or revolt against the sloth of my youth and a desire to turn a welter of undirected passion and frustration into a positive form. I wanted to liberate that time squandered and sometimes enjoyed into a testament to youth and energy. It is a scream or a shout of pain. It is revolt. There is no holding back or reserve in the East End of youth as I remember you lived for the moment and vitally held it you said what you thought and did what you felt. If something bothered you, you let it out as strongly as you could, as if the outburst could curse and therefore purge whatever it was that caused it. One strutted and posed down the Lyceum Strand, the Mecca of our world, performed a series of rituals that let people know who and what you were, and you would fight to the death to defend that particular life style that was your own. East could be the east side of any city where the unveneered blast off at each other in their own compounded argot as if the ordinary language of polite communication was as dead as the people who uttered it. I stylized the events further by some cross-fertilization with Shakespeare and threw in a few classical allusions this seemed to help to take it out further into a ritual and yet defined it with a distinct edge. It still felt like East and could not have been done, I believe, in any other dialect or accent except perhaps East Side New York. The acting has to be loose and smacking of danger it must smart and whip out like a fairys wicked lash. There is no reserve and therefore no embarrassment. One critic described it as filthy beyond the call of duty but in fact it is a loving appreciation of the male and female form. We played it in three theatres starting at the small Traverse, Edinburgh, and it was good to hear the kind of laughter that came not only from the belly but had that ring of familiarity, that sudden explosive yelp of identification, when they laughed hardest, the dirty beasts.

East was first performed at the Traverse Theatre by the London Theatre Group for the 1975 Edinburgh Festival which then transferred to the Kings Head, London. The cast was as follows:

DADBarry Stanton
MUMRobert Longden
SYLVAnna Nygh
LESBarry Philips
MIKESteven Berkoff
MusicJohn Prior
ProducerSteven Berkoff
This version of East was first performed at the Greenwich Theatre in July 1976. The cast was as follows:
DADBarry Stanton
MUMRobert Longden
SYLVAnna Nygh
LESBarry Philips
MIKESteven Berkoff
MusicNeil Hansford
ProducerSteven Berkoff

A new production of East was presented at the Regent Theatre in August 1977.

Thestageisbarebutforfivechairsinalineupstagewherebythecastactaschorusfortheeventsthatarespoken,mimedandacted.Apianojustoffstagecreatesmood,addstensionandintroducesthemes.AlargescreenupstagecentrehasprojectedonitaseriesofrealEastEndimages,commentingandremindingusoftheactualworldjustoutsidethestage.ThecastenterandsitonfivechairsfacingfrontpianostartsupandtheysingMyOldMansaysFollowtheVanoutoforderandincanonsanddescants.Itcomessuddenlytoastop, MIKE and LES cross to two oblong spotsimage of two prisonersphotographedforthecriminalhalloffame.Theyposethreetimesbefore speaking. DAD , MUM and SYLV speak as a chorus.

LES : Donate a snout, Mike?

MIKE : OK Ill bung thee a snout, Les.

MIKE Mikes OK After the Holy Saint Mike with a hard K Like a kick swift not - photo 2

MIKE : Mikes OK. After the Holy Saint Mike with a hard K. Like a kick swift not mad about Les.

LES : Its soft, its gooey but choose it I did not in my mothers hot womb did she curse this name on me its my handle under the soft its spiky, under the pillow its sharp concealed instrument offensive weapon lies waiting.

MIKE : Oh, he doth bestride Commercial Road like a Colossus thats my manor where we two first set our minces on each other and those Irish yobs walk under our huge legs and peep about for dishonourable bother hes my mucker, china or mate.

LES : And he mine since those days at least twelve moons ago when sailing out the Black Raven pub in Whitechapel the selfsame street where blessed Jack did rip and tear in cold thick nights so long ago those muffled screams and slicing flesh no more than sweetest memories of him that went so humble bout his nightly graft. Tell how it chanced that we sworn mates were once the deadly poison of each others eye.

MIKE : He clocked the bird I happened to be fiancd to, my darling Sylv (of legendary knockers) and I doth take it double strong that this short git in suede and rubber, pimples sprouting forth like buttercups on sunny days from off his greasy boat: that he should dare to lay upon her svelte and tidy form his horror leering jellies so I said to him fuck off thou discharge from thy mothers womb before with honed and sweetened razor I do trouble to remove thy balls from thee.

LES : Oh! Ho! I gushed. You fancied me around the back with boots and chains and knives, behind the super cinema it was then called afore it came a cut-price supermarket

MIKE : Which we have well and truly robbed since then.

LES : So round the back we went that night the fog was falling fast, our coat collars were up our breath like dragons steam did belch forth from our violent mouths while at the selfsame time we uttered uncouth curses, thick with bloody and unholy violence of what we would most like to carve upon each others skulls the crowd of yobs that formed a ring of yellow faces in the lamplight.

MIKE : Right.

LES : Hungry for the blood of creatures nobler and more daring than themselves.

MIKE : Right.

LES : With dribble down their loathsome mouths they leered and lusted for our broken bottles and cold steel to start the channels gouging in our white and precious cheeks.

MIKE : I thought now fuck this for a laugh.

LES : Thats right.

MIKE : So what if sly old Sylv had led me on a touch by showing out to all the lads, provoking hard-ons and gang wars between opposing tribes from Hoxton to Tottenham

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