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Davis James Cyril - Eric Walrond: a life in the Harlem Renaissance and the Transatlantic Caribbean

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Davis James Cyril Eric Walrond: a life in the Harlem Renaissance and the Transatlantic Caribbean

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Introduction: a Harlem story, a diaspora story -- Guyana and Barbados (1898-1911) -- Panama (1911-1918) -- New York (1918-1923) -- The new Negro (1923-1926) -- Tropic death -- A person of distinction (1926-1929) -- The Caribbean and France (1928-1931) -- London I (1931-1939) -- Bradford-on-Avon (1939-1952) -- Roundway hospital and The second battle (1952-1957) -- London II (1957-1966) -- Postscript.;Eric Walrond (1898-1966) was a writer, journalist, and caustic critic. His short story collection, Tropic Death, was one of the first by a black author to depict Caribbean lives and voices in American fiction. Restoring him to his proper place as a luminary of the Harlem Renaissance, this biography situates Tropic Death within Walronds broader corpus and positions it as a catalyst and driving force behind the New Negro literary movement in America.

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ERIC WALROND
A Life in the Harlem Renaissance and the Transatlantic Caribbean
Picture 1
ERIC WALROND
JAMES DAVIS
Columbia University Press New York
Picture 2
COLUMBIA UNIVERSITY PRESS
Publishers Since 1893
New York Chichester, West Sussex
cup.columbia.edu
Copyright 2015 Columbia University Press
All rights reserved
E-ISBN 978-0-231-53861-9
Library of Congress Cataloging-in-Publication Data
Davis, James C. (James Cyril)
Eric Walrond : a life in the Harlem Renaissance and the Transatlantic Caribbean / James Davis.
pages cm
Includes bibliographical references and index.
ISBN 978-0-231-15784-1 (cloth : alk. paper)
ISBN 978-0-231-53861-9 (ebook)
1. Walrond, Eric, 18981966. 2. American literatureCaribbean American authorsBiography. 3. Harlem Renaissance. I. Title.
PS3545.A5826Z68 2015
818'.5209dc23
[B]
2014029768
A Columbia University Press E-book.
CUP would be pleased to hear about your reading experience with this e-book at .
Cover image: Robert H. Davis Papers, Manuscripts and Archives Division, The New York Public Library, Astor, Lenox and Tilden Foundations.
Cover and book design: Lisa Hamm
References to Web sites (URLs) were accurate at the time of writing.
Neither the author nor Columbia University Press is responsible for URLs that may have expired or changed since the manuscript was prepared.
For my parents
Picture 3
Picture 4 Eric Walrond is the unknown quantity among Negro authors. None is more ambitious than he, none more possessed of keener observation, poetic insight, or intelligence. There is no place in his consciousness for sentimentality, hypocrisy, or clichs. His prose demonstrates his struggles to escape from conventionalities and become an individual talent. But so far this struggle has not been crowned with any appreciable success.
WALLACE THURMAN, AUNT HAGARS CHILDREN (1930)
CONTENTS
Eric Walrond a life in the Harlem Renaissance and the Transatlantic Caribbean - image 5 y greatest debt is to Louis Parascandola and Carl Wade, experts on Eric Walrond and keepers of the flame. They have been unstintingly generous, providing critical documents and deepening my understanding of the value of Walronds writing and life story to scholars and general readers alike. I am grateful to Joan Stewart, granddaughter of Eric Walrond, who provided access to the family papers in the possession of her late mother, Dorothy Stewart. I also wish to thank Dorothy Bone, whose late husband, Robert Bone, conducted extensive research toward a biography of Eric Walrond thirty years ago, without which this book would not be possible. Many people supported this project with interventions and encouragement, including Imani Wilson, Charles Molesworth, David Killingray, John Cowley, Oneka Labennett, ALelia Bundles, Shondel Nero, Katherine Zien, Brent Edwards, Nydia Swaby, Laura Lomas, Amy Cherry, Alice Goheneix, Claire Joubert, Emelienne Baneth, Vanessa Perez-Rosario, Michelle Stephens, Tryon Woods, Aaron Jaffe, Jeffrey Perry, Luis Pulido Ritter, Patrick Scarborough, and my colleagues at Radical Teacher magazine and the Professional Staff Congress. For submitting gamely to unannounced interviews in Wiltshire County, UK, I am grateful to John Cottle, Gerald Bodman, and Mary Lane. For their generosity, I wish to thank Melva Lowe de Goodin and Glenroy James of the Society for the Friends of the Afro-Antillean Museum, Panama City. This project benefited from the early support of a National Endowment of the Humanities seminar, led by Carolyn Levander and Rachel Adams, and a fellowship at the Leon Levy Center for Biography, whose founder, Shelby White, deserves thanks. My co-fellows, Ilan Ehrlich, Hyewon Yi, Maryann Weaver, Thulani Davis, and Molly Peacock, were wonderfully supportive, as were the directors David Nasaw and Nancy Milford. I am grateful for the assistance of many archivists: Sara Garrod, George Padmore Institute; Mary Kiffer, Guggenheim Foundation; Lorna Haycock and Bill Perry, Wiltshire Heritage Museum and Library; Claire Skinner and Michael Marshman, Wiltshire and Swindon History Centre; Elspeth Healey, Harry Ransom Research Center, University of Texas; JoEllen El Bashir, Moorland-Spingarn Research Center, Howard University; Andrea Jackson and Kayin Shabazz, Robert W. Woodruff Library, Atlanta University Center; Carol Leadenham, Hoover Institution Archives, Stanford University; Lee Anne Titangos, Bancroft Library, University of California; Christopher Harter, Amistad Research Center, Tulane University; Diana Carey, Schlesinger Library, Radcliffe Institute; and Sherry Warman, Brooklyn College Library. For supporting my research and travel, I thank the Research Foundation of the City University of New York, the Leonard and Claire Tow Faculty Research Fund, and the Brooklyn College School of Humanities and Social Sciences. I would like to acknowledge the encouragement of my colleagues in Brooklyn Colleges English Department and American Studies Program, too numerous to name here, and I am especially grateful to Joseph Entin, Ellen Tremper, Prudence Cumberbatch, and Martha Nadell. My students are a source of inspiration, and those in Comp Lit 7701 in Spring 2011 deserve particular recognition for helping me refine my thinking. At Columbia University Press, Whitney Johnson has been enormously helpful, and my outside readers, Gary Holcomb and Michelle Stephens, offered incisive suggestions that dramatically improved the book. My editor, Philip Leventhal, has been unflappable and sagacious at every turn, and I am grateful for his guidance. My family has been stalwart in their support and interest; many thanks to Jane and Rob Madell, to my parents, and most of all to Eva, Rose, and Jody, with great affection.
ALPAlain Locke Papers, Moorland-Spingarn Research Center, Howard University
ARCAmistad Research Center, Tulane University
CJMCCountee CullenHarold Jackman Memorial Collection, Robert W. Woodruff Library, Atlanta University Center
CVVCarl Van Vechten Papers, New York Public Library, Rare Books and Manuscripts Division
ERNEthel Ray Nance Papers, Bancroft Library, University of California at Berkeley
GFPJohn Simon Guggenheim Memorial Foundation Papers, New York
HFCHoyt Fuller Collection, Robert W. Woodruff Library, Atlanta University Center
HFPWilliam T. Harmon Foundation Papers, Library of Congress, Washington, DC
HRHRCHarry Ransom Humanities Research Center, University of Texas, Austin
JFCJoseph Freeman Collection, Hoover Institution on War, Revolution and Peace, Stanford University
JWJJames Weldon Johnson Collection, Beinecke Rare Book & Manuscript Library, Yale University
LPLiveright Publishing Co. Papers, W. W. Norton Co., New York
MSRCMoorland-Spingarn Research Center, Howard University
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