Michael White - The Art of Murder

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Epub ISBN 9781409007319

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Published by Arrow Books 2010

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Copyright Michael White 2010

Michael White has asserted his right under the Copyright, Designs and Patents Act 1988 to be identified as the author of this work

This book is a work of fiction. Names and characters are the product of the authors imagination and any resemblance to actual persons, living or dead, is entirely coincidental.

This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publishers prior consent in any form of binding or cover other than that in which it is published and without a similar condition, including this condition, being imposed on the subsequent purchaser

First published in Great Britain in 2010 by Arrow Books Random House, 20 Vauxhall Bridge Road, London SW1V 2SA

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ISBN 9780099551447

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Michael White has been a professional musician, a science lecturer, newspaper columnist, science editor for GQ magazine and a series consultant for the Discovery Channels The Science of the Impossible.

First published in 1991, he is now the author of 33 books, including the bestselling Equinox, The Medici Secret and The Borgia Ring. He has been shortlisted for the Aventis Prize and was awarded the Bookman Prize in the US for best popular science book of 1998 for his biography of Isaac Newton, The Last Sorcerer. He lives in Sydney, Australia, with his wife and four children.

For more information visit Michael Whites website at
www.michaelwhite.com.au

Also available by Michael White

Equinox
The Medici Secret
The Borgia Ring

The creative process is a cocktail of instinct, skill, culture and a highly creative feverishness. It is not like a drug; it is a particular state when everything happens very quickly, a mixture of consciousness and unconsciousness, of fear and pleasure

Francis Bacon

(190992)

Stepney, Wednesday 21 January, 8 a.m.

She came running down the street screaming at the top of her voice. As she ran, commuters heading for Whitechapel tube station moved out of her way thinking she was a madwoman. But she was not mad, she was simply terrified. She had just seen something that would make the strongest stomach somersault.

Her name was Helena Lutsenko, a Ukrainian immigrant. She had been in England for a little over six weeks and her English was limited to a couple of hundred words. In her petrified state, she could think only in Ukrainian. But even in her native language, there were few words to describe the horror of what she had just witnessed.

It was 8 a.m., halfway through the morning rush hour, and the Mile End Road in East London was awash with grey slush. It had snowed the previous night, and, as always in London, it had settled for about ten minutes before turning to a slurry unknown to pre-Industrial man: part water, part diesel, part city grime. The pavements were no better. The grey snow had been piled up to either side of a narrow footpath cleared for pedestrians, and although council road sweepers had been out since six, throwing around sand and salt, the icy strip of pavement was treacherous.

Helena slipped and just broke her fall by grabbing a lamp-post. The shock forced her to calm down a little. She could do nothing in this state, she told herself. She needed to explain something, something desperate, something barely imaginable. And she needed to explain it to anyone who would listen. Anyone at all. Pushing away from the lamp-post, she took measured paces and deep breaths. Approaching a young man dressed in a business suit and carrying a briefcase, she began to articulate her horror, but the commuter speeded up instinctively. Helena walked up to a middle-aged woman talking into her mobile phone. The woman looked at her as though she were insane and shouldered her away. Just another East European beggar, the commuter thought, and sighed. Then a young couple turned a corner. They were well dressed but relaxed-looking, graphic designers or ad execs perhaps, definitely not bankers or insurance grunts. The woman was wearing a Comme des Garons ankle-length coat; the man had a Louis Vuitton satchel slung over his left shoulder.

Help me, Helena said as clearly as she could. She stood in front of the couple, one palm held flat against the mans coat sleeve. He looked down at her hand, then glanced at the young woman beside him. She was ready to move on, but he was a little more patient.

Please help, Helena said.

The young man pushed a hand into his pocket and came up with a handful of small change.

No, she said, shaking her head. Not money. Come. I show.

What? the young woman said suddenly and stared at the man. What does she want, Tom?

Tom Seymour shrugged. Search me.

Please, come. I show.

Dont like the sound of this, the young woman said, and took her companions arm.

There was something about the desperate stranger that moved Tom. He seemed to know instinctively that she was genuine, that she needed someone. She was clearly terrified. He turned to the woman beside him. Trish, I think she needs help.

Yes help, the Ukrainian woman responded.

Tom, you dont know her from Adam. She could be the front for a gang. Dont be a twat.

He sighed. Yeah, youre right. Then he tried gently to move Helena aside. Have to go, he said to her.

Helena deflated like a balloon with the air sucked out of it and she burst into tears. Trish was already a pace away, but Tom hadnt moved.

Whats happened? he asked.

Helena did not understand.

Tom put his hands out, palms up. What is it?

Man dead, she said, tears flowing down her cheeks.

Helena took Toms arm. Trish remained where she was, shaking her head, unsure what to do. In the end she simply said, Ill see you at the office, and walked away.