OTHER GREAT TITLES FROM ECW PRESS...
IT DOESN'T SUCK: SHOWGIRLS (9781770905139) Enough time has passed since Showgirls flopped spectacularly that its time for a good, hard look back at the sequined spectacle. A salvage operation on a very public, very expensive train wreck, It Doesnt Suck argues that Showgirls is much smarter and deeper than it is given credit for. In an accessible and entertaining voice, the book encourages a shift in critical perspective on Paul Verhoevens Showgirls, analyzing the film, its reception, and rehabilitation. This in-depth study of a much-reviled movie is a must read for lovers and haters of the 1995 Razzie winner for Worst Picture.
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the pop classics series
#1 It Doesnt Suck.
Showgirls
#2 Raise Some Shell.
Teenage Mutant Ninja Turtles
#3 Wrapped in Plastic.
Twin Peaks
wrapped
in plastic.
twin peaks
andy
burns
ecwpress
To David Lynch and Mark Frost,
for creating the town of Twin Peaks
and
To my mom, for first venturing there
with me all those years ago.
Introduction
Television in the new millennium can be a glorious place, where boundaries are pushed regularly, often by Hollywood heavyweights. Its where directors such as David Fincher and Martin Scorsese come to experiment with long-form storytelling, and where renowned actors like Kevin Spacey, Jessica Lange, Steve Buscemi, Glenn Close, Kyra Sedgwick, and many others are willing to commit their time and talents. Sometimes theres the allure of a great story that can be told in one season (an enticement that drew bona fide movie stars Woody Harrelson and Matthew McConaughey to HBOs True Detective ). Other times, theres the appeal of both creativity and freedom (Kevin Bacon only has to shoot episodes a season of Foxs The Following , allowing him to pursue big screen roles while also enjoying a steady paycheck). With the advent of edgy original programming across networks like AMC, Showtime, FX, Netflix, and HBO, the appeal of working in television has never been higher.
It wasnt always like this, though. For decades, television was a training ground for new faces rather than a destination for proven talent. In the 1980 s, cable networks had yet to establish themselves as centers of creative activity, and instead mainly filled their airwaves with movies and syndicated reruns. Occasionally youd see a big name attach themselves to a network show (Steven Spielberg worked with NBC on the anthology series Amazing Stories , which ran for two interesting yet largely ignored seasons between 1985 and 1987 ), but for the most part, television was home to standard-fare sitcoms, dramas, and nighttime soap operas of varied quality, driven by TV veterans rather than cinematic auteurs.
Then David Lynch showed up.
Collaborating with Mark Frost, a well-regarded writer whod worked on the critically and commercially successful television series Hill Street Blues , Lynch hit upon a concept that could actually work in a serialized, episodic format. It would be a murder mystery: the tale of Laura Palmer (Sheryl Lee), a popular high school girl found murdered, her body washed up on the beach. Wrapped in plastic.
Enter earnest FBI Special Agent Dale Cooper (Kyle MacLachlan), sent to investigate Lauras death and unravel an increasingly complex and bizarre case.
The basic story was far from original. But in the hands of two visionary creators like David Lynch and Mark Frost, Twin Peaks took the familiar and transformed it into a series no one could have anticipated.
Amid a network schedule that included shows such as Roseanne , Whos the Boss? , and thirtysomething , Twin Peaks debuted on ABC on Sunday, April , 1990 , in a two-hour movie-length episode written by Lynch and Frost, and directed by Lynch himself. Nearly million people viewed the premiere, no doubt the biggest audience the notoriously avant-garde David Lynch had ever had for any of his work. Critics were immediately enthusiastic: Entertainment Weekly s Ken Tucker gave the premiere an A+, while the Washington Post s Jen Chaney called it one of the most finely crafted series kick-offs in broadcast history.
When it moved into its Thursdays at p.m. timeslot, Twin Peaks did lose some viewers not unexpectedly, as it was up against the NBC comedy juggernaut Cheers . However, it still maintained a large audience that was enthralled with the quirky inhabitants of this small Northwest American town, even as the weird touches that were hallmarks of David Lynchs style increased in frequency. After a short run of eight episodes, the first season of Twin Peaks concluded with a Mark Frostdirected episode full of cliffhangers that left audiences debating not only Who killed Laura Palmer? but Who shot Agent Cooper? both slogans that made it onto the requisite t-shirts. I still have mine in a box someplace.
I was years old that summer and, sitting alongside my mother, I voraciously consumed every episode of Twin Peaks . (You were way too young to be watching that show, my dear, Sheryl Lee told me with a laugh some years later.) Since I was already a fan of supernatural stories in film and literature, the strangeness that permeated the show captured my imagination. During the wait for the second season, I debated the ins and outs of the series with Mom and a few friends, trying to unravel the multiple mysteries wed been left to ponder.
As summer 1990 turned to fall, Twin Peaks mania showed no signs of letting up. Series star Kyle MacLachlan hosted the season premiere of Saturday Night Live , while starlets Mdchen Amick, Sherilyn Fenn, and Lara Flynn Boyle graced the cover of Rolling Stone . The Secret Diary of Laura Palmer , penned by Lynchs daughter Jennifer at age , was a New York Times bestseller, and the shows soundtrack, by composer Angelo Badalamenti, made the Billboard charts and went on to win a Grammy. Damn good coffee and cherry pie were all the rage and, for a brief moment in time, David Lynch was the unexpected face of network television
It couldnt last. And it didnt. Almost as quickly as it had risen to the top of the Nielsen ratings, Twin Peaks managed to lose the bulk of its audience. The first signs of trouble came with its second-season premiere, which aired on Sunday, September , 1990 , against a Perry Mason movie-of-the-week on NBC. Though May the Giant Be With You (.) still garnered nearly million viewers, it came in second to Raymond Burrs venerable and much older-skewing lawyer. Not a good sign.
From there, Twin Peaks settled uncomfortably into another new timeslot p.m. on Saturday nights, a dreaded wasteland for episodic television. ABC had hoped that the hype around the shows must-see first season would translate to viewers on a night that rarely had any, but it didnt. The audience that originally embraced Twin Peaks actually went out on Saturday nights, and in an era before DVRs, the ratings dropped alarmingly week to week. Meanwhile, those who did tune in regularly were anxious for Laura Palmers killer to be revealed, something David Lynch and Mark Frost hadnt planned on doing at least, not so soon. However, bowing to network pressure and diminishing returns, the duo bit the bullet, baby. On Saturday, November , 1990 , million people watched one of the most horrific revelations in television history: Laura Palmers anguished father, Leland (Ray Wise), possessed by the evil spirit BOB, had killed her. It was shocking. It was upsetting. It was pure David Lynch.