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Peg A. Lamphier - Little by Little We Won: A Novel Based on the Life of Angela Bambace

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Peg A. Lamphier Little by Little We Won: A Novel Based on the Life of Angela Bambace
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Little by Little We Won: A Novel Based on the Life of Angela Bambace: summary, description and annotation

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Women marched for equal pay, the President of the United States advocated an anti-immigration policy, and the income gap between the rich and poor continued to grow. And it was just the beginning of the 20th century.As a girl growing up in Italian Harlem, Angela Bambace needed answers. How could it be acceptable for women not to earn equal pay for equal work? Why were immigrants relegated to the factory jobs no one else would take and working under such dangerous and inhumane conditions? And why were the businessmen at the top getting richer and richer while the poor who worked for them struggled to provide for their own families? How could any of this be okay? But perhaps Angelas most consequential question was If not me, then who?Born to a father and married to a man who both believed a womans place was in the home, Angela Bambace defied her family and social expectations to lead a labor unionorganizing womens marches, strikes, and protests to build a better world, a better place for everybody. Today, Angelas story might be more significant than ever as others continue her fight and call to action.

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Little By Little We Won
A Novel Based on the Life of Angela Bambace
Peg A. Lamphier, PhD
Little by Little We Won A Novel Based on the Life of Angela Bambace - image 1Little by Little We Won A Novel Based on the Life of Angela Bambace - image 2
Contents
Foreword

First and foremost, Mentor was a person. We tend to think of the word mentor as a noun (a mentor) or a verb (to mentor), but there is a very human dimension embedded in the term. Mentor appears in Homers Odyssey as the old friend entrusted to care for Odysseuss household and his son Telemachus during the Trojan War. When years pass and Telemachus sets out to search for his missing father, the goddess Athena assumes the form of Mentor to accompany him. The human being welcomes a human form for counsel. From its very origins, becoming a mentor is a transcendent act; it carries with it something of the holy.

The Barbera Foundations Mentoris Project sets out on an Athena-like mission: We hope the books that form this series will be an inspiration to all those who are seekers, to those of the twenty-first century who are on their own odysseys, trying to find enduring principles that will guide them to a spiritual home. The stories that comprise the series are all deeply human. These books dramatize the lives of great Italians and Italian-Americans whose stories bridge the ancient and the modern, taking many forms, just as Athena did, but always holding up a light for those living today.

Whether in novel form or traditional biography, these books plumb the individual characters of our heroes journeys. The power of storytelling has always been to envelop the reader in a vivid and continuous dream, and to forge a link with the subject. Our goal is for that link to guide the reader home with a new inspiration.

What is a mentor? A guide, a moral compass, an inspiration. A friend who points you toward true north. We hope that the Mentoris Project will become that friend, and it will help us all transcend our daily lives with something that can only be called holy.

Robert J. Barbera, President, Barbera Foundation

Ken LaZebnik, Editor, The Mentoris Project

The women who worked in our industry in the beginning were great people. They went out, they fought, and they worked very hard to organizeas much as the menand they were more effective than the men. The key people werent even thinking of themselves, of marrying and building a family. They just threw themselves into this hope they had of building a better world, a better place for everybody and little by little we won.

Angela Bambace, 1971

For Oliver Grey

May you be as strong and kind as Angela Bambace

Part I
1911
Doves and Blackbirds

At first, the falling girls had seemed like birds. Bright cardinals, bone-white doves, swooping blackbirds in velvet-collared coats. But when they hit the cement, the terrible truth of the matter was revealed.

Alice Hoffman, 2014

March 25, 1911

D inah Lipschitz glanced at the wall clock and felt herself frown. It was 4:45 and quitting time. All she wanted to do was go home and take a bath. Instead she had to deal with an angry sewing machine operator. One of the new girls stood before her, Italian from the look of her, though she was more insistent than most Italian girls.

They told me $14 a week. Not $12, the dark-haired young woman said. She held her pay envelope out to Dinah. If its going to be twelve, Ill give my notice now. I can get $14 at any factory in the city.

Dinah tried not to smile at the womans tone. She didnt much like Mr. Harris and Mr. Blancks low wages either. Your name? Dinah asked.

The young womans brown eyes narrowed at Dinah. Elizabeth Viviano.

Its just that new girls generally get $12 a week.

Im not new. Not to shirtwaists, I mean. Just new to this company. Mr. Blanck said $14 when he hired me. Youve shorted me $2.

Dinah admired the young ladys pluck but worked for Mr. Harris and Mr. Blanck, not for these poor girls. Dinah pulled a ledger book out from under a stack of papers and flipped it open. Yes. There it was. Viviano, Elizabeth. $14.

After adding $2 to Miss Vivianos envelope, Dinah closed her heavy account books and tucked them into her bottom desk drawer. She pulled a slim gold chain with a key on it from her skirt pocket and locked the drawer along with the cash box. Most days she locked the cash box in the company safe on the tenth floor, but after paying the girls the box contained only $3.

Mr. Bernstein, the floor manager, ran past Dinahs desk. Fire, fire! he shouted.

Dinah looked up in alarm. Another darn fire. How many did that make in the last year? They had fire pails all around the room because they worked with cotton, which was even more flammable than paper. The factories that made wool jackets and skirts had it easy compared to shirtwaist factories. Ladies waists, as they called blouses these days, were made from thin, oh-so-flammable cotton.

Across the room near the windows, she saw their head cutter, Mr. Abramowitz, throw a pail of sand on a small fire under the cutting table. The flames guttered out, smoked, then seconds later once again burst into angry red flames. It was one of the boxes where the cutters threw their scraps. Mr. Abramowitz repeated the water pail treatment with no better success.

Dinah pushed back her desk chair and stepped toward the fire before stopping herself. There were dozens of male cutters and foremen on the floor. They didnt need a bookkeeper to put out the fire. And it didnt look like much. The nearly two hundred women in the room paid the tiny conflagration no attention at all. The Triangle Waist Company was famous for its periodic scrap fires. Dinah returned to her desk and picked up the phone. She called the company switchboard up on the tenth floor. It rang once, twice, three times. No one answered.

As she listened to the phone ring, Dinah looked over at the fire. Not so little nowit was burning the cutting table and some paper patterns that hung on the back wall. Where was Mary? Dinah checked the clock on her desk. It was 4:46 and the fire seemed ten times larger than a minute ago. On the tenth ring, Mary picked up. Dinah yelled Fire! into the receiver.

What? Mary asked.

Fire! On eight. Tell Mr. Blanck. Dinah was about to demand Mary patch her into Verna on the ninth floor when Mary hung up. Dinah stared at the phone. She couldnt call the ninth floor directly. All the company calls went through the switchboard. And she couldnt scamper up there. The doors on eight were locked and she didnt have the keys. Shed told Mr. Blanck and Mr. Harris she should have the keys, but they always said no. She thought they liked controlling the movements of hundreds of women, including herself.

Dinah put down the phone and stared at the fire. In the time it had taken her to make a phone call, it had gone from a small fire to an out-of-control blaze. Off to her left she saw Mr. Bernstein grab the hose nozzle and turn the water valve. His hand turned, then stopped. Nothing happened. He looked across the room to Dinah. Mr. Brown, the floor machinist, ran over to the hose stand. Dinah watched the two men confer. Brown turned the valve again. Still no water.

Bernstein handed something to Brown and ran to the far side of the room for two more fire pails. He ran straight at the fire. Just like a man, Dinah reflected. It was brave but not very smart. Fire pails werent going to put out the fire and they needed to get the girls out of the building.

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