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Baker - Substitute: going to school with a thousand kids

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Baker Substitute: going to school with a thousand kids
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Day one: Small but hostile -- Day two: Mystery picture -- Day three: I suck at everything -- Day four: Your brain looks infected -- Day five: Toast -- Day six: Out comes the eyeball -- Day seven: What the hell was that? -- Day eight: Hes just a hairy person -- Day nine: I can write, but I dont write -- Day ten: Dont kill penguins cause other friends get sad -- Day eleven: She stole my grape -- Day twelve: I dont judge -- Day thirteen: Theres nothing exciting or fun happening today -- Day fourteen: When you close your eyes and think of peace, what do you see? -- Day fifteen: But we didnt do anything -- Day sixteen: Silent ball -- Day seventeen: Non-negotiables -- Day eighteen: The man who needs it doesnt know it -- Day nineteen: Simple machines -- Day twenty: Stink blob to the rescue -- Day twenty-one: Keep your dear teacher happy -- Day twenty-two: He particularly doesnt like this particular spot -- Day twenty-three: How do you spell juicy? -- Day twenty-four: Hamburger writing -- Day twenty-five: High on summertime -- Day twenty-six: I kind of break my own spirit sometimes -- Day twenty-seven: Thats just the way school is -- Day twenty-eight: Plutonic love.;May be the most revealing depiction of the American contemporary classroom that we have to date--Substitute From the Hardcover edition.

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ALSO BY NICHOLSON BAKER Fiction Traveling Sprinkler House of Holes The - photo 1
ALSO BY NICHOLSON BAKER

Fiction

Traveling Sprinkler

House of Holes

The Anthologist

Checkpoint

A Box of Matches

The Everlasting Story of Nory

The Fermata

Vox

Room Temperature

The Mezzanine

Nonfiction

The Way the World Works

Human Smoke

Double Fold

The Size of Thoughts

U and I

Substitute going to school with a thousand kids - image 2

Substitute going to school with a thousand kids - image 3

An imprint of Penguin Random House LLC

375 Hudson Street

New York, New York 10014

Substitute going to school with a thousand kids - image 4

Copyright 2016 by Nicholson Baker

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

Blue Rider Press is a registered trademark and its colophon is a trademark of Penguin Random House LLC

Excerpts from Hop on Pop by Dr. Seuss, copyright by Dr. Seuss Enterprises, L.P., 1963, renewed 1991. Used by permission of Random House Childrens Books, a division of Penguin Random House LLC.

All rights reserved.

eBook ISBN 9780399576379

Penguin is committed to publishing works of quality and integrity.

In that spirit, we are proud to offer this book to our readers;

however, the story, the experiences, and the words

are the authors alone.

Some names have been changed.

Version_1

To my wife Margaret, my daughter Alice, and my son Elias

CONTENTS
PREFACE

T HIS BOOK IS a moment-by-moment account of the twenty-eight days I spent as the lowest-ranking participant in American education: a substitute teacher. I taught all ages, from kindergartners to twelfth-graders, and all required subjectsreading, writing, math, social studies, and scienceplus a few electives here and there, like metal tech. I taught honors students and students in special ed classesabout a thousand children in all. I didnt have a teaching certificate, and Id never taught in a primary or secondary school, but that didnt matterall you need is a high school diploma, a clean criminal record, and a willingness to tolerate your own ineptitude.

I sought out the teaching job because I wanted to know what life in classrooms was really like. There are many books of educational advice, of theory, of hagiography, of gloomy prognosiswhats missing is a lived-through sense of how busy and complicated and weird and long every school day is; how many ups and downs there are, and how exhaustingand sometimes entertainingschool is, for students and teachers both. Forget curriculum, forget the parts of speech and the noble gases, the nature of prime numbers and the components of an argumentative essay: for many kids, going to school is simply about finding a way to get through six and a half hours of compulsory deskbound fluorescence without wigging out and incurring punishment. In these pages Ive tried to convey, without exaggeration, the noisy, distracted, crazy-making reality of one fairly typical, not-terribly-poor-but-hardly-rich school district. Im grateful to all the students who put up with my own fumbling attempts at doing my job, and to Sarah Hochman and David Rosenthal, of Blue Rider Press, who gave me the go-ahead to write this book. My wife Margaret, and my children Alice and Elias, to whom I lovingly dedicate this book, helped all the way through.

Before we get started, though, I should probably say something about my own schooling. I went to kindergarten at a private school in Rochester, New Yorkmy mother paid for my tuition by painting circular murals of pelicans and polar bears that hung on the wall of the inner courtyard where we had lunch. For first, second, third, and fourth grade, I went to Martin B. Anderson School Number 1 in Rochester, where I had no homework, except once or twice a semester when we had to write a report. Once I saw a boy squash a praying mantis with his sneaker, a horrible sight, and once I saw another boy slammed into a wall by a teacher during a game of dodgeball. In third grade we learned cursive, and the teacher, Mrs. Newcomb, who disliked me because of my Beatles haircut, told me that I was going to injure my eyesight by reading an old edition of Twenty Thousand Leagues Under the Sea, set in tiny type.

In fifth grade, in 1967, I took part in one of the earliest experiments in voluntary integration: I got on a bus and rode, for an hour, from our middle-class neighborhood in Rochester to Clara Barton School Number 2, in what survived of the poor neighborhoods downtown after the bulldozing erasure of urban renewal. Number 2 was a brand-new school, and I was part of a small white minority. The work was not difficultand there was an art class where I made a cast of my hand and threw clay potsand I did practically no homework. I got beaten up once by some older kids, but not badly: that was my only adventure. For seventh grade I went to Number 23 School and was taught by a dashing man who loved basketball. I did nothing in seventh grade except eat Hostess Ho Hos and think about ten-speed bicycles and speed skates. No, not nothing: I completed one five-page report called The Legs and Feet, with diagrams of bones and muscles, when we were assigned to write about transportation in New York State. Eighth grade happened in a special wing of Monroe High School, where the homework was minimal and bathrooms were scary and we had to swim naked in gym class, a hideous experience.

High school was, again, permissive and free of homework and other indications of rigor: I went to a brand-new experimental public school called the School Without Walls, where I played music and took whatever classes I wanted and watched a lot of sitcoms on TV. While at School Without Walls I also audited courses at the University of Rochestertwo literature classes, a history class, and a music theory class at the Eastman School of Music. I graduated a year early and typed my own transcript. And then I went to collegefirst at the Eastman School, and then at Haverford College, where I learned how to write and worked hard. Thats the entirety of my formal education.

Now for my time as a teacher.

LEARNING TARGETS

I N J ANUARY OF 2014 , Regional School Unit 66everyone just called it RSU66offered an adult-education class at Lasswell High School in Lasswell, Maine, about fifty miles from where I live. It met one evening a week for four weeks. The class was called Substitute Teacher Training. I paid the thirty-four-dollar fee and signed up.

We met in a big white room on a frozen Tuesday night in February. There were eight students sitting at circular tablesa potter, a former seller of artists supplies, a former nanny, an elementary school teacher recently moved from Boston, a student from the University of New Hampshire, the wife of a firefighter, a recent high school graduate who wore a brown knit cap, and me. Our teacher, Shelly, passed out a packet of information and said she was going to help us build tools and strategies for our substitute-teaching toolbox. (Her name wasnt actually ShellyIve changed most names, places, and physical descriptions in this book so as not to cause embarrassment or grief.) Everyone who completed the class would receive a certificate and would get paid an extra five dollars per day of substituting, she said. So we would be making seventy dollars a day.

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