Brad Ricca - Olive the Lionheart: Lost Love, Imperial Spies, and One Womans Journey into the Heart of Africa
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- Book:Olive the Lionheart: Lost Love, Imperial Spies, and One Womans Journey into the Heart of Africa
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For the boy in the blue sweatshirt
As this Grammar is chiefly intended for the use of officers and civil servants beginning the study of the language, every endeavour has been made to render it as simple as possible, and a key has been attached to the exercises, so that the student who is without a teacher may be able to correct his own mistakes. For the same reason the first half of the Grammar has been printed in Roman characters, and the second half has been printed in Roman as well as in the Hausa characters. It is thus possible to read the whole without acquiring a knowledge of the written language, though this latter is strongly to be recommended to serious students of the language.
CHARLES H. ROBINSON, Hausa Dictionary (1906)
For now she need not think of anybody. She could be herself, by herself. And that was what now she often felt the need ofto think; well not even to think. To be silent; to be alone. All the being and the doing, expansive, glittering, vocal, evaporated; and one shrunk, with a sense of solemnity, to being oneself, a wedge-shaped core of darkness, something invisible to others and this self having shed its attachments was free for the strangest adventures.
VIRGINIA WOOLF, To the Lighthouse (1927)
First begin between selves, set a definite time, at each at that time put down what the other is doing. Do this twenty days. You shall find you have the key to telepathy.
EDGAR CAYCE, Reading no. 2533-7
This is a true story. For nearly a hundred years, the diaries of Olive MacLeod lay hidden on a locked shelf in Dunvegan Castle on the Isle of Skye. There, off the coast of Scotland, they have sat as visitors made their way through the castle, marveling at its history and charm. They sat quiet through Royal visits, a fire, world wars, countless beautiful summer days, and an eternity of freezing black nights. And a lot of bagpipes. After working on Olives story for a long time, I had the odd feeling in the back of my head that I had missed something. A day later, I found the mysterious record of her diaries in a cranky Scottish database. I couldnt believe my eyes. I pictured myself in a creaky boat floating up to Dunvegan with the mist rising around me, come to find the lost secrets within. But truth is never that fictional. My wife was pregnant and I am not that strong a swimmer, so I stayed home instead. I filled out a form and explained that I wanted to use the diaries for my book. I hoped for the best.
Several months later, with new baby Alex sleeping near me, Jeroen Roskam, a friendly Dutchlander and former cavalryman who lives in (and looks after) the castle, responded to my request and began sending me the diaries piece by piece. The story told by Olives diaries spoke to something bigger than her, than us, and even Africa itself. Ever since I first encountered Olives story in a strange newspaper article, I wondered if hers was a story I could even tell. Not because of where and when it took place, or what it was about, or who I wasbut, frankly, because of all those things. But after reading the diaries, I realized then that the only way to tell this story truthfully was to let Olive tell it herself. I have endeavored to frame it from her perspectiveduring the times she lived, with the words and characterizations she was accustomed to. I didnt want to reach in from the future and fix things. I could see her story only when I began to disappear.
This is a true story. That is, it is a narrative based on factual sources: a book, diaries, journals, letters, photos and drawings, and other first-person accounts. But this story is not just about where Olive traveled or what she accomplished or even of colonial Africa. Because of her writing, we have the great privilege of being able to know Olive not as someone elses version of herself, or as some kind of historical construct, but as who she truly was.
May 24, 1910: Olive Has a Vision
Olive was dreaming. Or at least it felt like it. She saw the native carriers in Africa standing before her. She saw about seven of them, one standing behind another. They were all staring at her. But each time Olive looked at their faces, their eyes moved to and fro in a very fast and disturbing manner. This was unnatural: the Evil Eye.
Olive began to feel very uncomfortable as a white woman. She looked around in the jungle for a mirror that she might turn against their stares and bamboozle them. She desperately wanted to see their full, uninterrupted gaze.
She woke with a physical pain in her heart.
1893: A Girl Tells a Magical Story to Her Younger Sister
The fire crackled quietly inside the stone room. Olive, who was thirteen, had her knees pulled up under her chin. Her long red hair curled all the way down to the floor. She was shaking. Not because of the cold, but because she was certain that a fairy princess from another world, in all her bright and terrible glory, was going to appear before her. The walls flickered in the firelight.
Olive drew up a tartan wool blanket. Her older sister, Flora, was seated across from her in a rocking chair. Floras young face, squared by brown shoulder-length hair, became nearly wicked in the smallness of the room, filled with trembling shadows. Flora began to tell her sister, in quiet tones, a story that happened a long time ago.
This was the story of the MacLeod family of Scotland, said Flora, more or less. One summers day, the clan chieftain, a wise and handsome warrior, walked onto his green lands on the lonely Isle of Skye. After getting just slightly lost, he came upon a small stone bridge with an arch cut through the middle. Though he did not completely know how, the good and lost chief felt that the bridge had a strange feeling about it, like the air before a storm. Overcome by curiosity, he put his hand on his sword and walked across the little bridge. Olive listened as her sister, who was fifteen, took her time to enunciate the next part very carefully. By crossing the bridge, the chief disappeared from the world and entered another. He had found the way to the magical realm of the Sith Sidhe: the Still Folk, the Other Ones.
The Faerie world.
The chief was brave, so he did not fear this glittering, beautiful place. At least thats what he told himself. In truth, the chief could never fully recall the time he spent there. Except for one detail. During his time in the magical kingdom, the handsome young chieftain did the unthinkable: He fell in love. She was a fairy princess, a Bean Sith. She was beautiful, with long red hair and a shimmering green dress that shone like an emerald. Flowers that never wilted were neatly set into her hair. But her father, the grim and powerful Fairy King, forbade them to be married. When she begged him to reconsider, the king proposed a hand-fasting, a trial marriage, on the promise that it would last only for one year and a day. When their time was up, his daughter would have to return to the fairy kingdomalone, and never to leave it again. The couple agreed, and their almost-wedding was held on the chiefs birthday. Their hands entwined, they passed back over the bridge to the proper world. There, on the Isle of Skye, they enjoyed a full year of married life in the family castle of Dunvegan. The couple were happy beyond all other measures of worth.
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